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Medea de Euripides

Medea

Autor Euripides Traducere de R. C. Trevelyan
en Limba Engleză Paperback – 7 mai 2014
First published in 1939, this book presents R. C. Trevelyan's English metrical translation of Euripides' Medea. The aim of the text was to reproduce the form, phrasing and movement of the original for the benefit of readers without knowledge of Greek. This book will be of value to anyone with an interest in English translations of ancient Greek drama and the works of Euripides.
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Specificații

ISBN-13: 9781107633810
ISBN-10: 1107633818
Pagini: 58
Dimensiuni: 127 x 178 x 4 mm
Greutate: 0.06 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States

Cuprins

Medea.

Descriere

First published in 1939, this book presents R. C. Trevelyan's English metrical translation of Euripides' Medea.

Notă biografică

Rachel Cusk was born in Canada in 1967 and spent much of her childhood in Los Angeles before finishing her education at St Mary's Convent, Cambridge. She read English at New College, Oxford, and has travelled extensively in Spain and Central America. She is the author of six novels. The first, Saving Agnes (1993), won the Whitbread First Novel Award. A Life's Work: On Becoming a Mother (2001) is a personal exploration of motherhood. In The Lucky Ones (2003) she uses a series of five narratives, loosely linked by the experience of parenthood, to write of life's transformations, of what separates us from those we love and what binds us to those we no longer understand. In 2003, Rachel Cusk was nominated by Granta magazine as one of 20 'Best of Young British Novelists'. Her latest novel is Outline (2014).

Caracteristici

Mike Bartlett is a playwright on form: Chariots of Fire has enjoyed great critical and commercial success; Love, Love, Love received rave reviews in its revival at the Royal Court, early 2012; while Cock is currently in production in New York.

Recenzii

"The excellent Introduction by Robin Mitchell-Boyask displays an admirable command of up-to-date scholarship and judiciously leaves controversial matters open to one's own interpretation. Arnson Svarlien's verse translation has both elegance and power -- it reads well, not just to the eye, but (happily for the director and actors) also to the ear." -- Ian Storey, Department of Classics, Trent University
Diane Arnson Svarlien's body of work means a quantum leap forward in the vibrancy and immediacy of classical verse drama. I first learned of her work when I was searching, madly, for a translation of Medea for a production I had been hired to direct. I sought out every published version. I tried to track down any unpublished ones rumored to exist. All the others were wanting; her translation was revelatory. Merely read her translation of the play, then read another. You will sense the difference. This is particularly true if you are a practitioner of theatre.--Patrick Wang, Director of Diane Arnson Svarlien's Medea in its world premiere at the Stella Adler Studio, and of the feature film In the Family, nominated for a "Best First Feature" Independent Spirit Award. Retrieved from monkeyatatypewriter.com.
This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review
Fluid, lively, and accurate!Amy Vail, Department of Classics, Baylor University