Meter, Rhythm and Performance - Metrum, Rhythmus, Performanz: Linguistik International, cartea 6
Editat de Christoph Kuperde Limba Germană Paperback
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Specificații
ISBN-13: 9783631356975
ISBN-10: 3631356978
Pagini: 476
Dimensiuni: 210 x 151 x 28 mm
Greutate: 0 kg
Editura: Peter Lang Gmbh, Internationaler Verlag Der W
Seria Linguistik International
ISBN-10: 3631356978
Pagini: 476
Dimensiuni: 210 x 151 x 28 mm
Greutate: 0 kg
Editura: Peter Lang Gmbh, Internationaler Verlag Der W
Seria Linguistik International
Notă biografică
The Editor: Christoph Küper is Professor of English Linguistics at the University of Vechta/Germany. He received a Ph.D. in English from the University of Marburg and a postdoctoral degree in German Linguistics from the Technical University of Berlin. As a guest-professor, he taught at the universities of Marburg, Berlin, and Göttingen. He published various books and numerous articles on metrics, poetics, textlinguistics, semiotics, and syntax.
Cuprins
Contents: Christoph Küper: Introduction - Reuven Tsur: A Perception-Oriented Theory of Meter and the Rhythmical Performance of Poetry - Marina Tarlinskaja: Verse Text: Its Meter and Its Oral Rendition - Christian Wagenknecht: Zum Begriff der Tonbeugung - Eske Bockelmann: Der Rhythmus nach betont und unbetont: Antwort auf eine kopernikanische Frage - Michael Redford: English, Dutch and German Meter: The Role of Linguistic Givens - Jan G. Kooij: When Is a Peak a Peak? Metrical Structure in Modern Poetry - Johann Nikolaus Schneider: Klopstock at Vechta: An Obstinate Conference Participant - Jörgen Larsson: Cognitive Rhythm - A Part of Performance - Hans Lösener: Rhythmus und Sinn - Anmerkungen zu einem Problem der Metrik - Marianne Nordman: Investigating Prose Rhythm: A Model for Systematic Analysis - Isabel Zollna: Formelbildung und Improvisation: Rhythmisierung zwischen Wiederholung und Expressivität. Spanische, französische, englische und deutsche Verkaufsrufe als oral poetry - Augustin Mannerheim: Rhythmic Patterns: Critical Points in Poetic Performance - Alaric Sumner: Dominating Performance, Regulating Text. The Academic's Fear of the Moment: Verse Isn't Free but Neither is It In Chains - Peter L. Groves: «Knocking a Verse on the Head»: Towards a Performance Grammar of English Verse - Beatrix Hesse: Speaking Shakespeare's Verse on Stage - Beth Bjorklund: On the Integrity of the Line in Free Verse - Eva Lilja: Meter, Rhythm and Free Verse - Frank J. Kearful: What to Do with Free Verse? Three Twentieth-Century American Poems - Hildegard L. C. Tristram: European Versification: The Effect of Literacy - Graham R. Isaac: Meter and Performance in Early Welsh Poetry - Jürgen Blänsdorf: Witz - Würde - Wucht: Wirkungsqualitäten antiker, spätantiker und mittelalterlicher lateinischer Versarten - John R. Cooper: Iambic Pentameter in the Lyrics of Surrey and Sidney - Isabel Martin: The Rich Repertoire of Metrics in Contemporary British Poetry: Peter Reading - Nila Friedberg: 'Foreign Flavor' in Brodsky's Verse - David Chisholm: Metrical Structures as Stylistic Features in German Literary Prose - Emily Klenin: Meter, Rhythm, and the Stanza: A Russian Poet, Two German Models - Evgenij V. Kasartsev: Die Anwendung linguistischer Statistik bei der Analyse des deutschen Verses - Marina Krasnoperova: Evolution of the Rhythmics of Russian Verse and a Semiotic Model: On the Material of Russian Iambic Tetrameter - Aleksander Bjelcevic: The Caesura in Slovene and Serbo-Croatian Verse - Volker M. Tschannerl: Metrum, Ritual und Melodie im alten Indien - Heike Moser-Achuthath: Versrezitation im Sanskrit-Theater Ku?iya??am (Kerala/Südindien).