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Modelling International Collaborations in Art Education: IB - Artwork Scholarship: International Perspectives in Education

Autor Peter Sramek, Charisse Fung, Giselle Mira-Diaz
en Limba Engleză Hardback – 21 iun 2024
Based on over a decade of collective teaching, this volume explores the hybrid use of online and in-person collaboration as a means of offering international experience to university-level arts students.

Illustrated with photographs, screenshots, diagrams, posters, and examples of collaborative student art projects, this book inspires reflection on teaching methodologies and student artmaking strategies across cultures and languages. Pedagogical and methodological topics trace an evolution of curricular approaches and the use of evolving online platforms. Examples of themes and visual strategies demonstrate the power of student-directed collaborative learning. Diverse voices have been gathered through research conducted with educators and alumni connected to the International Art Collaborations Network (INTAC), providing perspectives on working collaboratively in a global context.

Student projects exemplify responses to the challenges of communication and creation that come with distanced artistic partnerships. Chapters end with suggested points for conversation, whether between educators, students of art education, or students entering collaborations. Although based on experiences in the visual arts, the ideas and methods are applicable to others engaging in inter-institutional education or online collaborative practices.
 
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Specificații

ISBN-13: 9781789389258
ISBN-10: 1789389259
Pagini: 368
Ilustrații: 274 halftones
Dimensiuni: 210 x 265 x 30 mm
Greutate: 1.19 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria IB - Artwork Scholarship: International Perspectives in Education


Notă biografică

Peter Sramek is a visual artist with a practice in photography and book arts. As professor emeritus at OCAD University in Canada, he has worked to develop innovative curricula in the arts for more than four decades. Since 2010, the development of the INTAC network has been a key focus for his ongoing efforts to expand experiential and cross-cultural learning opportunities for students. He is the author of Piercing Time: Paris After Marville and Atget 1865–2012, also published by Intellect Books. Giselle Mira-Diaz is an artist and art educator based in Chicago. Today she is part of the INTAC team as the archive project analyst. She is currently completing an MFA in Photography at Columbia College Chicago and working as an education assistant at the Museum of Contemporary Photography. Charisse Fung is an INTAC alumna who participated in collaborative projects from 2018 to 2021 at OCAD University, joining the INTAC Archive Project Team as project archivist and research assistant. Fung is a curator, artist, and archivist from Hong Kong (and now Canada).

Cuprins

 


    Acknowledgements


    About this Book




Introduction




        Circles of Engagement          


        A Brief History          


        Finding Possibilities  


        Developing a Programme                                                                              


        Reviewing the Decade           




Why International? Why Collaboration?




        The Importance of Global Connections        


        Situating the International in Art Education 


        Cultural Diversity and Global Awareness     


        Collaboration as a Key          


        ‘Catalyzing Change’  


            Dr. Juha Suonpää, TAMK (Finland)


        Questions and Challenges (2)




Discovering Collaborative Practices




        Enabling Interaction  


        Coming to Collaboration       


        ‘Contemporary and Historical Models: Virtual art collaborations, artistic collectives, and exchanges across             borders’      


            Giselle Mira-Diaz (INTAC)


        ‘Collective Body 2008–2020’                                                                        


            Prof. Patricia Azevedo UFMG (Brasíl) and
            Prof. Clare Charnley LBU (UK)


        Questions and Challenges (3)




Setting the Stage




        Key Ground Rules     


        Preparing Students for Collaboration


        Modes of Speaking    


        Facilitation: Following the student process   


        Questions and Challenges (4)




Collaborative Programme Models




        Organic Networking  


        Short-Term Projects  


        Intensives       


        Workshop Travel       


        Extending Engagements        


        The INTAC Model    


        Shared Events


        Questions and Challenges (5)




Pedagogy and Educators




        A Broader Conception of Teaching  


        Enabling Student Experience


        Why do faculty do it?


        ‘Why INTAC Participants DO Activate their Cameras?: The Importance of Collaboration in Emancipatory                 Education’ 


            Prof. Sofía Sienra Chaves, UAEMex (Mexico)


        ‘Trusting the Process’


            Prof. Meera Margaret Singh, OCADU (Canada)


        ‘poetry of transience’ 


            Prof. Walter Bergmoser, UE (Germany)


        Questions and Challenges (6)




Addressing Institutional Contexts




        Institutional Support  


        Barriers          


        Inter-institutional Territories 


        Complex Diversity    


        Working with Matched Partnerships 


        Questions and Challenges (7)




Engaging Global Themes




        Defining Thematics   


        Arriving at Meaningful Projects        


        Global Themes          


        ‘Let’s think about the journey of bananas’    


            Phuong Hoang, RMIT (Vietnam) / UE (Germany)


        Questions and Challenges (8)




Bridging Diverse Contexts




        How Different is Difference?


        Understanding Difference     


        Working Across Languages  


        Visual Language        


        Diverse Learning Environments        


        Building Bridges        


        Considerations of travel         


        ‘Metaverse & INTAC: The Dilemma & Breakthrough of Chinese Students’          


             Dr. Liu Fan, WTU (China)


        ‘Art Over Language’ 


             Prof. Silas Fong, CAU (South Korea)


        Questions and Challenges (9)




The Dynamics of the Student Experience




        Student Voices           


        Motivations    


        Challenges for Collaboration


        Alumni Recommendations    


        Learning Outcomes   


        Alumni Interviews     


        Participant Manifesto: Ground Rules
        for Collaborators        


        Questions and Challenges (10)          




Student Collaboration in Practice




        Approaches to Collaborative Artmaking       


        Experiments in a Digital World        


        Collaborative Strategies        


        The Physical–Virtual Interface                                                                      




Collective Body Projects: 2008–20




        Threads Between Partners     


        ‘Second on the Right and Keep on Going…’                                                


            Prof. Patricia Azevedo, UFMG (Brasil) and
            Prof. Clare Charnley, LBU (UK)




Face-to-Face




        The Impact of Meeting          


        Exhibitions     


        Workshops and Debriefing Sessions 


        Social and Cultural Activities




Online Exhibition




        Inhabiting the Online Space  


        Transitioning to Virtual Presentation


        Animating the Virtual Exhibition Experience           


        INTAC on Kunstmatrix.com 




Activating the Online Space




        A Decade of Evolving Online Options          


        Meaningful Virtual Interaction          


        Negotiating Online Platforms


        Selecting Workspaces


        Platform Options       


        Acceptance of Online Platforms       


        Ensuring Dynamic Online Spaces     


        Online Activities        


        Student Agency in Online Channels 


        The Question of Visibility     


        It’s about the communication


        Questions and Challenges (15)          




Modelling the Future




        An Expanded Vision 


        A Sustainable Scenario          


        Expanding Collaborative Networks  


        Questions and Challenges (16)   


    Appendices


        Appendix A – Key Alumni Survey Data       


        Appendix B – Chronologies  


    Partners          


    Notes on Authors and Contributors   


    List of Figures


    Index