Modelling International Collaborations in Art Education: IB - Artwork Scholarship: International Perspectives in Education
Autor Peter Sramek, Charisse Fung, Giselle Mira-Diazen Limba Engleză Hardback – 21 iun 2024
Illustrated with photographs, screenshots, diagrams, posters, and examples of collaborative student art projects, this book inspires reflection on teaching methodologies and student artmaking strategies across cultures and languages. Pedagogical and methodological topics trace an evolution of curricular approaches and the use of evolving online platforms. Examples of themes and visual strategies demonstrate the power of student-directed collaborative learning. Diverse voices have been gathered through research conducted with educators and alumni connected to the International Art Collaborations Network (INTAC), providing perspectives on working collaboratively in a global context.
Student projects exemplify responses to the challenges of communication and creation that come with distanced artistic partnerships. Chapters end with suggested points for conversation, whether between educators, students of art education, or students entering collaborations. Although based on experiences in the visual arts, the ideas and methods are applicable to others engaging in inter-institutional education or online collaborative practices.
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Specificații
ISBN-13: 9781789389258
ISBN-10: 1789389259
Pagini: 368
Ilustrații: 274 halftones
Dimensiuni: 210 x 265 x 30 mm
Greutate: 1.19 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria IB - Artwork Scholarship: International Perspectives in Education
ISBN-10: 1789389259
Pagini: 368
Ilustrații: 274 halftones
Dimensiuni: 210 x 265 x 30 mm
Greutate: 1.19 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria IB - Artwork Scholarship: International Perspectives in Education
Notă biografică
Peter Sramek is a visual artist with a practice in photography and book arts. As professor emeritus at OCAD University in Canada, he has worked to develop innovative curricula in the arts for more than four decades. Since 2010, the development of the INTAC network has been a key focus for his ongoing efforts to expand experiential and cross-cultural learning opportunities for students. He is the author of Piercing Time: Paris After Marville and Atget 1865–2012, also published by Intellect Books. Giselle Mira-Diaz is an artist and art educator based in Chicago. Today she is part of the INTAC team as the archive project analyst. She is currently completing an MFA in Photography at Columbia College Chicago and working as an education assistant at the Museum of Contemporary Photography. Charisse Fung is an INTAC alumna who participated in collaborative projects from 2018 to 2021 at OCAD University, joining the INTAC Archive Project Team as project archivist and research assistant. Fung is a curator, artist, and archivist from Hong Kong (and now Canada).
Cuprins
Acknowledgements
About this Book
Introduction
Circles of Engagement
A Brief History
Finding Possibilities
Developing a Programme
Reviewing the Decade
Why International? Why Collaboration?
The Importance of Global Connections
Situating the International in Art Education
Cultural Diversity and Global Awareness
Collaboration as a Key
‘Catalyzing Change’
Dr. Juha Suonpää, TAMK (Finland)
Questions and Challenges (2)
Discovering Collaborative Practices
Enabling Interaction
Coming to Collaboration
‘Contemporary and Historical Models: Virtual art collaborations, artistic collectives, and exchanges across borders’
Giselle Mira-Diaz (INTAC)
‘Collective Body 2008–2020’
Prof. Patricia Azevedo UFMG (Brasíl) and
Prof. Clare Charnley LBU (UK)
Questions and Challenges (3)
Setting the Stage
Key Ground Rules
Preparing Students for Collaboration
Modes of Speaking
Facilitation: Following the student process
Questions and Challenges (4)
Collaborative Programme Models
Organic Networking
Short-Term Projects
Intensives
Workshop Travel
Extending Engagements
The INTAC Model
Shared Events
Questions and Challenges (5)
Pedagogy and Educators
A Broader Conception of Teaching
Enabling Student Experience
Why do faculty do it?
‘Why INTAC Participants DO Activate their Cameras?: The Importance of Collaboration in Emancipatory Education’
Prof. Sofía Sienra Chaves, UAEMex (Mexico)
‘Trusting the Process’
Prof. Meera Margaret Singh, OCADU (Canada)
‘poetry of transience’
Prof. Walter Bergmoser, UE (Germany)
Questions and Challenges (6)
Addressing Institutional Contexts
Institutional Support
Barriers
Inter-institutional Territories
Complex Diversity
Working with Matched Partnerships
Questions and Challenges (7)
Engaging Global Themes
Defining Thematics
Arriving at Meaningful Projects
Global Themes
‘Let’s think about the journey of bananas’
Phuong Hoang, RMIT (Vietnam) / UE (Germany)
Questions and Challenges (8)
Bridging Diverse Contexts
How Different is Difference?
Understanding Difference
Working Across Languages
Visual Language
Diverse Learning Environments
Building Bridges
Considerations of travel
‘Metaverse & INTAC: The Dilemma & Breakthrough of Chinese Students’
Dr. Liu Fan, WTU (China)
‘Art Over Language’
Prof. Silas Fong, CAU (South Korea)
Questions and Challenges (9)
The Dynamics of the Student Experience
Student Voices
Motivations
Challenges for Collaboration
Alumni Recommendations
Learning Outcomes
Alumni Interviews
Participant Manifesto: Ground Rules
for Collaborators
Questions and Challenges (10)
Student Collaboration in Practice
Approaches to Collaborative Artmaking
Experiments in a Digital World
Collaborative Strategies
The Physical–Virtual Interface
Collective Body Projects: 2008–20
Threads Between Partners
‘Second on the Right and Keep on Going…’
Prof. Patricia Azevedo, UFMG (Brasil) and
Prof. Clare Charnley, LBU (UK)
Face-to-Face
The Impact of Meeting
Exhibitions
Workshops and Debriefing Sessions
Social and Cultural Activities
Online Exhibition
Inhabiting the Online Space
Transitioning to Virtual Presentation
Animating the Virtual Exhibition Experience
INTAC on Kunstmatrix.com
Activating the Online Space
A Decade of Evolving Online Options
Meaningful Virtual Interaction
Negotiating Online Platforms
Selecting Workspaces
Platform Options
Acceptance of Online Platforms
Ensuring Dynamic Online Spaces
Online Activities
Student Agency in Online Channels
The Question of Visibility
It’s about the communication
Questions and Challenges (15)
Modelling the Future
An Expanded Vision
A Sustainable Scenario
Expanding Collaborative Networks
Questions and Challenges (16)
Appendices
Appendix A – Key Alumni Survey Data
Appendix B – Chronologies
Partners
Notes on Authors and Contributors
List of Figures
Index