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Modelling International Collaborations in Art Education: IB - Artwork Scholarship: International Perspectives in Education

Autor Peter Sramek, Charisse Fung, Giselle Mira-Diaz
en Limba Engleză Paperback – 17 feb 2025
Based on over a decade of collective teaching, this volume explores the hybrid use of online and in-person collaboration as a means of offering international experience to university-level arts students.

Illustrated with photographs, screenshots, diagrams, posters, and examples of collaborative student art projects, this book inspires reflection on teaching methodologies and student artmaking strategies across cultures and languages. Pedagogical and methodological topics trace an evolution of curricular approaches and the use of evolving online platforms. Examples of themes and visual strategies demonstrate the power of student-directed collaborative learning. Diverse voices have been gathered through research conducted with educators and alumni connected to the International Art Collaborations Network (INTAC), providing perspectives on working collaboratively in a global context.

Student projects exemplify responses to the challenges of communication and creation that come with distanced artistic partnerships. Chapters end with suggested points for conversation, whether between educators, students of art education, or students entering collaborations. Although based on experiences in the visual arts, the ideas and methods are applicable to others engaging in inter-institutional education or online collaborative practices.
 
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Specificații

ISBN-13: 9781835950678
ISBN-10: 1835950671
Pagini: 376
Ilustrații: 274 halftones col
Dimensiuni: 210 x 265 x 25 mm
Greutate: 0.99 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria IB - Artwork Scholarship: International Perspectives in Education


Notă biografică

Peter Sramek is a visual artist with a practice in photography and book arts. As professor emeritus at OCAD University in Canada, he has worked to develop innovative curricula in the arts for more than four decades. Since 2010, the development of the INTAC network has been a key focus for his ongoing efforts to expand experiential and cross-cultural learning opportunities for students. He is the author of Piercing Time: Paris After Marville and Atget 1865–2012, also published by Intellect Books. Giselle Mira-Diaz is an artist and art educator based in Chicago. Today she is part of the INTAC team as the archive project analyst. She is currently completing an MFA in Photography at Columbia College Chicago and working as an education assistant at the Museum of Contemporary Photography. Charisse Fung is an INTAC alumna who participated in collaborative projects from 2018 to 2021 at OCAD University, joining the INTAC Archive Project Team as project archivist and research assistant. Fung is a curator, artist, and archivist from Hong Kong (and now Canada).

Cuprins

 
    Acknowledgements
    About this Book
  1. Introduction
        Circles of Engagement          
        A Brief History          
        Finding Possibilities  
        Developing a Programme                                                                              
        Reviewing the Decade           
  1. Why International? Why Collaboration?
        The Importance of Global Connections        
        Situating the International in Art Education 
        Cultural Diversity and Global Awareness     
        Collaboration as a Key          
        ‘Catalyzing Change’  
            Dr. Juha Suonpää, TAMK (Finland)
        Questions and Challenges (2)
  1. Discovering Collaborative Practices
        Enabling Interaction  
        Coming to Collaboration       
        ‘Contemporary and Historical Models: Virtual art collaborations, artistic collectives, and exchanges across             borders’      
            Giselle Mira-Diaz (INTAC)
        ‘Collective Body 2008–2020’                                                                        
            Prof. Patricia Azevedo UFMG (Brasíl) and
            Prof. Clare Charnley LBU (UK)

        Questions and Challenges (3)
  1. Setting the Stage
        Key Ground Rules     
        Preparing Students for Collaboration
        Modes of Speaking    
        Facilitation: Following the student process   
        Questions and Challenges (4)
  1. Collaborative Programme Models
        Organic Networking  
        Short-Term Projects  
        Intensives       
        Workshop Travel       
        Extending Engagements        
        The INTAC Model    
        Shared Events
        Questions and Challenges (5)
  1. Pedagogy and Educators
        A Broader Conception of Teaching  
        Enabling Student Experience
        Why do faculty do it?
        ‘Why INTAC Participants DO Activate their Cameras?: The Importance of Collaboration in Emancipatory                 Education’ 
            Prof. Sofía Sienra Chaves, UAEMex (Mexico)
        ‘Trusting the Process’
            Prof. Meera Margaret Singh, OCADU (Canada)
        ‘poetry of transience’ 
            Prof. Walter Bergmoser, UE (Germany)
        Questions and Challenges (6)
  1. Addressing Institutional Contexts
        Institutional Support  
        Barriers          
        Inter-institutional Territories 
        Complex Diversity    
        Working with Matched Partnerships 
        Questions and Challenges (7)
  1. Engaging Global Themes
        Defining Thematics   
        Arriving at Meaningful Projects        
        Global Themes          
        ‘Let’s think about the journey of bananas’    
            Phuong Hoang, RMIT (Vietnam) / UE (Germany)
        Questions and Challenges (8)
  1. Bridging Diverse Contexts
        How Different is Difference?
        Understanding Difference     
        Working Across Languages  
        Visual Language        
        Diverse Learning Environments        
        Building Bridges        
        Considerations of travel         
        ‘Metaverse & INTAC: The Dilemma & Breakthrough of Chinese Students’          
             Dr. Liu Fan, WTU (China)
        ‘Art Over Language’ 
             Prof. Silas Fong, CAU (South Korea)
        Questions and Challenges (9)
  1. The Dynamics of the Student Experience
        Student Voices           
        Motivations    
        Challenges for Collaboration
        Alumni Recommendations    
        Learning Outcomes   
        Alumni Interviews     
        Participant Manifesto: Ground Rules
        for Collaborators        
        Questions and Challenges (10)          
  1. Student Collaboration in Practice
        Approaches to Collaborative Artmaking       
        Experiments in a Digital World        
        Collaborative Strategies        
        The Physical–Virtual Interface                                                                      
  1. Collective Body Projects: 2008–20
        Threads Between Partners     
        ‘Second on the Right and Keep on Going…’                                                
            Prof. Patricia Azevedo, UFMG (Brasil) and
            Prof. Clare Charnley, LBU (UK)

  1. Face-to-Face
        The Impact of Meeting          
        Exhibitions     
        Workshops and Debriefing Sessions 
        Social and Cultural Activities
  1. Online Exhibition
        Inhabiting the Online Space  
        Transitioning to Virtual Presentation
        Animating the Virtual Exhibition Experience           
        INTAC on Kunstmatrix.com 
  1. Activating the Online Space
        A Decade of Evolving Online Options          
        Meaningful Virtual Interaction          
        Negotiating Online Platforms
        Selecting Workspaces
        Platform Options       
        Acceptance of Online Platforms       
        Ensuring Dynamic Online Spaces     
        Online Activities        
        Student Agency in Online Channels 
        The Question of Visibility     
        It’s about the communication
        Questions and Challenges (15)          
  1. Modelling the Future
        An Expanded Vision 
        A Sustainable Scenario          
        Expanding Collaborative Networks  
        Questions and Challenges (16)   
    Appendices
        Appendix A – Key Alumni Survey Data       
        Appendix B – Chronologies  
    Partners          
    Notes on Authors and Contributors   
    List of Figures
    Index