New Paths in Theatre Translation and Surtitling: Routledge Research in Audiovisual Translation
Editat de Vasiliki Misiou, Loukia Kostopoulouen Limba Engleză Hardback – 9 aug 2023
The volume collects the latest research on surtitling, which encompasses translating lyrics or sections of dialogue and projecting them on a screen. While most work has focused on opera, this book showcases how it has increasingly played a role in theatre by examining examples from well-known festivals and performances. The 11 chapters underscore how the hybrid nature and complex semiotic modes of theatrical texts, coupled with technological advancements, offer a plurality of possibilities for applying surtitling effectively across different contexts. The book calls attention to the ways in which agents in theatrical spaces need to carefully reflect on the role of surtitling in order to best serve the needs of diverse audiences and produce inclusive productions, from translators considering appropriate strategies to directors working on how to creatively employ it in performance to companies looking into all means available for successful implementation.
Offering a space for interdisciplinary dialogues on surtitling in theatre, this book will be of interest to scholars in audiovisual translation, media accessibility, and theatre and performance studies.
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Specificații
ISBN-13: 9781032213309
ISBN-10: 1032213302
Pagini: 264
Ilustrații: 5 Tables, black and white; 8 Line drawings, black and white; 18 Halftones, black and white; 26 Illustrations, black and white
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.65 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Audiovisual Translation
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032213302
Pagini: 264
Ilustrații: 5 Tables, black and white; 8 Line drawings, black and white; 18 Halftones, black and white; 26 Illustrations, black and white
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.65 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Audiovisual Translation
Locul publicării:Oxford, United Kingdom
Public țintă
PostgraduateNotă biografică
Vasiliki Misiou is Assistant Professor in the Department of Translation and Intercultural Studies at the School of English, Aristotle University of Thessaloniki, Greece. She is the author of The Renaissance of Women Translators in 19th-Century Greece (Routledge, 2023) and she is currently co-editing Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage (Routledge, forthcoming).
Loukia Kostopoulou is a Senior Teaching and Research Fellow in Audiovisual Translation at the School of French, Aristotle University of Thessaloniki. She is the author of Intermediality in European Avant-garde Cinema (Routledge, 2023), co-editor of The Fugue of the Five Senses and the Semiotics of the Shifting Sensorium (2019), Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage (Routledge, forthcoming) and Managing Editor of Punctum. International Journal of Semiotics.
Loukia Kostopoulou is a Senior Teaching and Research Fellow in Audiovisual Translation at the School of French, Aristotle University of Thessaloniki. She is the author of Intermediality in European Avant-garde Cinema (Routledge, 2023), co-editor of The Fugue of the Five Senses and the Semiotics of the Shifting Sensorium (2019), Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage (Routledge, forthcoming) and Managing Editor of Punctum. International Journal of Semiotics.
Cuprins
List of figures and tables
Notes on contributors
Acknowledgements
Introduction: Resetting the scene: theatre translation and surtitling revisited
Vasiliki Misiou and Loukia Kostopoulou
PART I
Rethinking theatre translation: Text, performance, translator
1 Music and sub(sur)titling: Paradoxes and inconsistencies in today’s live performances
Lucile Desblache
2 Coming to terms: Towards a hermeneutics of expectation in theatre surtitling
Sarah Maitland
3 At the crossroad of translation and performance: Theatre translation and Practice as Research
Angela Tiziana Tarantini
4 Post-dramatic mediaturgy in translation: The trials of technotexts
Titika Dimitroulia
PART II
Surtitle(r)s taking the stage
5 Chicago: A musical on stage and screen in Spanish translation
Marta Mateo
6 Multiple voices in surtitling on contemporary Catalan stages
Eva Espasa
7 The acrobatics of theatre surtitling: The case of The Lehman Trilogy
Marisa S. Trubiano
PART III
Catering for diverse audiences: Minority groups, accessibility, and immersive experience
8 On target: Surtitles, translation strategies and audience reception
Louise Ladouceur and Milane Pridmore-Franz
9 From stage to screen: Digital transformations and accessibility in the scenic arts
Estella Oncins
10 Integrated immersive inclusiveness: Rethinking captioning for creative accessibility
Pierre-Alexis Mével, Jo Robinson, and Paul Tennent
11 Breaking the conventions about surtitles: The case of Buona la Prima
Antonia Mele Scorcia
Index
Notes on contributors
Acknowledgements
Introduction: Resetting the scene: theatre translation and surtitling revisited
Vasiliki Misiou and Loukia Kostopoulou
PART I
Rethinking theatre translation: Text, performance, translator
1 Music and sub(sur)titling: Paradoxes and inconsistencies in today’s live performances
Lucile Desblache
2 Coming to terms: Towards a hermeneutics of expectation in theatre surtitling
Sarah Maitland
3 At the crossroad of translation and performance: Theatre translation and Practice as Research
Angela Tiziana Tarantini
4 Post-dramatic mediaturgy in translation: The trials of technotexts
Titika Dimitroulia
PART II
Surtitle(r)s taking the stage
5 Chicago: A musical on stage and screen in Spanish translation
Marta Mateo
6 Multiple voices in surtitling on contemporary Catalan stages
Eva Espasa
7 The acrobatics of theatre surtitling: The case of The Lehman Trilogy
Marisa S. Trubiano
PART III
Catering for diverse audiences: Minority groups, accessibility, and immersive experience
8 On target: Surtitles, translation strategies and audience reception
Louise Ladouceur and Milane Pridmore-Franz
9 From stage to screen: Digital transformations and accessibility in the scenic arts
Estella Oncins
10 Integrated immersive inclusiveness: Rethinking captioning for creative accessibility
Pierre-Alexis Mével, Jo Robinson, and Paul Tennent
11 Breaking the conventions about surtitles: The case of Buona la Prima
Antonia Mele Scorcia
Index
Recenzii
"A rich collection of case studies, examples of good practice and theoretical challenges found in theatre translation and surtitling, sure to captivate practitioners, trainers and researchers alike. It covers a wealth of languages and contexts, including interventions resulting from the constraints brought about by the COVID-19 outbreak. The authors present fresh perspectives on how theatre translation and surtitling can be strengthened by innovative, collaborative, and technology-supported practices, thus continuing to foster inclusion and communication."
Professor Alina Secară, University of Vienna
Professor Alina Secară, University of Vienna
Descriere
This collection provides an in-depth exploration of surtitling for theatre and its potential in enhancing accessibility and creativity in both the production and reception of theatrical performances.