Performing King Lear: Gielgud to Russell Beale
Autor Jonathan Croallen Limba Engleză Hardback – 21 oct 2015
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Specificații
ISBN-13: 9781474223867
ISBN-10: 1474223869
Pagini: 264
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 1474223869
Pagini: 264
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Caracteristici
A
unique
study
of
the
play
drawing
on
a
range
of
interiews
with
leading
actors
and
directors
including
Nicholas
Hytner,
Adrian
Noble,
David
Hare,
Kenneth
Brannagh,
Deborah
Warner,
Derek
Jacobi,
Jonathan
Miller,
Dominic
Dromgoole
and
Simon
Russell
Beale.
Notă biografică
Jonathan
Croallis
a
distinguished
biographer
and
theatre
historian.
He
is
the
author
of
twenty
books,
notably
the
acclaimed
biographiesJohn
Gielgud:
Matinee
Idol
to
Movie
Star(Methuen
Drama)
andSybil
Thorndike:
A
Star
of
Life.
Cuprins
Introduction1
A
Stage
History2
The
First
of
the
Moderns:
John
Gielgud,
Randle
Ayrton,
Donald
Wolfit,
Laurence
Olivier
3
At
the
Old
Vic:
William
Devlin,
John
Gielgud4
A
Stratford
Decade:
John
Gielgud,
Michael
Redgrave,
Charles
Laughton,
Paul
Scofield5
For
the
Royal
Shakespeare
Company:
Eric
Porter,
Donald
Sinden,
Michael
Gambon6
Around
the
Regions:
Michael
Hordern,
Kathryn
Hunter,
Warren
Mitchell,
Pete
Postlethwaite,
Tim
Pigott-Smith7
At
the
Old
Vic
2:
Anthony
Quayle,
Eric
Porter,
Alan
Howard
8
In
the
Round:
Paul
Shelley,
Clive
Swift,
John
Shrapnel9
For
the
Royal
Shakespeare
Company
2:
John
Wood,
Robert
Stephens,
Nigel
Hawthorne
10
At
the
Globe:
Julian
Glover,
David
Calder,
Joseph
Marcell
11
On
the
Road:
Timothy
West,
Anthony
Quayle,
Richard
Briers
12
In
Wales
and
Scotland:
Nicol
Williamson,
David
Hayman
13
Young
Audiences,
Young
Players:
Tony
Church,
Richard
Haddon
Haines,
Timothy
West,
Nonso
Anozie,
Paul
Copley14
For
the
Royal
Shakespeare
Company
3:
Corin
Redgrave,
Ian
McKellen,
Greg
Hicks
15
In
Smaller
Spaces:
Robert
Demeger,
Tom
Wilkinson,
Oliver
Cotton,
Oliver
Ford
Davies,
Derek
Jacobi,
Jonathan
Pryce
16
Transatlantic
Sessions:
Peter
Ustinov,
Christopher
Plummer,
Frank
Langella,
Michael
Pennington
17
At
the
National:
Anthony
Hopkins,
Brian
Cox,
Ian
Holm,
Simon
Russell
BealeSourcesFurther
ReadingAcknowledgementsIndex
Recenzii
[An]
illuminating
survey
of
modern
approaches
to
the
play
in
performance
...
[providing]
succinct
accounts
of
nearly
50
performances
over
the
last
half-century.
There are about 40 living actors who've tackled the role. Read this book, all ye students, and find out as much as you can about how it's been done in the recent past.
A superb survey by Jonathan Croall of modern Lears (from Gielgud onwards).
[Performing King Lear] contains detailed critical and personal accounts of nearly 60 productions, some successful, some not ... Croall draws on published memoirs and frequently rueful interviews conducted with actors and directors for this project, to give the reader some sense of what the Lear experience is like from within. Chapters devoted to the exertions of Gielgud, Charles Laughton and an ill-fated production starring Nigel Hawthorne make for compelling reading.
[E]xemplary ...King Learis for me, and for many Shakespeareans, the Mount Everest of the Shakespearean canon, and Jonathan Croall's excellently helpful and insightful book enables us to enjoy a broad perspective from the top of the summit.
[Croall] has staked a convincing claim to being Britain's leading theatrical commentator and biographer ... [and i]n this latest book, he makes a valuable addition to theatre history ... So much in this collection, on matters large and small, is stimulating to read that it seems invidious to single out any passages ... Croall should be encouraged - urged - to work his way through the other great roles in the Shakespearean canon.
A fascinating book to anyone interested in theatre history or in the art of interpretation
I'm enjoying dipping into this very readable and insightful book, and very much appreciated the overview of our production
By playing King Lear you join a conversation with colleagues alive and dead, male and female, and of surprisingly varied ages. Jonathan Croall's vividly researched book celebrates both our diversity and our common ground.
I enjoyed reading about the various interpretations, including my own efforts - fascinating, and a lot to be learned.
Truly glorious. What a wonderful achievement.
A genuinely fascinating read. The plurality of approaches is breathtaking
A valuable resource in reconstructing the ways and means by which the play has been made to mean on the stage, and the fables of retrospection that the play has produced.
This book will be of great interest to a wide range of people - students and academics interested in interpretations of this complex play, actors, directors and designers (the book is particularly strong on describing the many and various ways in which the play has been staged from a visual point of view), and of course anyone who loves the play itself.
There are about 40 living actors who've tackled the role. Read this book, all ye students, and find out as much as you can about how it's been done in the recent past.
A superb survey by Jonathan Croall of modern Lears (from Gielgud onwards).
[Performing King Lear] contains detailed critical and personal accounts of nearly 60 productions, some successful, some not ... Croall draws on published memoirs and frequently rueful interviews conducted with actors and directors for this project, to give the reader some sense of what the Lear experience is like from within. Chapters devoted to the exertions of Gielgud, Charles Laughton and an ill-fated production starring Nigel Hawthorne make for compelling reading.
[E]xemplary ...King Learis for me, and for many Shakespeareans, the Mount Everest of the Shakespearean canon, and Jonathan Croall's excellently helpful and insightful book enables us to enjoy a broad perspective from the top of the summit.
[Croall] has staked a convincing claim to being Britain's leading theatrical commentator and biographer ... [and i]n this latest book, he makes a valuable addition to theatre history ... So much in this collection, on matters large and small, is stimulating to read that it seems invidious to single out any passages ... Croall should be encouraged - urged - to work his way through the other great roles in the Shakespearean canon.
A fascinating book to anyone interested in theatre history or in the art of interpretation
I'm enjoying dipping into this very readable and insightful book, and very much appreciated the overview of our production
By playing King Lear you join a conversation with colleagues alive and dead, male and female, and of surprisingly varied ages. Jonathan Croall's vividly researched book celebrates both our diversity and our common ground.
I enjoyed reading about the various interpretations, including my own efforts - fascinating, and a lot to be learned.
Truly glorious. What a wonderful achievement.
A genuinely fascinating read. The plurality of approaches is breathtaking
A valuable resource in reconstructing the ways and means by which the play has been made to mean on the stage, and the fables of retrospection that the play has produced.
This book will be of great interest to a wide range of people - students and academics interested in interpretations of this complex play, actors, directors and designers (the book is particularly strong on describing the many and various ways in which the play has been staged from a visual point of view), and of course anyone who loves the play itself.