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Performing Site-Specific Theatre: Politics, Place, Practice de A. Birch

Performing Site-Specific Theatre: Politics, Place, Practice: Performance Interventions

Editat de A. Birch, J. Tompkins
en Limba Engleză Hardback – 9 oct 2012
This book investigates the expanding parameters for site-specific performance to account for the form's increasing popularity in the twenty-first century. Leading practitioners and theorists interrogate issues of performance and site to broaden our understanding of the role that place plays in performance and the ways that performance influences it
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Specificații

ISBN-13: 9780230364059
ISBN-10: 0230364055
Pagini: 253
Ilustrații: XV, 253 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.45 kg
Ediția:2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria Performance Interventions

Locul publicării:London, United Kingdom

Cuprins

List of Illustrations Acknowledgements Notes on Contributors The 'Place' and Practice of Site-Specific Theatre and Performance; J.Tompkins PART I: SITE-SPECIFICITY AND ECONOMICS Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-specific Performance; M.McKinnie PART II: SITE-SPECIFICITY AND THE NARRATIVES OF HISTORY Rehearsing Across Space and Place: Rethinking A Masque Presented at Ludlow Castle; S.Bennett & J.Sanders Embodied Presence and Dislocated Spaces: Playing the Audience in Ten Thousand Several Doors in a Promenade, Site-specific Performance of John Webster's The Duchess of Malfi ; J.Collins Haunted House: Staging The Persians with the British Army; M.Pearson Toiling, Tolling and Telling: Performing Dissensus; K.Irwin PART III: SITE SPECIFITIY AND THE SLIPPAGE OF PLACE Beyond Site-specificity: Environmental Heterocosms on the Street; S.Haedicke Repetition and Performativity: Site-specific Performance and Film as Living Monument; A.Birch Contemporary Ekkeklemas in Site-specific Performance; L.Ferris 'Places, like property prices, go up and down': Site-specificity, Regeneration and The Margate Exodus; L.Owen PART IV: SITE-SPECIFICITY AND THEATRICAL INTIMACY Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-specific Performance; K.Zaiontz Immersive Negotiations: Binaural Perspectives on Site-specific Sound; B.Barton & R.Windeyer My Sites Set on You: Site-specificity and Subjectivity in 'Intimate Theatre'; H.Iball PART V: SITE SPECIFICITY AND POLITICS Siting the People: Power, Protest and Public Space; S.Nield Bibliography Index

Recenzii

'This excellent anthology provides a wide-ranging collection of essays on critical issues of place-based theatre. It includes articles that treat historical and contemporary themes from the perspectives of both theorists and practitioners in a variety of institutional contexts. As the best anthologies do, it both bolsters and challenges the discipline.' - Professor Laurie Beth Clark, University of Wisconsin Madison, USA
'This is a welcome addition to the developing literature on site-specific theatre and performance, whose chief virtue lies in providing a range of original essays testifying to the diversity and disparateness of contemporary site-based work.' - Steve Bottoms, New Theatre Quarterly
'Performing Site-Specific Theatre is an insightful collection of essays that presents an interesting examination of site-specific theory and practice. It is a welcome addition to a field still largely located in performance studies and art, here exploring its
intersection with theatre... [The book] will be a useful book for researchers and teachers of site-specific performance, including its theories and practices.' - Kris Darby, Contemporary Theatre Review

Notă biografică

BRUCE BARTON Creator/scholar teaching at the University of Toronto, Canada SUSAN BENNETT University Professor in the Department of English, University of Calgary, Canada JANE COLLINS Professor of Theatre and Performance, Wimbledon College of Art, University of the Arts, London, UK LESLEY FERRIS Arts and Humanities Distinguished Professor of Theatre, Ohio State University, USA SUSAN HAEDICKE Associate Professor, School of Theatre, Performance, and Cultural Policy Studies, University of Warwick, UK HELEN IBALL Lecturer in Theatre Studies, University of Leeds, UK KATHLEEN IRWIN Head of the Theatre Department, University of Regina, Canada MICHAEL MCKINNIE Senior Lecturer in Drama, Queen Mary, University of London, UK SOPHIE NIELD Department of Drama and Theatre, Royal Holloway, University of London, UK LOUISE OWEN Lecturer in Theatre and Performance, Birkbeck College, University of London, UKMIKE PEARSON Professor of Performance Studies, Department of Theatre, Film and Television Studies, Aberystwyth University, UKJULIE SANDERS Professor of English Literature and Drama, University of Nottingham, UK RICHARD WINDEYER Digital media creative, audio artist, composer, musician and educator, Wilfrid Laurier University, CanadaKEREN ZAIONTZ Lecturer of Drama, Theatre, and Performance, Roehampton University, UK

Descriere

Performing Site-Specific Theatre turns a critical eye to the increasingly popular form of site-specific performance. By re-assessing this contemporary practice, the book investigates the nature of the relationship between 'site' and 'performance.' Site-specific performance operates differently from performance that takes place within a theatre venue because it seeks to match form and content (and place and space) more finely than does theatre that takes place inside conventional venues. Yet the form also encourages an investigation of how we might understand 'site' as less fixed or less specifically geographical; it broadens the types of relevant 'spaces' we might consider. The form also enables us to address a range of performative issues, from the development of site-specific 'soundscapes' to the role of the spectator in site-specific performance. The contributions in the book from leading theorists and practitioners demonstrate how site-specific performance extends theatre's potential engagement with its geographical and political communities, and cover an exceptional range of innovative performance practices. Students, scholars and practitioners of contemporary theatre and performance, space and place, and site-specific performance will find much to value in this timely interrogation of current trends, practices and implications of performance in which site/landscape is central.