Print Culture, Agency, and Regionality in the Hand Press Period: New Directions in Book History
Editat de Rachel Stenner, Kaley Kramer, Adam James Smithen Limba Engleză Hardback – 7 apr 2022
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 894.99 lei 6-8 săpt. | |
Springer International Publishing – 8 apr 2023 | 894.99 lei 6-8 săpt. | |
Hardback (1) | 899.91 lei 6-8 săpt. | |
Springer International Publishing – 7 apr 2022 | 899.91 lei 6-8 săpt. |
Din seria New Directions in Book History
- 17% Preț: 393.55 lei
- 20% Preț: 691.39 lei
- 15% Preț: 499.23 lei
- 15% Preț: 552.66 lei
- 18% Preț: 846.42 lei
- 15% Preț: 499.05 lei
- 15% Preț: 662.50 lei
- Preț: 365.70 lei
- 18% Preț: 746.73 lei
- 18% Preț: 740.46 lei
- Preț: 429.69 lei
- Preț: 410.40 lei
- 15% Preț: 558.11 lei
- 18% Preț: 692.64 lei
- 15% Preț: 497.99 lei
- 18% Preț: 700.86 lei
- 18% Preț: 691.89 lei
- Preț: 362.96 lei
- 15% Preț: 608.46 lei
- 18% Preț: 688.15 lei
- 15% Preț: 553.14 lei
- 15% Preț: 610.92 lei
- Preț: 398.88 lei
- 15% Preț: 557.79 lei
- 18% Preț: 745.70 lei
- 20% Preț: 666.21 lei
- 15% Preț: 605.83 lei
- 18% Preț: 746.14 lei
- 18% Preț: 749.90 lei
- 18% Preț: 740.00 lei
- Preț: 210.27 lei
- 15% Preț: 662.36 lei
- Preț: 365.70 lei
- 15% Preț: 556.26 lei
Preț: 899.91 lei
Preț vechi: 1097.46 lei
-18% Nou
Puncte Express: 1350
Preț estimativ în valută:
172.23€ • 182.87$ • 142.67£
172.23€ • 182.87$ • 142.67£
Carte tipărită la comandă
Livrare economică 25 decembrie 24 - 08 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9783030880545
ISBN-10: 3030880540
Pagini: 275
Ilustrații: XIX, 275 p. 18 illus.
Dimensiuni: 148 x 210 x 23 mm
Greutate: 0.5 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Directions in Book History
Locul publicării:Cham, Switzerland
ISBN-10: 3030880540
Pagini: 275
Ilustrații: XIX, 275 p. 18 illus.
Dimensiuni: 148 x 210 x 23 mm
Greutate: 0.5 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Directions in Book History
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction: Print Culture, Agency, Regionality.- Part I: Yorkshire.- 2. Printed by Alice Broade: The Career of York’s First Female Printer, 1661–1680.- 3. Historiography, Regionality, and Print Trade Life Writing: The Case of Mr Thomas Gent, Printer, of York.- 4. The Newspaper, the Bookshop, and the Radical Society: Joseph Gales’ Hartshead Press and the ‘Reading and Thinking People of Sheffield’.- Part II: Circulation and Networks.- 5. Printing, Publishing, and Pocket Book Compiling: Ann Fisher’s Hidden Labour in the Newcastle Book Trade.- 6. Elizabeth Davison and the Circulation of Chapbooks in Early Nineteenth-Century Northumberland.- Part III: Regions and Nations.- 7. ‘The Privilege Granted to the Printer’: The Role of James VI in the Scottish Print Trade 1567–1603.- 8. Print Agency and Civic Press Identity Across the Border: Commerce and Regional Improvement in the Glasgow Advertiser, Liverpool General Advertiser, and the Urban Directories of Liverpool and Glasgow,1765–1795.- Part IV: Technology.- 9. For Lack of Letters: Early Typographical Shibboleths of English and Other Foreign Languages.- 10. A New Type: Sans Serif Typography and Midlands Regional Identity.- 11. Afterword.
Notă biografică
Rachel Stenner is Senior Lecturer in English Literature in the School of Media, Arts, and Humanities, University of Sussex, UK. She is the author of The Typographic Imaginary in Early Modern English Literature (2018) and co-editor of the collection of essays Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (2019).
Kaley Kramer is Deputy Head of English at Sheffield Hallam University, UK. She is the co-editor of Women During the English Reformations (Palgrave 2014) and Time, the City, and the Literary Imagination (Palgrave 2020).
Adam James Smith is Senior Lecturer in Eighteenth-Century Literature at York St John University, UK. He works on cheap eighteenth-century political print, with a particular interest in works of protest and satire. Smith has published on Joseph Addison, James Montgomery and Eliza Haywood.
Kaley Kramer is Deputy Head of English at Sheffield Hallam University, UK. She is the co-editor of Women During the English Reformations (Palgrave 2014) and Time, the City, and the Literary Imagination (Palgrave 2020).
Adam James Smith is Senior Lecturer in Eighteenth-Century Literature at York St John University, UK. He works on cheap eighteenth-century political print, with a particular interest in works of protest and satire. Smith has published on Joseph Addison, James Montgomery and Eliza Haywood.
Textul de pe ultima copertă
“This collection exemplifies the advances in the intellectual domain of book history in recent decades. There are new insights here for scholars and students not only of book history but also for other cultural, social and economic historians.”
—John Feather, Loughborough University “This highly engaging and multifaceted collection of essays addresses in exciting new ways British regional histories of printing and bookselling in the hand press period from the mid-fifteenth to the early nineteenth century. By focusing on the agency of place in writing, production and distribution, contributors vividly illuminate the interactions between trades and communities and the legislative and institutional structures governing them, but also how those involved in regional printing and book trades created particular and often widely influential narratives about their regions. This welcome re-evaluation of regional print production challenges and reinvigorates the whole history of print in Britain across more than four centuries.”
—James Raven FBA, Fellow of Magdalene College, University of Cambridge
—John Feather, Loughborough University “This highly engaging and multifaceted collection of essays addresses in exciting new ways British regional histories of printing and bookselling in the hand press period from the mid-fifteenth to the early nineteenth century. By focusing on the agency of place in writing, production and distribution, contributors vividly illuminate the interactions between trades and communities and the legislative and institutional structures governing them, but also how those involved in regional printing and book trades created particular and often widely influential narratives about their regions. This welcome re-evaluation of regional print production challenges and reinvigorates the whole history of print in Britain across more than four centuries.”
—James Raven FBA, Fellow of Magdalene College, University of Cambridge
Rachel Stenner is Senior Lecturer in English Literature in the School of Media, Arts, and Humanities, University of Sussex, UK. She is the author of The Typographic Imaginary in Early Modern English Literature (2018) and co-editor of the collection of essays Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (2019).
Kaley Kramer is Deputy Head of English at Sheffield Hallam University, UK. She is the co-editor of Women During the English Reformations (Palgrave 2014) and Time, the City, and the Literary Imagination (Palgrave 2020).
Adam James Smith is Senior Lecturer in Eighteenth-Century Literature at York St John University, UK. He works on cheap eighteenth-century political print, with a particular interest in works of protest and satire. Smith has published on Joseph Addison, James Montgomery and Eliza Haywood.
Kaley Kramer is Deputy Head of English at Sheffield Hallam University, UK. She is the co-editor of Women During the English Reformations (Palgrave 2014) and Time, the City, and the Literary Imagination (Palgrave 2020).
Adam James Smith is Senior Lecturer in Eighteenth-Century Literature at York St John University, UK. He works on cheap eighteenth-century political print, with a particular interest in works of protest and satire. Smith has published on Joseph Addison, James Montgomery and Eliza Haywood.
Caracteristici
Reframes discussion and deepens understanding of the development of regional print cultures Brings together authorship studies and printing history Highlights the agency of print workers and their social and cultural impact