Sacred Iconographies in Chicana Cultural Productions: Comparative Feminist Studies
Autor C. Román-Odioen Limba Engleză Hardback – 15 feb 2013
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 381.00 lei 43-57 zile | |
Palgrave Macmillan US – 15 feb 2013 | 381.00 lei 43-57 zile | |
Hardback (1) | 386.81 lei 43-57 zile | |
Palgrave Macmillan US – 15 feb 2013 | 386.81 lei 43-57 zile |
Din seria Comparative Feminist Studies
- Preț: 299.34 lei
- Preț: 302.20 lei
- 18% Preț: 893.21 lei
- Preț: 390.84 lei
- Preț: 392.37 lei
- Preț: 386.81 lei
- Preț: 387.38 lei
- Preț: 383.93 lei
- 18% Preț: 949.23 lei
- Preț: 387.38 lei
- Preț: 388.72 lei
- Preț: 387.75 lei
- Preț: 389.70 lei
- Preț: 385.62 lei
- Preț: 386.81 lei
- Preț: 389.70 lei
- Preț: 388.72 lei
- Preț: 387.75 lei
- Preț: 383.93 lei
- 15% Preț: 696.82 lei
- 18% Preț: 734.90 lei
- 15% Preț: 583.61 lei
- Preț: 386.99 lei
- Preț: 388.72 lei
- Preț: 385.62 lei
Preț: 386.81 lei
Nou
Puncte Express: 580
Preț estimativ în valută:
74.01€ • 77.49$ • 61.24£
74.01€ • 77.49$ • 61.24£
Carte tipărită la comandă
Livrare economică 07-21 aprilie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780230340008
ISBN-10: 0230340008
Pagini: 192
Ilustrații: XVI, 192 p. 9 illus.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.39 kg
Ediția:2013
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Comparative Feminist Studies
Locul publicării:New York, United States
ISBN-10: 0230340008
Pagini: 192
Ilustrații: XVI, 192 p. 9 illus.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.39 kg
Ediția:2013
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Comparative Feminist Studies
Locul publicării:New York, United States
Cuprins
Introduction: On the Treachery and Emancipatory Power of Chicana Iconographies 1. Chicana Theory in the Flesh: A Bridgefor the Transnational Feminist Movement 2. Nepantlismo, Chicana Approach to Colonial Ideology 3. Spiritualities of Dissent and Storytelling in Chicana Literature 4. Globalization and Chicana Politics of Representation 5. Queering the Sacred: Love as Oppositional Social Action Conclusion
Recenzii
“Sacred Iconographies in Chicana CulturalProductions is a clearly organized and well-written book with a powerfulargument that academic and non-academic audiences can appreciate. … overallthis is worthwhile book that I highly recommend for its path breaking analysisof mestiza spirituality in cultural productions that hopefully other Latina/ostudies scholars will build upon in the near future.” (Mari Castaňeda, LatinoStudies, Vol. 13 (3), September, 2015)
"Impressive in its impressive command of sources from many different fields. I recommend it." - Anthropos
"This landmark publication advances the fields of de-colonial liberation, divinity and cultural studies. In these pages our guides are 'anti-icons ' who stand against systems of domination, the divine mothers Tonantzin, Mary, Coatlaxopeuh, the Virgin de Guadalupe, thefeminine and the matrilineal, here to teach us twenty-first-century spiritualties of dissent. Today these figures are facilitating an emerging planetary culture that functions beyond and without borders. This book's method makes their presence visible - but only if readers are able to think in and through a de-colonizing feminism that is at once spiritual, political, global, and Chicana." - Chela Sandoval, author of Methodology of the Opressed
"Sacred Iconographies in Chicana Cultural Productions examines methodological and pedagogical strategies for understanding how La Virgen de Guadalupe has served and continues to serve as a venue for artistic and literary expressions of Chicana feminist ways of knowing. Theorizing from the margins to the center and back, Román-Odio unpacks the cultural, political, and social expressions of Tonantzin/Guadalupe the mediator who advocates for those residing in nepantla as she makes visible the religious and cultural practices empowered scholars, artists, and activists have confronted and navigated as they negotiated new social relations informed by a spiritual mestizaje. In that transformational process, Román-Odio examines local and global imaginaries whereby Chicana thinkers, painters, and artists have created coalitions for social change in the context of commitment to self and community. Throughout its narrative, Sacred Iconographies in Chicana Cultural Productions offers multiple entry points into the study of Third World Feminisms in the United States, Latin America, and the world, as Román-Odio avails us a bridge for understanding social change, with the end-goal of dismantling the oppression of women of color. She also articulates theories and practices for enacting a social justice informed by love." - Josie Méndez-Negrete, Associate Professor, Mexican American Studies, College of Education and Human Development, University of Texas at San Antonio
"Impressive in its impressive command of sources from many different fields. I recommend it." - Anthropos
"This landmark publication advances the fields of de-colonial liberation, divinity and cultural studies. In these pages our guides are 'anti-icons ' who stand against systems of domination, the divine mothers Tonantzin, Mary, Coatlaxopeuh, the Virgin de Guadalupe, thefeminine and the matrilineal, here to teach us twenty-first-century spiritualties of dissent. Today these figures are facilitating an emerging planetary culture that functions beyond and without borders. This book's method makes their presence visible - but only if readers are able to think in and through a de-colonizing feminism that is at once spiritual, political, global, and Chicana." - Chela Sandoval, author of Methodology of the Opressed
"Sacred Iconographies in Chicana Cultural Productions examines methodological and pedagogical strategies for understanding how La Virgen de Guadalupe has served and continues to serve as a venue for artistic and literary expressions of Chicana feminist ways of knowing. Theorizing from the margins to the center and back, Román-Odio unpacks the cultural, political, and social expressions of Tonantzin/Guadalupe the mediator who advocates for those residing in nepantla as she makes visible the religious and cultural practices empowered scholars, artists, and activists have confronted and navigated as they negotiated new social relations informed by a spiritual mestizaje. In that transformational process, Román-Odio examines local and global imaginaries whereby Chicana thinkers, painters, and artists have created coalitions for social change in the context of commitment to self and community. Throughout its narrative, Sacred Iconographies in Chicana Cultural Productions offers multiple entry points into the study of Third World Feminisms in the United States, Latin America, and the world, as Román-Odio avails us a bridge for understanding social change, with the end-goal of dismantling the oppression of women of color. She also articulates theories and practices for enacting a social justice informed by love." - Josie Méndez-Negrete, Associate Professor, Mexican American Studies, College of Education and Human Development, University of Texas at San Antonio
Notă biografică
Clara Román-Odio is Professor of Spanish and Latin American Literature and Director of Latino/a Studies at Kenyon College, USA.