Cantitate/Preț
Produs

Screening the Author: The Literary Biopic: Palgrave Studies in Adaptation and Visual Culture

Autor Hila Shachar
en Limba Engleză Hardback – 14 iun 2019
This book is the first comprehensive analysis of the contemporary representation of the author on screen. It does this through two main approaches: by looking at how biographies of well-known authors in Western culture have been adapted onto the film and television screen; and by examining the wider preoccupation with the idea of what the ‘author persona’ means in broader economic, cultural, industrial, and ideological terms. Drawing from current debates about the uses of the heritage industry and conventions of the Hollywood biopic and celebrity culture, this book re-frames the analysis of the author on screen in contemporary culture and theorises it under its own unique genre: the ‘literary biopic’. With case studies including adaptations of the biographies and cultural personas of William Shakespeare, Jane Austen, Oscar Wilde, Sylvia Plath, Virginia Woolf, and Allen Ginsberg—to name a few–this book examines how and why the author continues to be a prominent screen and cultural preoccupation. 
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 56686 lei  6-8 săpt.
  Springer International Publishing – 14 aug 2020 56686 lei  6-8 săpt.
Hardback (1) 57534 lei  6-8 săpt.
  Springer International Publishing – 14 iun 2019 57534 lei  6-8 săpt.

Din seria Palgrave Studies in Adaptation and Visual Culture

Preț: 57534 lei

Preț vechi: 67686 lei
-15% Nou

Puncte Express: 863

Preț estimativ în valută:
11010 11609$ 9166£

Carte tipărită la comandă

Livrare economică 10-24 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783030188498
ISBN-10: 3030188493
Pagini: 206
Ilustrații: XIV, 204 p. 13 illus., 12 illus. in color.
Dimensiuni: 148 x 210 x 18 mm
Greutate: 0.51 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Adaptation and Visual Culture

Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: Biopics, Biography, Heritage and the Literary Biopic.- 2. Heritage and the Literary Biopic ‘Template’: Shakespeare, Austen, Wilde and the Author as Product.- 3. The Muse Speaks Back: Silence, Invisibility and Re-framing Authorial Identity.- 4. Feminine Authorial Mournings: The Female Writer on Screen and the Trauma of the Present.- 5. Appropriating the Beats, Radicalising the Literary Biopic: Intersectional Politics and Ginsberg and Kerouac on Screen.- 6. Conclusion: The Author as Mediator and Barometer.

Notă biografică

Hila Shachar is Senior Lecturer in English Literature, Creative Writing, and Film, and a member of the Centre for Adaptations, at De Montfort University, UK. Her book, Cultural Afterlives and Screen Adaptations of Classic Literature (Palgrave Macmillan, 2012), was featured in The New York Times, and nominated for the 2012 Western Australian Premier’s Book Awards. She has also published widely on topics including French cinema, the screen representation of the Holocaust, the biopic genre and historical film, and Australian cinema.


Textul de pe ultima copertă

This book is the first comprehensive analysis of the contemporary representation of the author on screen. It does this through two main approaches: by looking at how biographies of well-known authors in Western culture have been adapted onto the film and television screen; and by examining the wider preoccupation with the idea of what the ‘author persona’ means in broader economic, cultural, industrial, and ideological terms. Drawing from current debates about the uses of the heritage industry and conventions of the Hollywood biopic and celebrity culture, this book re-frames the analysis of the author on screen in contemporary culture and theorises it under its own unique genre: the ‘literary biopic’. With case studies including adaptations of the biographies and cultural personas of William Shakespeare, Jane Austen, Oscar Wilde, Sylvia Plath, Virginia Woolf, and Allen Ginsberg—to name a few–this book examines how and why the author continues to be a prominent screen and cultural preoccupation. 

Caracteristici

Constitutes the first comprehensive analysis of the contemporary representation of the author on screen Theorises the screen representation of the author as its own unique cinematic genre of the ‘literary biopic’ Situates the preoccupation with the figure of the author on screen in wider cultural, economic, and industrial contexts, offering a multidisciplinary approach