Shinn Plays: 2: Now Or Later; Four; Picked; On The Mountain: Contemporary Dramatists
Autor Christopher Shinnen Limba Engleză Paperback – 26 iul 2017
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Bloomsbury Publishing – 26 iul 2017 | 435.37 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781350007659
ISBN-10: 135000765X
Pagini: 264
Dimensiuni: 129 x 198 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Contemporary Dramatists
Locul publicării:London, United Kingdom
ISBN-10: 135000765X
Pagini: 264
Dimensiuni: 129 x 198 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Contemporary Dramatists
Locul publicării:London, United Kingdom
Caracteristici
Collecting together some major plays by one of America's most cherished and prolific playwrights
Notă biografică
Christopher Shinn is an American playwright from New York. His plays include Now or Later (shortlisted for the Evening Standard Theatre Award for Best Play), Dying City (Pulitzer Prize finalist), Where Do We Live (winner of an Obie in Playwriting), An Opening In Time, Teddy Ferrara, Picked, Four, What Didn't Happen, On the Mountain, Other People, and The Coming World. His adaptation of Hedda Gabler premiered on Broadway (American Airlines Theatre), and he has written short plays for Naked Angels (Democracy Project), the 24 Hour Plays on Broadway, the Bush Theatre (Sixty-Six Books), and Headlong (Decade). His work has been premiered by Lincoln Center Theater, Manhattan Theatre Club, Playwrights Horizons, the Vineyard Theatre, South Coast Rep, the Goodman, the Royal Court, and the Soho Theatre, and later produced around the world. Christopher Shinn's awards include a Guggenheim Fellowship in Playwriting, a grant from the NEA/TCG Residency Program, an Obie in Playwriting and the Robert Chesley Award. He is Assistant Professor of Playwriting in the School of Drama at The New School, New York.
Cuprins
IntroductionNow or LaterFourPickedOn The Mountain
Recenzii
Now Or Later is as potent as David Mamet's Oleanna in its exposure of how liberal creeds can - one way or another - be murkily tied in with intolerance
The play keeps delivering small shocks and aches that end in a standoff, or maybe in that pause between despair, resignation, and a twinge of hope. Haunting.
Surprising nuance and sudden surges of emotion. The play offers several outstanding monologues, some tender, some searing, and one unforgettable
Better than any play I've seen at finding the natural existential anxiety in the frustration and powerlessness of being a movie actor. Offers ample evidence of this dramatist's singular gift for presenting human murkiness with precisely shaded clarity. Impeccably observed.
Shinn opens a window into lives that we rarely see on stage
A playwright who writes with unshowy depth and unforced menace on a challenging subject
Shinn territory is a land of bruised souls sharing awkward silences, their subtext and inchoate impulses placed carefully between them. A dramatist who writes from an intensely interior zone
The play keeps delivering small shocks and aches that end in a standoff, or maybe in that pause between despair, resignation, and a twinge of hope. Haunting.
Surprising nuance and sudden surges of emotion. The play offers several outstanding monologues, some tender, some searing, and one unforgettable
Better than any play I've seen at finding the natural existential anxiety in the frustration and powerlessness of being a movie actor. Offers ample evidence of this dramatist's singular gift for presenting human murkiness with precisely shaded clarity. Impeccably observed.
Shinn opens a window into lives that we rarely see on stage
A playwright who writes with unshowy depth and unforced menace on a challenging subject
Shinn territory is a land of bruised souls sharing awkward silences, their subtext and inchoate impulses placed carefully between them. A dramatist who writes from an intensely interior zone