Staging Loss: Performance as Commemoration
Editat de Michael Pinchbeck, Andrew Westersideen Limba Engleză Paperback – 4 dec 2019
This
book
locates
and
critically
theorises
an
emerging
field
of
twenty-first
century
theatre
practice
concerned,
either
thematically,
methodologically,
or
formally,
with
acts
of
commemoration
and
the
commemorative.
With
notions
of
memorial,
celebration,
temporality
and
remembrance
at
its
heart,
and
as
a
timely
topic
for
debate,
this
book
asks
how
theatre
and
performance
intersects
with
commemorative
acts
or
rituals
in
contemporary
theatre
and
performance
practice.
It
considers the
(re)performance
of
history,
commemoration
as
a
form
of,
or
performance
of,
ritual,
performance
as
memorial,
performance
as
eulogy
and
eulogy
as
performance.
It
asks
where
personal
acts
of
remembrance
merge
with
public
or
political
acts
of
remembrance,
where
the
boundary
between
the
commemorative
and
the
performative
might
lie,
and
how
it
might
be
blurred,
broken
or
questioned.
It
explores
how
we
might
remake
the
past
in
the
present,
to
consider
not
just
how
performance
commemorates
but
how
commemoration
performs.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 862.08 lei 43-57 zile | |
| Springer – 4 dec 2019 | 862.08 lei 43-57 zile | |
| Hardback (1) | 753.05 lei 22-36 zile | +21.55 lei 5-11 zile |
| Springer International Publishing – 20 noi 2018 | 753.05 lei 22-36 zile | +21.55 lei 5-11 zile |
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Specificații
ISBN-13: 9783030404857
ISBN-10: 3030404854
Dimensiuni: 155 x 235 mm
Greutate: 0.35 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030404854
Dimensiuni: 155 x 235 mm
Greutate: 0.35 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
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Cuprins
1.
Staging
loss:
an
introduction.-
2. There
is
some
corner
of
a
Lincolnshire
field…:
locating
commemoration
in
the
performance
ofLeaving
Home;
Andrew
Westerside.-
3. Watching
with
mother:
‘rejourning’
the
wartime
memories
of
a
Wren,
1946/2016;
Karen
Savage
and
Justin
Smith.-
4. Commemoration:
sacred
differentiation
of
time
and
space
in
three
WWI
projects;
Helen
Newall.-
5. MakingBolero:
dramaturgies
of
remembrance;
Michael
Pinchbeck.-
6. Andrew
Bovell
in
the
History
Wars:
Australia's
continuing
cultural
crisis
of
remembering
and
forgetting; Donald
Pulford.-
7. After
them,
the
flood:
remembering,
performance
and
the
writing
of
history;
Dan
Ellin
and
Conan
Lawrence.-
8. Cheers,
Grandad!
Third
Angel’sCape
WrathandThe
Lad
Lit
Projectas
acts
of
remembrance;
Alexander
Kelly.-
9. On
Leaving
the
House:
the
loss
of
self
and
the
search
for
“the
freedom
of
being”
in
The
Wooster
Group’sVieux
Carré;
Andrew
Quick.-
10. The
God,
the
owner
&
the
master:
staging
rites
of
passage
in
the
maritime
crossing
the
line
ceremony;
Lisa
Gaughan.-
11. Staging
absence
and
the
(un)making
of
memory
inA
Duet
Without
You;
Chloé
Déchery.-
12. Trace:
shame
and
the
art
of
mourning;
Louie
Jenkins.-
13. The
performative
ritual
of
loss:
marking
the
intangible;
Clare
Parry-Jones.-
14. Searching
shadows,
lighting
bones:
commemorative
performance
as
a
radical,
open-ended
and
ethical
action;
Emily
Orley.-
15. Conclusion:
Some
words
speak
of
events.
Other
words,
events
make
us
speak.
Notă biografică
Michael
Pinchbeckis
MA
Theatre
Programme
leader
and
Principal
Lecturer
(Professional
Practice)
in
Drama
at
the
University
of
Lincoln,
UK.
He
completed
a
PhD
at
Loughborough
University
exploring
the
role
of
the
dramaturg
in
contemporary
performance.
As
a
writer
and
theatre-maker,
he
was
commissioned
by
Nottingham
Playhouse
to
writeThe
White
Album(2006),The
Ashes(2011)
andBolero(2014),
which
toured
Bosnia
&
Herzegovina
and
Kosovo
supported
by
the
British
Council.
Andrew
Westersideis
Senior
Lecturer
in
Drama
&
Theatre
at
the
University
of
Lincoln’s
School
of
Fine
and
Performing
Arts,
UK,
and
Co-Artistic
Director
of
Proto-type
Theater.
Andrew
is
a
performer,
writer,
director
and
academic.
He
has
performed
and
toured
nationally
and
internationally
and
directed
work
including:The
Good,
the
God
and
the
Guillotine(2013),A
Machine
they’re
Secretly
Building(2016),Fallen(2016)
andThe
Audit(2018).
Textul de pe ultima copertă
This
book
locates
and
critically
theorises
an
emerging
field
of
twenty-first
century
theatre
practice
concerned,
either
thematically,
methodologically,
or
formally,
with
acts
of
commemoration
and
the
commemorative.
With
notions
of
memorial,
celebration,
temporality
and
remembrance
at
its
heart,
and
as
a
timely
topic
for
debate,
this
book
asks
how
theatre
and
performance
intersects
with
commemorative
acts
or
rituals
in
contemporary
theatre
and
performance
practice.
It
considers the
(re)performance
of
history,
commemoration
as
a
form
of,
or
performance
of,
ritual,
performance
as
memorial,
performance
as
eulogy
and
eulogy
as
performance.
It
asks
where
personal
acts
of
remembrance
merge
with
public
or
political
acts
of
remembrance,
where
the
boundary
between
the
commemorative
and
the
performative
might
lie,
and
how
it
might
be
blurred,
broken
or
questioned.
It
explores
how
we
might
remake
the
past
in
the
present,
to
consider
not
just
how
performance
commemorates
but
how
commemoration
performs.
Caracteristici
Provides
a
new
and
original
theorisation
of
an
emerging
field
Examines
the
relationships
between
performance
and
commemorative
ritual