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Tamburlaine the Great: Mint Editions

Autor Christopher Marlowe
en Limba Engleză Paperback – feb 2021
Separated into two parts, Christopher Marlowe¿s Tamburlaine the Great follows the conquests of an outlaw who slowly rises to power through extreme displays of aggression. When Mycetes, the king of Persia, complains to his brother, Cosroe, about a group of outlaws that were causing trouble, Cosroe claimed that Mycetes was weak, and that a king shouldn¿t have such a problem. In response, Mycetes sends out a powerful soldier to kill the leader of the outlaws, Tamburlaine. Though the soldier¿s army was twice the size of Tamburlaine¿s, the outlaw was hardly discouraged. Using his wit and charm, Tamburlaine attempts to convince the soldier to convert to his side, merging the two armies. As Tamburlaine grows stronger, he gains new allies, such as his clever wife, Zenocrate. Though he seemed to be just a petty outlaw at first, the leaders of prominent Eurasian countries become increasingly concerned as Tamburlaine slowly overcomes armies and nations with force, manipulation, and unlikely alliances. As his makeshift armies continue to challenge elite armed forces, countless lives are at stake as Tamburlaine¿s bloody ambition only grows. When first released, Tamburlaine the Great both fascinated and disgusted the 16th century audience. Gaining a mix of fame and infamy, Tamburlaine the Great is praised for its masterful imagery and language, enchanting audiences with its drama. However, Marlowe still received criticism for the play¿s suspected atheist undertones and the violence associated with the play, both real and depicted. With strong themes of humanism, Tamburlaine the Great celebrates the accomplishments of Tamburlaine with little regard to the character¿s cruelty and aggression, creating a thought-provoking narrative that stays with readers long after the play¿s conclusion. Often referenced in prominent literary works, Tamburlaine the Great remains relevant with radio and film adaptations, and is still performed in theatres around the world. This edition of Tamburlaine the Great by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, Tamburlaine the Great is restored to modern standards while the original genius and vivid imagery of Marlowe¿s poetry is preserved.
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Specificații

ISBN-13: 9781513272030
ISBN-10: 1513272039
Pagini: 156
Dimensiuni: 127 x 203 x 9 mm
Greutate: 0.18 kg
Editura: Mint Editions
Seria Mint Editions


Notă biografică

Dramatist, son of a shoemaker at Canterbury, where he was born, was educated at the King's School there, and in 1581 went to Benet's (now Corpus Christi) College, Cambridge, where he graduated B.A. 1583, and M.A. in 1587. Marlowe shunned a life as a clergyman which university wits like himself were expected to follow, and moved to London to pursue the insecure craft of a playwright. Among his early plays were 'Tamburlaine the Great' and 'The Famous Tragedy of the Rich Jew of Malta', all well-received by Elizabethan audiences and displaying an impressive poetic talent that was bold enough to use high-quality blank verse for the first time in English theatre. He collaborated with friend and literary colleague, William Shakespeare, on 'Henry VI' and 'Titus Andronicus' and his influence on Shakespeare is seen in the latter's restrained use of rhyme in 'Richard III'. Traditional rhyme was eschewed by Marlowe in preference for blank verse, over which he acquired a constantly increasing mastery.

Descriere

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"Tamburlaine the Great" achieved, and sustained, great success on the Elizabethan stage, and it speaks to our own time too, when it has been the subject of numerous productions. Cunningham and Henderson illuminate the themes of the play to help make it accessible to today's readers. In the REVELS PLAYS STUDENT EDITIONS series.

Recenzii

"Arguably the single-most important play of the Elizabethan era, Tamburlaine did more than any other to transform an insignificant form of public entertainment, barely distinguishable from the juggling, fencing, and animal-baiting with which it shared its performance space, into an art of national importance. . . . Tamburlaine cranks the excitements of language and spectacle to an unprecedented pitch, not simply to indulge the fantasies of the audience but as an exemplary demonstration of poetry's dangerous potency."—The New York Review of Books