Tamburlaine the Great
Autor Christopher Marloween Limba Engleză Paperback – 31 oct 2011
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Specificații
ISBN-13: 9783842440166
ISBN-10: 3842440162
Pagini: 84
Dimensiuni: 129 x 198 x 4 mm
Greutate: 0.09 kg
Editura: TREDITION CLASSICS
ISBN-10: 3842440162
Pagini: 84
Dimensiuni: 129 x 198 x 4 mm
Greutate: 0.09 kg
Editura: TREDITION CLASSICS
Notă biografică
Dramatist, son of a shoemaker at Canterbury, where he was born, was educated at the King's School there, and in 1581 went to Benet's (now Corpus Christi) College, Cambridge, where he graduated B.A. 1583, and M.A. in 1587. Marlowe shunned a life as a clergyman which university wits like himself were expected to follow, and moved to London to pursue the insecure craft of a playwright. Among his early plays were 'Tamburlaine the Great' and 'The Famous Tragedy of the Rich Jew of Malta', all well-received by Elizabethan audiences and displaying an impressive poetic talent that was bold enough to use high-quality blank verse for the first time in English theatre. He collaborated with friend and literary colleague, William Shakespeare, on 'Henry VI' and 'Titus Andronicus' and his influence on Shakespeare is seen in the latter's restrained use of rhyme in 'Richard III'. Traditional rhyme was eschewed by Marlowe in preference for blank verse, over which he acquired a constantly increasing mastery.
Descriere
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"Tamburlaine the Great" achieved, and sustained, great success on the Elizabethan stage, and it speaks to our own time too, when it has been the subject of numerous productions. Cunningham and Henderson illuminate the themes of the play to help make it accessible to today's readers. In the REVELS PLAYS STUDENT EDITIONS series.
"Tamburlaine the Great" achieved, and sustained, great success on the Elizabethan stage, and it speaks to our own time too, when it has been the subject of numerous productions. Cunningham and Henderson illuminate the themes of the play to help make it accessible to today's readers. In the REVELS PLAYS STUDENT EDITIONS series.
Recenzii
"Arguably the single-most important play of the Elizabethan era, Tamburlaine did more than any other to transform an insignificant form of public entertainment, barely distinguishable from the juggling, fencing, and animal-baiting with which it shared its performance space, into an art of national importance. . . . Tamburlaine cranks the excitements of language and spectacle to an unprecedented pitch, not simply to indulge the fantasies of the audience but as an exemplary demonstration of poetry's dangerous potency."—The New York Review of Books