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Teaching Creativity: Multi-mode Transitional Practices: Continuum Studies in Educational Research

Autor Dr Derek Pigrum Anthony Haynes
en Limba Engleză Paperback – 2 noi 2011
This study is concerned with creativity in education - especially in arts education (broadly conceived to include the visual arts, music, and creative writing). It takes as its starting point Nietzsche's view that works of art do not appear "as if by magic".

Using insights from philosophy, psychoanalysis, and semiotics, the book examines the creative processes of many artists in different media, showing how art works often result from processes of construction, deconstruction, and reconstruction that may be long and laborious. Pigrum demonstrates how teachers and their students in all sectors of education may gain from a better, systematic, understanding of such processes.
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Specificații

ISBN-13: 9781441117892
ISBN-10: 144111789X
Pagini: 216
Ilustrații: 30
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Studies in Educational Research

Locul publicării:London, United Kingdom

Caracteristici

The authors tackle a myriad of important issues and use case studies taken from a wide range of European and North American artists, architects and writers.

Notă biografică

Derek Pigrum is Visiting Research Fellow in the Department of Education at the University of Bath, UK. He is an active member of the Philosophy of Education Society of Great Britain.

Cuprins

Introduction
1. The Sign Modes
2. The Operational Modes
3. The Modes of Place
4. But Can We Teach It

Recenzii

'The book is a profound work of research in which Pigrum systematically leads the reader through the covert and overt stages of the creative process, looking deep into its philosophical, psychological, cultural, and circumstantial aspects. [...] Teaching Creativity is a scholarly, reflective book that is rich, intense, condensed, and at the same time seems to be written with a remarkably free hand and spirit.' - Studies in Gestalt Therapy, 2009