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Terence: Phormio: Latin Texts

Autor Terence R.H. Martin
en Limba Engleză Paperback – 30 iul 2002
The lively action and well-constructed plot of the "Phormio" make it an ideal introduction to Terence and to the Roman comic genre. It well illustrates Terence's subtle handling of plot and character - two fathers, two wayward sons in love, the latter abetted by the scheming slave and by the parasite who gives his name to the play. This edition, recognising that the simplicity of Terence's Latin can be obscured by initial unfamiliarity with his colloquial (and early) poetic idiom, includes a great deal of linguistic help in the annotation. There is a full vocabulary and the introduction deals with genre and plot, as well as prosody and metre.
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Specificații

ISBN-13: 9781853996337
ISBN-10: 1853996335
Pagini: 216
Dimensiuni: 138 x 216 x 11 mm
Greutate: 0.28 kg
Ediția:Nouă
Editura: Bloomsbury Publishing
Colecția Bristol Classical Press
Seria Latin Texts

Locul publicării:London, United Kingdom

Notă biografică

R.H. Martin is a graduate of Leeds and Cambridge, and Professor Emeritus of Classics in the University of Leeds. His works include the monograph Tacitus (BCPaperback, 1994).

Descriere

The lively action and well-constructed plot of the "Phormio" make it an ideal introduction to Terence and to the Roman comic genre. This edition includes a great deal of help with the difficulties presented by his colloquial (and early) poetic idiom.

Caracteristici

The introduction includes sections on Greek New Comedy and comedy in Rome, on Terence himself - his prosody, metre, play production and language

Cuprins

Preface; Introduction: 1. Terence and his background; 2. Theatrical conditions and stage conventions; 3. Terence and his Greek originals; 4. Language and style; 5. Metrical structure; 6. The manuscript tradition; P. Terenti Afri Eunuchus; Commentary; Appendices; Bibliography and references; Index.

Recenzii

'This is a superb addition to Cambridge University Press' growing body of exemplary commentaries on Roman comedies.' David Christenson, Bryn Mawr Classical Review
'This commentary has profited from [Goldberg's] intimate knowledge of Greek and Roman comedy and ancient performance practice … It will clearly become the new standard commentary of this play.' Ortwin Knorr, Willamette University