That Wonderful Composite Called Author: Authorship in East Asian Literatures from the Beginnings to the Seventeenth Century: East Asian Comparative Literature and Culture, cartea 4
Editat de Christian Schwermann, Raji C. Steinecken Limba Engleză Hardback – 17 iul 2014
Preț: 635.37 lei
Preț vechi: 774.84 lei
-18% Nou
Puncte Express: 953
Preț estimativ în valută:
121.64€ • 126.43$ • 100.85£
121.64€ • 126.43$ • 100.85£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9789004279414
ISBN-10: 9004279415
Pagini: 225
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.48 kg
Editura: Brill
Colecția Brill
Seria East Asian Comparative Literature and Culture
ISBN-10: 9004279415
Pagini: 225
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.48 kg
Editura: Brill
Colecția Brill
Seria East Asian Comparative Literature and Culture
Notă biografică
Christian Schwermann, Ph.D. (2005), University of Bonn, is lecturer of Classical Chinese at that university. He has published chiefly on early Chinese literature, including a monograph on the concept of stupidity in ancient texts (“Dummheit” in altchinesischen Texten, Harrassowitz, 2011).
Raji C. Steineck, Ph.D. (2000), University of Bonn, is Professor of Japanology at the University of Zurich. He mainly works on the interrelation between symbolic configurations and ideational content in Japanese intellectual history, as in his new work on the Critique of Symbolic Forms (frommann-holzboog, 2014).
Raji C. Steineck, Ph.D. (2000), University of Bonn, is Professor of Japanology at the University of Zurich. He mainly works on the interrelation between symbolic configurations and ideational content in Japanese intellectual history, as in his new work on the Critique of Symbolic Forms (frommann-holzboog, 2014).
Cuprins
Preface
Introduction
Raji C. Steineck and Christian Schwermann
Composite Authorship in Western Zhōu Bronze Inscriptions: The Case of the “Tiānwáng guǐ” Inscription
Christian Schwermann
Authorship in the Canon of Songs (Shi Jing)
Alexander Beecroft
The Compiler as the Narrator: Awareness of Authorship, Authorial Presence and Author Figurations in Japanese Imperial Anthologies, with a Special Focus on the Kokin wakashū
Simone Müller
Fluidity of Belonging and Creative Appropriation: Authorship and Translation in an Early Sinic Song (“Kongmudoha Ka”)
Marion Eggert
Appropriating Genius: Jin Shengtan’s Construction of Textual Authority and Authorship in his Commented Edition of Shuihu Zhuan (The Water Margin Saga)
Roland Altenburger
Enlightened Authorship: The Case of Dōgen Kigen
Raji C. Steineck
Index
Introduction
Raji C. Steineck and Christian Schwermann
Composite Authorship in Western Zhōu Bronze Inscriptions: The Case of the “Tiānwáng guǐ” Inscription
Christian Schwermann
Authorship in the Canon of Songs (Shi Jing)
Alexander Beecroft
The Compiler as the Narrator: Awareness of Authorship, Authorial Presence and Author Figurations in Japanese Imperial Anthologies, with a Special Focus on the Kokin wakashū
Simone Müller
Fluidity of Belonging and Creative Appropriation: Authorship and Translation in an Early Sinic Song (“Kongmudoha Ka”)
Marion Eggert
Appropriating Genius: Jin Shengtan’s Construction of Textual Authority and Authorship in his Commented Edition of Shuihu Zhuan (The Water Margin Saga)
Roland Altenburger
Enlightened Authorship: The Case of Dōgen Kigen
Raji C. Steineck
Index