Cantitate/Preț
Produs
Total produse
Vezi coșul
The Cherry Orchard de Anton Chekhov

The Cherry Orchard

Autor Anton Chekhov Traducere de Andrew Upton
en Limba Engleză Paperback – 18 mai 2011
Luxuriating in her fading moneyed world and regardless of the increasingly hostile forces outside, she and her brother snub the lucrative scheme of Lopakhin, a peasant turned entrepreneur, to save the family estate.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (15) 3060 lei  3-5 săpt.
  Mint Editions – 30 noi 2020 3060 lei  3-5 săpt.
  Bloomsbury Publishing – 13 aug 1995 5951 lei  3-5 săpt. +1593 lei  7-11 zile
  BLOOMSBURY ACADEMIC – 26 oct 2008 6417 lei  3-5 săpt. +1382 lei  7-11 zile
  FABER & FABER – 18 mai 2011 6838 lei  3-5 săpt. +462 lei  7-11 zile
  FABER & FABER – 3 iun 2009 6843 lei  3-5 săpt. +479 lei  7-11 zile
  Hackett Publishing Company – 14 sep 2010 7278 lei  3-5 săpt.
  Digireads.com – 3 feb 2019 4309 lei  6-8 săpt.
  Bloomsbury Publishing – 12 oct 2017 6771 lei  6-8 săpt.
  Bloomsbury Publishing – 4 feb 2004 7737 lei  6-8 săpt.
  Bloomsbury Publishing – 5 mar 2018 7782 lei  6-8 săpt.
  Bloomsbury Publishing – 13 sep 2000 7791 lei  6-8 săpt.
  Bloomsbury Publishing – 9 oct 2014 7816 lei  6-8 săpt.
  Bloomsbury Publishing – 31 iul 2016 7816 lei  6-8 săpt. +1776 lei  7-11 zile
  Broadway Play Publishing – 9555 lei  6-8 săpt.
  Samuel French Ltd – 10387 lei  6-8 săpt.
Hardback (1) 16980 lei  3-5 săpt.
  Hackett Publishing Company – 15 sep 2010 16980 lei  3-5 săpt.

Preț: 6838 lei

Nou

Puncte Express: 103
Preț estimativ în valută:
1309€ • 1372$ • 1091£

Carte disponibilă

Livrare economică 17-31 decembrie
Livrare express 03-07 decembrie pentru 1461 lei

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780571277681
ISBN-10: 0571277683
Pagini: 96
Dimensiuni: 156 x 199 x 8 mm
Greutate: 0.11 kg
Ediția:Main
Editura: FABER & FABER

Caracteristici

Simon Stephens's version of Ibsen's A Doll's House, also commissioned by the Young Vic, was described as 'agile. . . quick . . . clear, and full of subtle touches' (Guardian); 'sensitive and spirited' (Daily Telegraph); 'supple' (Evening Standard); and 'astute . . . often savagely funny' (Metro)

Notă biografică

Anton Chekhov (1860-1904), Russian physician, dramatist and author, is considered to be one of the greatest writers of short stories and modern drama. Born in Taganrog, a port town near the Black Sea, he attended medical school at Moscow University. He began writing to supplement his income, writing short humorous sketches of contemporary Russian life. A successful literary careered followed, before his premature death of TB at the age of 44. He is best-remembered for his four dramatic masterpieces: The Seagull (1896), Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904).Rory Mullarkey graduated in 2009 from Cambridge, after which he studied at the State Theatrical Arts Academy of St. Petersburg. A translator of Russian Drama, Mullarkey's translations have been produced by the ADC Theatre, The Royal Court and the Free Theatre of Belarus. Plays include Single Sex (Royal Exchange); Remembrance Day (Royal Court), Tourism (Headlong) and Come To Where I'm From (Paines Plough). Mullarkey spent 2010 as Writer-on-Attachment at the Royal Court Theatre, London, and 2011 as the Pearson Writer in Residence at the Royal Exchange, Manchester. His The Grandfathers was programmed as part of the National Theatre's 2012 Connections: Plays for Young People. In 2014, Rory Mullarkey won the Harold Pinter Playwriting Prize, the George Devine Award (jointly with Alice Birch) and the James Tait Black Prize for Drama for his play Cannibals, published by Methuen Drama.

Recenzii

Now Chekhov's final and finest play, from 1903, is the latest twentieth-century masterpiece to get a good going-over. Actually, make that an excellent going-over . . . It's been pruned, yes, but this grimly witty tragicomedy is unmistakably Chekhov . . . and it teems with life.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.