The Cherry Orchard: Oberon Modern Playwrights
Autor Anton Chekhov Adaptat de Peter Gillen Limba Engleză Paperback – 31 iul 2016
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Specificații
ISBN-13: 9781783190423
ISBN-10: 1783190426
Pagini: 80
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Playwrights
Locul publicării:London, United Kingdom
ISBN-10: 1783190426
Pagini: 80
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Playwrights
Locul publicării:London, United Kingdom
Notă biografică
Peter Gill's plays include The Sleeper's Den, Over Gardens Out and Small Change, all first produced at the Royal Court Theatre, and Mean Tears / In the Blue, Kick for Touch and Cardiff East, all produced at the RNT. In 1964 he became Assistant Director at the Royal Court Theatre, and has since directed over 80 productions in the UK, Europe and North America. He founded the RNT Studio in 1984, since when he has been an Associate Director of the RNT.
Caracteristici
Simon Stephens's version of Ibsen's A Doll's House, also commissioned by the Young Vic, was described as 'agile. . . quick . . . clear, and full of subtle touches' (Guardian); 'sensitive and spirited' (Daily Telegraph); 'supple' (Evening Standard); and 'astute . . . often savagely funny' (Metro)
Recenzii
Now Chekhov's final and finest play, from 1903, is the latest twentieth-century masterpiece to get a good going-over. Actually, make that an excellent going-over . . . It's been pruned, yes, but this grimly witty tragicomedy is unmistakably Chekhov . . . and it teems with life.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.
Descriere
Descriere de la o altă ediție sau format:
This Student Edition of Chekhov's last and most elusive play, a study of the effect of social change on the values of individuals, includes notes on the life and career of the playwright, an introduction giving the background to the play and a guide to its interpretation.
This Student Edition of Chekhov's last and most elusive play, a study of the effect of social change on the values of individuals, includes notes on the life and career of the playwright, an introduction giving the background to the play and a guide to its interpretation.