The Global Novel and Capitalism in Crisis: Contemporary Literary Narratives: New Comparisons in World Literature
Autor Treasa De Loughryen Limba Engleză Paperback – 30 apr 2021
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Specificații
ISBN-13: 9783030393274
ISBN-10: 3030393275
Pagini: 215
Ilustrații: XII, 215 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.3 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Comparisons in World Literature
Locul publicării:Cham, Switzerland
ISBN-10: 3030393275
Pagini: 215
Ilustrații: XII, 215 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.3 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Comparisons in World Literature
Locul publicării:Cham, Switzerland
Cuprins
1. Chapter 1 Introduction: Global, Postcolonial, and World Literatures.- 2. Chapter 2 Global Literature, Realism, and the World-System in Crisis.- 3. Chapter 3 ‘Worlds in Collision’: Salman Rushdie, Globalisation, and Postcoloniality-in-Crisis.- 4. Chapter 4 ‘Prophet Malthus Surveyed a Dustbowl’: David Mitchell, Neo-Malthusianism and the World-Ecology in Crisis.- 5. Chapter 5 Aesthetic Attitudes to Globalisation: Rana Dasgupta, Capitalism-in-Crisis, and Narrating the World.- 6. Chapter 6 ‘FAC UT ARDEAT’: Rachel Kushner, the World-Historical Novel, and Energetic Materialism.- 7. Chapter 7 Conclusion: Towards A Literary Internationale.
Notă biografică
Dr Treasa De Loughry is Lecturer/ Assistant Professor and Ad Astra Fellow in World Literature in the School of English, Drama and Film at University College Dublin, Ireland.
Textul de pe ultima copertă
‘In The Global Novel and Capitalism in Crisis, De Loughry offers a tour-de-force
engagement with current efforts to think literary studies in global or indeed
world systemic terms. Always erudite and sharp, De Loughry is a new critical
voice to be reckoned with.’
—Dr Kerstin Oloff, Associate Professor at Durham University, UK
This book examines how contemporary global novels by Salman Rushdie, David Mitchell, Rana Dasgupta and Rachel Kushner have evolved new aesthetics to represent global economic and ecological crises. Paying close attention to the interrelations between postcolonial, world, and global literatures, this book argues that postcolonial literary studies cannot account for global crises that exceed the national and anti-colonial. Advocating an interdisciplinary framework informed by a synthesis of materialist literary theory with world-systems theory, combining Fredric Jameson andGeorg Lukács with Giovanni Arrighi and Jason W. Moore, this book examines how global literatures metabolise not only socioeconomic conditions, but also transformations in the world-ecology, and emergent developmental and epochal crises of capitalism.
engagement with current efforts to think literary studies in global or indeed
world systemic terms. Always erudite and sharp, De Loughry is a new critical
voice to be reckoned with.’
—Dr Kerstin Oloff, Associate Professor at Durham University, UK
This book examines how contemporary global novels by Salman Rushdie, David Mitchell, Rana Dasgupta and Rachel Kushner have evolved new aesthetics to represent global economic and ecological crises. Paying close attention to the interrelations between postcolonial, world, and global literatures, this book argues that postcolonial literary studies cannot account for global crises that exceed the national and anti-colonial. Advocating an interdisciplinary framework informed by a synthesis of materialist literary theory with world-systems theory, combining Fredric Jameson andGeorg Lukács with Giovanni Arrighi and Jason W. Moore, this book examines how global literatures metabolise not only socioeconomic conditions, but also transformations in the world-ecology, and emergent developmental and epochal crises of capitalism.
Caracteristici
Examines a range of exemplary texts to define the generic conventions of the global novel Develops a world-literary theory that links texts and eco-materialist conditions Analyses transformations in the literary marketplace towards global rather than postcolonial novels