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The Great War in American and British Cinema, 1918–1938: Art Amidst the Ashes de Ryan Copping

The Great War in American and British Cinema, 1918–1938: Art Amidst the Ashes: Palgrave Studies in the History of the Media

Autor Ryan Copping
en Limba Engleză Hardback – 11 noi 2020
This book recounts the reception of selected films about the Great War released between 1918 and 1938 in the USA and Great Britain. It discusses the role that popular cinema played in forming and reflecting public opinion about the War and its political and cultural aftermath in both countries. Although the centenary has produced a wide number of studies on the memorialisation of the Great War in Britain and to a lesser degree the USA, none of them focused on audience reception in relation to the Anglo-American ‘circulatory system’ of Trans-Atlantic culture.
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Specificații

ISBN-13: 9783030606701
ISBN-10: 3030606708
Pagini: 196
Ilustrații: XIII, 196 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.4 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in the History of the Media

Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: Historical Reception Studies and the Circulatory System.- 2. The Heart of Humanity and The Four Horseman of the Apocalypse: The Just War.- 3. Laurence Stallings and the Veteran-Author.- 4. James Whale: ‘A Britisher Who Thinks, Cinematically, Like an American’.- 5. The Aftermath of All Quiet on the Western Front.- 6. Things to Come.- 7. The Universal Brotherhood.

Notă biografică

Ryan Copping teaches film studies courses in the Dept. of Visual and Media Arts at Grand Valley State University near Grand Rapids, Michigan.  He received his Ph.D. from the University of Southampton in the United Kingdom.

Textul de pe ultima copertă

This book recounts the reception of selected films about the Great War released between 1918 and 1938 in the USA and Great Britain. It discusses the role that popular cinema played in forming and reflecting public opinion about the War and its political and cultural aftermath in both countries. Although the centenary has produced a wide number of studies on the memorialisation of the Great War in Britain and to a lesser degree the USA, none of them focused on audience reception in relation to the Anglo-American ‘circulatory system’ of Trans-Atlantic culture.

Caracteristici

Recounts the reception of selected films about the Great War released between 1918-1938 in the USA and Great Britain Discusses the role that popular cinema played in both forming and reflecting public opinion about the War and its political and cultural aftermath in both countries Focuses on audience reception in relation to the Anglo-American 'circulatory system' of Trans-Atlantic culture