The House That Will Not Stand: Modern Plays
Autor Marcus Gardleyen Limba Engleză Paperback – 8 oct 2014
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Specificații
ISBN-13: 9781474228848
ISBN-10: 1474228844
Pagini: 96
Dimensiuni: 129 x 198 x 7 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1474228844
Pagini: 96
Dimensiuni: 129 x 198 x 7 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Marcus Gardley was awarded the 2011 PEN/Laura Pels award for Mid-Career Playwright. He is the recipient of a Helen Merrill Award, a Kesselring Honor, the Gerbode Emerging Playwright Award, the National Alliance for Musical Theatre Award, the Eugene O'Neill Memorial Scholarship, and the ASCAP Cole Porter Award
Notă biografică
Marcus Gardley is a poet-playwright who was awarded the 2011 PEN/Laura Pels award for Mid-Career Playwright. His most recent play, Every Tongue Confess, premiered at Arena Stage, Washington. His musical, On The Levee, premiered at LCT3/Lincoln Center Theater and was nominated for 11 Audelco Awards including outstanding playwright. His play, And Jesus Moonwalks the Mississippi, was produced at The Cutting Ball Theater, San Francisco, and received the SF Bay Area Theatre Critics Circle Award nomination for outstanding new play. It is published in The Methuen Drama Book of Post-Black Plays.
Recenzii
Marcus Gardley's play is a lyrical vision of rivalry, jealousy and racial prejudice. Set in New Orleans in the 1830s, it strikingly depicts passion and repression in a style that is sometimes reminiscent of Federico Garcia Lorca's great The House of Bernarda Alba yet also affords fresh insight into a largely unfamiliar historical period.
For all of Gardley's palpable debt to Lorca, his play has a historical fascination and exuberant theatricality all its own. [...] It's a rich mix, but Gardley vividly captures the sense of a house not only divided against itself but also caught up in a war of different traditions.
The House That Will Not Stand . . . opens a fascinating window on to the largely forgotten phenomenon of placage . . .
Gardley is an acclaimed poet as well as a playwright, and his script . . . is shot through with a dreamy lyricism. At times, the effect is startlingly beautiful . . .
For all of Gardley's palpable debt to Lorca, his play has a historical fascination and exuberant theatricality all its own. [...] It's a rich mix, but Gardley vividly captures the sense of a house not only divided against itself but also caught up in a war of different traditions.
The House That Will Not Stand . . . opens a fascinating window on to the largely forgotten phenomenon of placage . . .
Gardley is an acclaimed poet as well as a playwright, and his script . . . is shot through with a dreamy lyricism. At times, the effect is startlingly beautiful . . .