The Reception of P. B. Shelley in Europe: The Reception of British and Irish Authors in Europe
Editat de Susanne Schmid, Dr Michael Rossingtonen Limba Engleză Paperback – 20 mai 2015
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Specificații
ISBN-13: 9781474245975
ISBN-10: 1474245978
Pagini: 460
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria The Reception of British and Irish Authors in Europe
Locul publicării:London, United Kingdom
ISBN-10: 1474245978
Pagini: 460
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria The Reception of British and Irish Authors in Europe
Locul publicării:London, United Kingdom
Caracteristici
Includes essays from leading international contributors on Shelley's translation, critical and popular reception and wider cultural influence in his own time and to the present
Notă biografică
Susanne Schmid has taught at the universities of FU Berlin, Frankfurt am Main, Princeton, Paderborn, Salford and Regensburg. She is the author of Shelley's German Afterlives 1814 - 2000 (2007).Michael Rossington is Senior Lecturer in Romantic Literature in the School of English Literature, Language and Linguistics at Newcastle University, UK. He is one of the editors of The Poems of Shelley, Vol. 3 (2009).Elinor Shaffer, FBA is author of 'Kubla Khan' and The Fall of Jerusalem: The Mythological School in Biblical Criticism and Secular Literature, and many articles on English and European Romanticism, and most recently co-editor of The Reception of S.T. Coleridge in Europe.
Cuprins
Series Editor's Preface: Elinor Shaffer (University of London)Acknowledgements List of Contributors Abbreviations Timeline: European Reception of Percy Bysshe Shelley: Susanne Schmid, Michael Rossington, Paul Barnaby and Lucia KrämerIntroduction: Michael Rossington (University of Newcastle-upon-Tyne) and Susanne Schmid (University of Regensburg)1. The History of Shelley Editions in English, Stephen C. Behrendt (University of Nebraska) 2. Shelley 'fabriqué en France', Ann T. Gardiner 3.Shelley 's Afterlife in Italy: from 1822 to 1922, Lilla Maria Crisafulli (University of Bologna) 4. Shelley's afterlife in Italy: from 1922 to the present day, Laura Bandiera (University of Parma) 5. The Reception of Shelley in Spain, Beatriz González (University of Castilla-La Mancha) and Santiago Rodríguez (University of Valladolid) with Richard A. Cardwell (University of Nottingham) 6. Shelley, Catalonia and the Spanish Civil War, Bill Phillips (University of Barcelona) 7. Shelley in Portugal: a Poet for Academics, Jorge Bastos da Silva (University of Porto) 8. The Ineffectual Angel of Political Hijacking: Shelley in Romanian Culture, Mihaelia Anghelescu Irimia (University of Bucharest) 9. An 'Unseen Presence': Shelley in Germany, Susanne Schmid (University of Regensburg) 10. Shelley in the Nordic Countries: Would They Be Seeking Him if He Had Not Been Found?, Karsten Engelberg (Copenhagen University) 11. 'Love for a Godhead due': Shelley in the Low Countries, Kris Steyaert (University of Liège) 12. A Prophet of Love, a 'Moral Artist' or a Revolutionary?: Shelley in Czech Culture, Martin Procházka (Charles University, Prague) 13. Shelley in Poland, Monika Coghen (Jagiellonian University in Krakow) 14. 'A marvelously mild-tempered, gentle person': Shelley in Hungarian culture, István Rácz (University of Debrecen) 15. Revolutionary Etudes: The Reception of Shelley in Russia, Rachel Polonsky 16. Shelley's Heart of Hearts in Bulgaria, Vitana Kostadinova (University of Plovdiv) 17. 'The Prophet of Noble Struggles': Shelley in Greece, Maria Schoina (Aristotle University of Thessaloniki) 18. 'I pant for the music which is divine': Shelley's Poetry and the Musical Imagination, Jeremy Dibble (Durham University) Bibliography Index
Recenzii
[A] volume that excitingly probes Shelley's reception in a dizzyingly broad range of languages, from Catalan and Greek to Bulgarian and Romanian.
'The successive essays cover an unexpectedly inclusive variety of national situations, and repeatedly demonstrates the power of Shelley's different received images...to embody different aspects of cultural crisis.'
'This is a fascinating book with a wonderful range of afterlives and countries.'
'The book under review, which is the sixteenth volume of the valuable series on "The Reception of British and Irish Authors in Europe" is, therefore, a welcome edition to Shelley's scholarship... The timeline alone is an indispensible tool, as well as being the scaffolding for the rest of the book.'
... this new publication in the meritorious series is to be highly welcomed in the field of both Romantic Studies and comparative literature... In view of the gigantic task and the bewildering richness of names, titles and historical facts one cannot but congratulate the editors and contributors on their careful work.
After seventeen volumes on the European-wide reception of Ossian, Byron, Coleridge, Wilde, Darwin, Lawrence, and other British and Irish authors in Britain and on the Continent, this new publication in the meritorious series is to be highly welcomed in the field both of Romantic studies and comparative literature.
'The successive essays cover an unexpectedly inclusive variety of national situations, and repeatedly demonstrates the power of Shelley's different received images...to embody different aspects of cultural crisis.'
'This is a fascinating book with a wonderful range of afterlives and countries.'
'The book under review, which is the sixteenth volume of the valuable series on "The Reception of British and Irish Authors in Europe" is, therefore, a welcome edition to Shelley's scholarship... The timeline alone is an indispensible tool, as well as being the scaffolding for the rest of the book.'
... this new publication in the meritorious series is to be highly welcomed in the field of both Romantic Studies and comparative literature... In view of the gigantic task and the bewildering richness of names, titles and historical facts one cannot but congratulate the editors and contributors on their careful work.
After seventeen volumes on the European-wide reception of Ossian, Byron, Coleridge, Wilde, Darwin, Lawrence, and other British and Irish authors in Britain and on the Continent, this new publication in the meritorious series is to be highly welcomed in the field both of Romantic studies and comparative literature.