The Resistible Rise of Arturo Ui: Modern Plays
Adaptat de Bruce Norris Autor Bertolt Brechten Limba Engleză Paperback – 20 apr 2017
Toate formatele și edițiile | Preț | Express |
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Paperback (5) | 52.02 lei 6-8 săpt. | +44.86 lei 5-11 zile |
Bloomsbury Publishing – 28 feb 2007 | 70.91 lei 3-5 săpt. | +9.11 lei 5-11 zile |
Bloomsbury Publishing – 15 dec 2013 | 78.44 lei 3-5 săpt. | +17.80 lei 5-11 zile |
Bloomsbury Publishing – 2 sep 1981 | 52.02 lei 6-8 săpt. | +44.86 lei 5-11 zile |
Bloomsbury Publishing – 27 feb 2013 | 78.62 lei 6-8 săpt. | |
Bloomsbury Publishing – 20 apr 2017 | 79.52 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781350052109
ISBN-10: 1350052108
Pagini: 152
Dimensiuni: 129 x 198 x 12 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350052108
Pagini: 152
Dimensiuni: 129 x 198 x 12 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
An exciting and radical new adaptation of Brecht's 1941 satirical masterpiece from multi-award-winning American playwright Bruce Norris
Notă biografică
Bertolt Brecht (1898-1956) was a major dramatist of the twentieth century, and the founder of one of the most influential theatre companies, the Berliner Ensemble. He created of some of the landmark plays of the twentieth century: The Threepenny Opera, Life of Galileo, Mother Courage and her Children and The Caucasian Chalk Circle.Bruce Norris is the author of Clybourne Park, which won the Olivier and Evening Standard Awards (London) for Best Play, 2010, as well as the Pulitzer Prize for Drama, 2011, and the Tony Award for Best Play in 2012. Other plays include The Infidel (2000), Purple Heart (2002), We All Went Down to Amsterdam (2003), The Pain and the Itch (2004), The Unmentionables (2006) and The Qualms (2014), all of which had their premieres at Steppenwolf Theatre, Chicago. Recent productions include The Low Road (2013 at the Royal Court Theatre (London), Domesticated (2013 at Lincoln Center Theatre), and The Qualms at Playwrights Horizons in 2015.
Recenzii
The 1964 translation by George Tabori, souped up by Alistair Beaton, fizzes with verbal pep and clever couplets . . . there's never a dull minute . . . We are wooed by relentless spectacle and our enjoyment is integral to the play's chilling kick.
Alistair Beaton's revised version of the text is pleasingly sparky ... The West End is a better place for such challenging, intelligent fare.
Alistair Beaton's shrewd tweaking of George Tabori's translation . . .
Hitler's rise to power is parodied in Brecht's allegorical satire with the Führer as scary as a tea cosy ... The American gangster movie meets Richard III
... comedian Alistair Beaton's revision of the translation by George Tabori keeps the sprightly blank verse of the original, with multiple Shakespearean and other literary echoes.
Alistair Beaton's revised version of the text is pleasingly sparky ... The West End is a better place for such challenging, intelligent fare.
Alistair Beaton's shrewd tweaking of George Tabori's translation . . .
Hitler's rise to power is parodied in Brecht's allegorical satire with the Führer as scary as a tea cosy ... The American gangster movie meets Richard III
... comedian Alistair Beaton's revision of the translation by George Tabori keeps the sprightly blank verse of the original, with multiple Shakespearean and other literary echoes.
Descriere
Descriere de la o altă ediție sau format:
Described by Brecht as "a gangster play that would recall certain events familiar to us all", Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade.
Described by Brecht as "a gangster play that would recall certain events familiar to us all", Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade.