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The Return of the Native de Thomas Hardy

The Return of the Native: Modern Library

Autor Thomas Hardy
en Limba Engleză Paperback – 22 mar 2001
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fianc , Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.

As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of nature's] ironic chaos and strange apathy, even hostility, toward man."

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Specificații

ISBN-13: 9780375757181
ISBN-10: 037575718X
Pagini: 448
Ilustrații: 1 MAP
Dimensiuni: 127 x 207 x 25 mm
Greutate: 0.32 kg
Ediția:Modern Library.
Editura: KUPERARD (BRAVO LTD)
Seria Modern Library

Notă biografică

Extras

A SATURDAY afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.

The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking dread.

In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn: then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together could be perceived in its shades and the scene. The sombre stretch of rounds and hollows seemed to rise and meet the evening gloom in pure sympathy, the heath exhaling darkness as rapidly as the heavens precipitated it. And so the obscurity in the air and the obscurity in the land closed together in a black fraternization towards which each advanced half-way.

The place became full of a watchful intentness now; for when other things sank brooding to sleep the heath appeared slowly to awake and listen. Every night its Titanic form seemed to await something; but it had waited thus, unmoved, during so many centuries, through the crises of so many things, that it could only be imagined to await one last crisis—the final overthrow.

Recenzii

"Throbs with a very Victorian sense of geologies, pre-histories and even astronomy; you can feel the planet moving under the feet."
--Daily Telegraph

"Inimitably brooding style."
--The Times

"Besides my complete identification with its heroine, I loved the sheer relentless power of the writing. What other writer would start a novel with six solid pages of description without introducing a single character? Like D H Lawrence, Hardy isn't to everyone's taste: too much blighted love and atheistic pessimism. To me, ensconced in a convent thick with incense, confession and church twice on Sundays, a little atheistic pessimism was a welcome antidote."
--Maeve Haran, Independent
"Throbs with a very Victorian sense of geologies, pre-histories and even astronomy; you can feel the planet moving under the feet" Daily Telegraph "Inimitably brooding style" The Times "Besides my complete identification with its heroine, I loved the sheer relentless power of the writing. What other writer would start a novel with six solid pages of description without introducing a single character? Like D H Lawrence, Hardy isn't to everyone's taste: too much blighted love and atheistic pessimism. To me, ensconced in a convent thick with incense, confession and church twice on Sundays, a little atheistic pessimism was a welcome antidote" -- Maeve Haran, Independent "Splendid" Daily Telegraph "Most of Hardy's novels, and particularly the early ones, have a Shakespearean power of creating a unique world and climate of being ... The Return of the Native is ... thoughtful, valedictory, poetic, tinged with the somberness of an uncertainty which seems to well up from the depths of the author's own subconscious ... Hardy's sense of the tragic life of human beings, mere small fragments of consciousness in a vast uncaring universe, comes directly from his own youthful awareness of the place and circumstances described in the novel" -- John Bayley

Descriere

Descriere de la o altă ediție sau format:
'To be loved to madness - such was her great desire'Eustacia Vye criss-crosses the wild Egdon Heath, eager to experience life to the full in her quest for 'music, poetry, passion, war'. She marries Clym Yeobright, native of the heath, but his idealism frustrates her romantic ambitions and her discontent draws others into a tangled web of deceit and unhappiness.Early readers responded to Hardy's 'insatiably observant' descriptions of the heath, a setting that for D. H. Lawrence provided the 'real stuff of tragedy'. For modern readers, the tension between the mythic setting of the heath and the modernity of the characters challenges our freedom to shape the world as we wish; like Eustacia, we may not always be able to live our dreams.This edition has a critically established text based on the manuscript and first edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cuprins

List of Illustrations; General Editor's Preface; Acknowledgements; Chronology; Abbreviations of Texts of The Return of the Native; Introduction; The Return of the Native; Apparatus; Variations in Punctuation and Styling; End-of-Line Word Division; Editorial Emendations; Appendices: Appendix 1. Hardy's Preface to the Novel; Appendix 2. Description of the Manuscript; Appendix 3. Description of Substantive Editions; Appendix 4. Dialect Glossary and Table of Changes to Standard and Non-standard Speech; Appendix 5. A Note on Hardy's Note to VI.iii; Appendix 6. Egdon Heath and the Dorset Heathlands; Appendix 7. Illustrations to the Belgravia Serial Edition; Notes; Works Cited in the Notes; Textual Notes; Explanatory Notes.