Cantitate/Preț
Produs
Total produse
Vezi coșul
The Return of the Native de Thomas Hardy

The Return of the Native: The Cambridge Edition of the Novels and Stories of Thomas Hardy

Autor Thomas Hardy Editat de Tim Dolin
en Limba Engleză Hardback – 24 feb 2021
This is the first complete scholarly edition of one of Hardy's greatest novels. The Return of the Native engages ambitiously with contemporary ideas and problems of existence, and would go on to become one of the major 'Wessex novels'. When composed in 1878, however, Hardy's Wessex did not yet exist, and this edition, which is based on meticulous analysis of Hardy's holograph manuscript and every significant print edition of the novel to appear in his lifetime, situates The Return of the Native within the historical context of its first publication, encouraging readers to trace its evolution over the following four decades. Tim Dolin provides a wealth of supporting materials, including an original, authoritative text, comprehensive annotation, commentary and glossary, and illustrated appendices of both Arthur Hopkins's illustrations and the topography of Egdon Heath, thus creating an invaluable tool for students and scholars of Hardy and nineteenth-century literature alike.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (30) 3857 lei  3-5 săpt.
  Bantam Classics – 31 ian 1982 3857 lei  3-5 săpt.
  Vintage Publishing – 3 iun 2010 4619 lei  24-35 zile +2160 lei  4-10 zile
  Penguin Books – 23 iun 1999 5066 lei  24-35 zile +2209 lei  4-10 zile
  Oxford University Press – 14 aug 2008 5073 lei  10-16 zile +2202 lei  4-10 zile
  CREATESPACE – 6292 lei  3-5 săpt.
  CREATESPACE – 7755 lei  3-5 săpt.
  CREATESPACE – 8855 lei  3-5 săpt.
  CREATESPACE – 9045 lei  3-5 săpt.
  – 9529 lei  3-5 săpt.
  – 12210 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 12257 lei  3-5 săpt.
  CREATESPACE – 13239 lei  3-5 săpt.
  – 13944 lei  3-5 săpt.
  CREATESPACE – 13980 lei  3-5 săpt.
  CHIZINE PUBN – 25 mai 2017 21431 lei  17-23 zile +1989 lei  4-10 zile
  CreateSpace Independent Publishing Platform – 8314 lei  6-8 săpt.
  Digireads.com – 8 iun 2018 9873 lei  6-8 săpt.
  – 11695 lei  6-8 săpt.
  SMK Books – 5 ian 2012 12443 lei  6-8 săpt.
  Crescent Moon Publishing – 17 mai 2020 12702 lei  6-8 săpt.
  Aegypan Press – 31 dec 2006 14242 lei  6-8 săpt.
  SC Active Business Development SRL – 29 noi 2017 14514 lei  38-44 zile
  TREDITION CLASSICS – 30 noi 2011 15490 lei  38-44 zile
  CreateSpace Independent Publishing Platform – 3 dec 2015 19685 lei  6-8 săpt.
  Simon & Brown – 30 oct 2018 20368 lei  38-44 zile
  Simon & Brown – 15 noi 2018 21764 lei  38-44 zile
  Maven Books – iul 2023 21902 lei  6-8 săpt.
  Echo Library – 30 iun 2003 23074 lei  38-44 zile
  TREDITION CLASSICS – 31 oct 2011 25857 lei  6-8 săpt.
  Echo Library – 31 mar 2006 26261 lei  38-44 zile
Hardback (5) 8487 lei  24-35 zile +3753 lei  4-10 zile
  EVERYMAN – 8 oct 1992 8487 lei  24-35 zile +3753 lei  4-10 zile
  Cambridge University Press – 24 feb 2021 79225 lei  3-5 săpt.
  SMK Books – 3 apr 2018 23608 lei  6-8 săpt.
  Simon & Brown – 30 oct 2018 25680 lei  38-44 zile
  Simon & Brown – 15 noi 2018 27261 lei  38-44 zile

Din seria The Cambridge Edition of the Novels and Stories of Thomas Hardy

Preț: 79225 lei

Preț vechi: 102888 lei
-23% Nou

Puncte Express: 1188
Preț estimativ în valută:
15162€ • 15749$ • 12594£

Carte disponibilă

Livrare economică 14-28 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781107037779
ISBN-10: 1107037778
Pagini: 876
Dimensiuni: 158 x 236 x 45 mm
Greutate: 1.5 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria The Cambridge Edition of the Novels and Stories of Thomas Hardy

Locul publicării:New York, United States

Cuprins

List of Illustrations; General Editor's Preface; Acknowledgements; Chronology; Abbreviations of Texts of The Return of the Native; Introduction; The Return of the Native; Apparatus; Variations in Punctuation and Styling; End-of-Line Word Division; Editorial Emendations; Appendices: Appendix 1. Hardy's Preface to the Novel; Appendix 2. Description of the Manuscript; Appendix 3. Description of Substantive Editions; Appendix 4. Dialect Glossary and Table of Changes to Standard and Non-standard Speech; Appendix 5. A Note on Hardy's Note to VI.iii; Appendix 6. Egdon Heath and the Dorset Heathlands; Appendix 7. Illustrations to the Belgravia Serial Edition; Notes; Works Cited in the Notes; Textual Notes; Explanatory Notes.

Descriere

The first complete scholarly edition of Hardy's novel, with authoritative text, full apparatus, and rich explanatory materials.

Notă biografică

Thomas Hardy, whose writing immortalized the Wessex countryside and dramatized his sense of the inevitable tragedy of life, was born at Upper Bockhampton, near Stinsford in Dorset in 1840, the eldest child of a prosperous stonemason. As a youth he trained as an architect and in 1862 obtained a post in London. During his time he began seriously to write poetry, which remained his first literary love and his last. In 1867-68, his first novel was refused publication, but Under the Greenwood Tree (1872), his first Wessex novel, did well enough to convince him to continue writing. In 1874, Far from the Maddening Crowd, published serially and anonymously in the Cornhill Magazine, became a great success. Hardy married Emma Gifford in 1878, and in 1885 they settled at Max Gate in Dorchester, where he lived the rest of his life. There he had wrote The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1895).

With Tess, Hardy clashed with the expectations of his audience; a storm of abuse broke over the “infidelity” and “obscenity” of this great novel he had subtitled “A Pure Woman Faithfully Presented.” Jude the Obscure aroused even greater indignation and was denounced as pornography. Hardy’s disgust at the reaction to Jude led him to announce in 1869 that he would never write fiction ever again. He published Wessex Poems in 1898, Poems of the Past and Present in 1901, and from 1903 to 1908, The Dynast, a huge drama in which Hardy’s conception of the Immanent Will, implicit in the tragic novels, is most clearly stated.

In 1912 Hardy’s wife, Emma died. The marriage was childless and had been a troubled one, but in the years after her death, Hardy memorialized her in several poems. At seventy-four he married his longtime secretary, Florence Dugdale, herself a writer of children’s books and articles, with whom he live happily until his death in 1928. His heart was buried in the Wessex Countryside; his ashes were placed next to Charles Dickens’s in the Poet’s Corner of Westminster Abbey.

Extras

A SATURDAY afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.

The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking dread.

In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn: then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together could be perceived in its shades and the scene. The sombre stretch of rounds and hollows seemed to rise and meet the evening gloom in pure sympathy, the heath exhaling darkness as rapidly as the heavens precipitated it. And so the obscurity in the air and the obscurity in the land closed together in a black fraternization towards which each advanced half-way.

The place became full of a watchful intentness now; for when other things sank brooding to sleep the heath appeared slowly to awake and listen. Every night its Titanic form seemed to await something; but it had waited thus, unmoved, during so many centuries, through the crises of so many things, that it could only be imagined to await one last crisis—the final overthrow.

Recenzii

"Throbs with a very Victorian sense of geologies, pre-histories and even astronomy; you can feel the planet moving under the feet."
--Daily Telegraph

"Inimitably brooding style."
--The Times

"Besides my complete identification with its heroine, I loved the sheer relentless power of the writing. What other writer would start a novel with six solid pages of description without introducing a single character? Like D H Lawrence, Hardy isn't to everyone's taste: too much blighted love and atheistic pessimism. To me, ensconced in a convent thick with incense, confession and church twice on Sundays, a little atheistic pessimism was a welcome antidote."
--Maeve Haran, Independent
"Throbs with a very Victorian sense of geologies, pre-histories and even astronomy; you can feel the planet moving under the feet" Daily Telegraph "Inimitably brooding style" The Times "Besides my complete identification with its heroine, I loved the sheer relentless power of the writing. What other writer would start a novel with six solid pages of description without introducing a single character? Like D H Lawrence, Hardy isn't to everyone's taste: too much blighted love and atheistic pessimism. To me, ensconced in a convent thick with incense, confession and church twice on Sundays, a little atheistic pessimism was a welcome antidote" -- Maeve Haran, Independent "Splendid" Daily Telegraph "Most of Hardy's novels, and particularly the early ones, have a Shakespearean power of creating a unique world and climate of being ... The Return of the Native is ... thoughtful, valedictory, poetic, tinged with the somberness of an uncertainty which seems to well up from the depths of the author's own subconscious ... Hardy's sense of the tragic life of human beings, mere small fragments of consciousness in a vast uncaring universe, comes directly from his own youthful awareness of the place and circumstances described in the novel" -- John Bayley