The Routledge Companion to Cinema and Politics: Routledge Media and Cultural Studies Companions
Editat de Yannis Tzioumakis, Claire Molloyen Limba Engleză Paperback – 13 sep 2018
Organised into eight parts – Approaches to Cinema and Politics; Cinema, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary – this collection covers a broad range of topics, including: Third Cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others.
This Companion foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking itself is a political act.
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| Paperback (1) | 330.86 lei 43-57 zile | |
| Taylor & Francis – 13 sep 2018 | 330.86 lei 43-57 zile | |
| Hardback (1) | 1252.17 lei 43-57 zile | |
| Taylor & Francis – 30 iun 2016 | 1252.17 lei 43-57 zile |
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Specificații
ISBN-13: 9781138391680
ISBN-10: 1138391689
Pagini: 550
Dimensiuni: 174 x 246 x 28 mm
Greutate: 1.05 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138391689
Pagini: 550
Dimensiuni: 174 x 246 x 28 mm
Greutate: 1.05 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions
Locul publicării:Oxford, United Kingdom
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Public țintă
Postgraduate and UndergraduateCuprins
Introduction
Claire Molloy and Yannis Tzioumakis
Part 1
Approaches to Film and Politics
Introduction
Philip Drake
Chapter 1
The Dialectics of Third Cinema
Mike Wayne
Chapter 2
Geopolitics and Cinema
Toby Miller
Chapter 3
Ecopolitics and Cinema
Sean Cubitt
Chapter 4
The Politics of Form: A Conceptual Introduction to ‘Screen Theory’
Warren Buckland
Chapter 5
Revisiting the Political Economy of Film
Janet Wasko
Part 2
Film, Activism and Opposition
Introduction
Anthony Killick
Chapter 6
"New" New Latin American Cinema Manifestoes
Scott L. Baugh
Chapter 7
Animal Rights Films, Organized Violence, and the Politics of Sight
Anat Pick
Chapter 8
Reel News in the Digital Age: Framing Britain’s Radical Video-activists
Steve Presence
Chapter 9
Film and the Politics of Working Class Representation: The Inside Film Project
Deirdre O’Neill
Chapter 10
Kony 2012: Anatomy of A Campaign Video and A Video Campaign
Leshu Torchin
Part 3
Film, Propaganda, Ideology and the State
Introduction
Claire Molloy
Chapter 11
Propaganda, Activism and Environmental Nostalgia
Claire Molloy
Chapter 12
Between "Information" and "Inspiration": The Office of War Information, Frank Capra’s Why We Fight series and US World War II Propaganda
Gregory Frame
Chapter 13
Striving for the Maximum Appeal: Ideology and Propaganda in the Soviet Cinema of the 1920s and 1930s
Panayiota Mini
Chapter 14
‘Victory doesn’t always Look the Way other People Imagine It.’ Post-conflict Cinema in Northern Ireland
Stephen Baker
Chapter 15
Film Policy and England: The Politics of Creativity
Paul Dave
Part 4
The Politics of Mobility
Introduction
Stephanie Hemelryk Donald
Chapter 16
Cosmopolitanism, Empathy and the Close-up
Dimitris Eleftheriotis
Chapter 17
Regurgitated Bodies: Presenting and Representing Trauma in The Act of Killing
Lúcia Nagib
Chapter 18
After Dispossession: Blackfella Films and the Politics of Radical Hope
Felicity Collins
Chapter 19
The Holocaust Documentary: Sense, Meaning and Redemptive Politics
Brad Prager
Chapter 20
A Bridge over Troubled Water? Loving Jews and Muslims in Two Recent Mediterranean Films
Yosefa Loshitsky
Part 5
Political Hollywood
Introduction
Brian Neve
Chapter 21
Social Apocalypse in Contemporary Hollywood Film
Douglas Kellner
Chapter 22
Reassertions of Hollywood Heroic Agency in the Iraq War Film
Geoff King
Chapter 23
Spectacle vs. Narrative: Action Political Movies in the New Millennium
Ian Scott
Chapter 24
Representing 9/11 in Hollywood cinema
Eleftheria Thanouli
Chapter 25
Reaganite Cinema: What a Feeling!
Gary Needham
Part 6
Alternative and Independent Film and Politics
Introduction
Yannis Tzioumakis
Chapter 26
Film Festivals: Mediating the Mainstream and Marginal Voices
Marijke de Valck
Chapter 27
Politics, ‘Indie-Style’: Political Filmmaking and Contemporary US Independent Cinema
Yannis Tzioumakis
Chapter 28
Dismantling the System from Within: The Early Films of Robert Altman and the Politics of Anti-Establishment
Jacqui Miller
Chapter 29
Ethical Time, Ethical History: Recent Israeli Film
Nurith Gertz
Chapter 30
The Way of Seeming
Rob Nilsson
Part 7
The Politics of Cine-geographies
Introduction
Ewa Mazierska
Chapter 31
African Cinema in an Age of Postcolonialism and Globalization
Kenneth Harrow
Chapter 32
Nationalist Geopolitics and Film Tourism in India's Hindi Cinema
Peter C. Pugsley
Chapter 33
Political Cinema in Latin America: From Nation-building to Cultural Translation
Armida de la Garza
Chapter 34
European Cinema: Spectator- or Spect-actor-driven Policies
Petar Mitric and Katharine Sarikakis
Chapter 35
Minor Cinema – The Case of Wales
Ruth McElroy
Part 8
The Politics of Documentary
Introduction
John Corner
Chapter 36
21st Century Political Documentary in the United States
Betsy A. McLane
Chapter 37
Documenting Dissent: Political Documentary in the People’s Republic of China
Luke Robinson
Chapter 38
Politics and Independence: Documentary in Greece during the Crisis
Lydia Papadimitriou
Chapter 39
Secret City (2012) A Reception Diary
Michael Chanan and Lee Salter
Chapter 40
Interactive Documentary: Film and Politics in the Digital Era
James Lyons
Claire Molloy and Yannis Tzioumakis
Part 1
Approaches to Film and Politics
Introduction
Philip Drake
Chapter 1
The Dialectics of Third Cinema
Mike Wayne
Chapter 2
Geopolitics and Cinema
Toby Miller
Chapter 3
Ecopolitics and Cinema
Sean Cubitt
Chapter 4
The Politics of Form: A Conceptual Introduction to ‘Screen Theory’
Warren Buckland
Chapter 5
Revisiting the Political Economy of Film
Janet Wasko
Part 2
Film, Activism and Opposition
Introduction
Anthony Killick
Chapter 6
"New" New Latin American Cinema Manifestoes
Scott L. Baugh
Chapter 7
Animal Rights Films, Organized Violence, and the Politics of Sight
Anat Pick
Chapter 8
Reel News in the Digital Age: Framing Britain’s Radical Video-activists
Steve Presence
Chapter 9
Film and the Politics of Working Class Representation: The Inside Film Project
Deirdre O’Neill
Chapter 10
Kony 2012: Anatomy of A Campaign Video and A Video Campaign
Leshu Torchin
Part 3
Film, Propaganda, Ideology and the State
Introduction
Claire Molloy
Chapter 11
Propaganda, Activism and Environmental Nostalgia
Claire Molloy
Chapter 12
Between "Information" and "Inspiration": The Office of War Information, Frank Capra’s Why We Fight series and US World War II Propaganda
Gregory Frame
Chapter 13
Striving for the Maximum Appeal: Ideology and Propaganda in the Soviet Cinema of the 1920s and 1930s
Panayiota Mini
Chapter 14
‘Victory doesn’t always Look the Way other People Imagine It.’ Post-conflict Cinema in Northern Ireland
Stephen Baker
Chapter 15
Film Policy and England: The Politics of Creativity
Paul Dave
Part 4
The Politics of Mobility
Introduction
Stephanie Hemelryk Donald
Chapter 16
Cosmopolitanism, Empathy and the Close-up
Dimitris Eleftheriotis
Chapter 17
Regurgitated Bodies: Presenting and Representing Trauma in The Act of Killing
Lúcia Nagib
Chapter 18
After Dispossession: Blackfella Films and the Politics of Radical Hope
Felicity Collins
Chapter 19
The Holocaust Documentary: Sense, Meaning and Redemptive Politics
Brad Prager
Chapter 20
A Bridge over Troubled Water? Loving Jews and Muslims in Two Recent Mediterranean Films
Yosefa Loshitsky
Part 5
Political Hollywood
Introduction
Brian Neve
Chapter 21
Social Apocalypse in Contemporary Hollywood Film
Douglas Kellner
Chapter 22
Reassertions of Hollywood Heroic Agency in the Iraq War Film
Geoff King
Chapter 23
Spectacle vs. Narrative: Action Political Movies in the New Millennium
Ian Scott
Chapter 24
Representing 9/11 in Hollywood cinema
Eleftheria Thanouli
Chapter 25
Reaganite Cinema: What a Feeling!
Gary Needham
Part 6
Alternative and Independent Film and Politics
Introduction
Yannis Tzioumakis
Chapter 26
Film Festivals: Mediating the Mainstream and Marginal Voices
Marijke de Valck
Chapter 27
Politics, ‘Indie-Style’: Political Filmmaking and Contemporary US Independent Cinema
Yannis Tzioumakis
Chapter 28
Dismantling the System from Within: The Early Films of Robert Altman and the Politics of Anti-Establishment
Jacqui Miller
Chapter 29
Ethical Time, Ethical History: Recent Israeli Film
Nurith Gertz
Chapter 30
The Way of Seeming
Rob Nilsson
Part 7
The Politics of Cine-geographies
Introduction
Ewa Mazierska
Chapter 31
African Cinema in an Age of Postcolonialism and Globalization
Kenneth Harrow
Chapter 32
Nationalist Geopolitics and Film Tourism in India's Hindi Cinema
Peter C. Pugsley
Chapter 33
Political Cinema in Latin America: From Nation-building to Cultural Translation
Armida de la Garza
Chapter 34
European Cinema: Spectator- or Spect-actor-driven Policies
Petar Mitric and Katharine Sarikakis
Chapter 35
Minor Cinema – The Case of Wales
Ruth McElroy
Part 8
The Politics of Documentary
Introduction
John Corner
Chapter 36
21st Century Political Documentary in the United States
Betsy A. McLane
Chapter 37
Documenting Dissent: Political Documentary in the People’s Republic of China
Luke Robinson
Chapter 38
Politics and Independence: Documentary in Greece during the Crisis
Lydia Papadimitriou
Chapter 39
Secret City (2012) A Reception Diary
Michael Chanan and Lee Salter
Chapter 40
Interactive Documentary: Film and Politics in the Digital Era
James Lyons
Notă biografică
Yannis Tzioumakis is Senior Lecturer in Communication and Media Studies at the University of Liverpool. He is the author and editor of six books, most recently of Hollywood’s Indies: Classics Divisions, Specialty Labels and the American Film Market (2012). He is also co-editor of the ‘Hollywood Centenary’ and the ‘Cinema and Youth Cultures’ book series (both for Routledge).
Claire Molloy is Professor of Film, Television and Digital Media, and Director of the Centre for Human Animal Studies at Edge Hill University. Her recent publications include the books Memento (2010), Popular Media and Animals (2011), Beyond Human: From Animality to Transhumanism (2012) and American Independent Cinema: Indie, Indiewood and Beyond (2013).
Claire Molloy is Professor of Film, Television and Digital Media, and Director of the Centre for Human Animal Studies at Edge Hill University. Her recent publications include the books Memento (2010), Popular Media and Animals (2011), Beyond Human: From Animality to Transhumanism (2012) and American Independent Cinema: Indie, Indiewood and Beyond (2013).
Recenzii
‘With its epic scope, this daring book expands the equation of cinema and politics into a more dynamic, complex, multi-layered international terrain through the lenses of theories, activism, propaganda, ideology, the state, mobility, Hollywood, alternative film, documentaries, cine-geographies, digitalities, and practices. A staggering, field-defining achievement, Cinema and Politics blasts open any reductionist correlation between the two terms with a necessary, urgent, and compelling polyphonic approach entailing multiple methodologies and theoretical locations. This important volume recalibrates the terms cinema and political by ruthlessly and brilliantly multiplying theories and arguments.’
Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, New York, USA
‘Cinema could matter more for understanding politics than usually acknowledged, especially when one takes into account that it travels beyond national borders. After all, so many films are made out of political concerns. And so many political matters — migrations, trafficking, trauma, genocide — are best tackled through the medium of cinema. This volume brings together essays by some of the finest writers who discuss film in a way that can be adopted across a range of disciplines, from political science and international relations through to sustainable development and tourism studies.’
Dina Iordanova, Professor of Global Cinema and Creative Cultures and Director of the Institute for Global Cinema and Creative Cultures, University of St Andrews
Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, New York, USA
‘Cinema could matter more for understanding politics than usually acknowledged, especially when one takes into account that it travels beyond national borders. After all, so many films are made out of political concerns. And so many political matters — migrations, trafficking, trauma, genocide — are best tackled through the medium of cinema. This volume brings together essays by some of the finest writers who discuss film in a way that can be adopted across a range of disciplines, from political science and international relations through to sustainable development and tourism studies.’
Dina Iordanova, Professor of Global Cinema and Creative Cultures and Director of the Institute for Global Cinema and Creative Cultures, University of St Andrews
Descriere
This cutting edge collection brings together essays by leading film scholars and covers diverse topics such as propaganda, third cinema, 9/11 cinema, manifestos, festivals, documentary, human rights, eco-activism and animal rights.
It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and film, covering cinema from around the world and including examples from film history as well as contemporary cinema.
It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and the extent to which filmmaking, itself, is a political act.
It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and film, covering cinema from around the world and including examples from film history as well as contemporary cinema.
It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and the extent to which filmmaking, itself, is a political act.