The Routledge Companion to World Cinema: Routledge Media and Cultural Studies Companions
Editat de Rob Stone, Paul Cooke, Stephanie Dennison, Alex Marlow-Mannen Limba Engleză Hardback – 2 oct 2017
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Specificații
ISBN-13: 9781138918801
ISBN-10: 1138918806
Pagini: 542
Dimensiuni: 174 x 246 x 37 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138918806
Pagini: 542
Dimensiuni: 174 x 246 x 37 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions
Locul publicării:Oxford, United Kingdom
Public țintă
PostgraduateCuprins
Introduction: The Longitude and Latitude of World Cinema
Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann
Part I: Longitude
1. The Cinematic and the Real in Contemporary Chinese Cinema
Yingjin Zhang
2. Southeast Asian Independent Cinema: A World Cinema Movement
Jonathan Driskell
3. Global Intimacy and Cultural Intoxication: Japanese and Korean Film in the twenty-first century
Felicity Gee
4. Media Refashioning: From Nollywood to New Nollywood
Jeffrey Geiger
5. Framing Democracy: Film in Post-democracy South Africa
Ian-Malcolm Rijsdijk
6. Brazilian Cinema on the Global Screen
Stephanie Dennison
7. Transnational filmmaking in South America
Dolores Tierney
8. Connected in "Another Way": Repetition, Difference and Identity in Caribbean Cinema
Dunja Fehimović
9. Women’s (R)evolutions in Mexican Cinema
Niamh Thornton
10. Popular Cinema/Quality Television: The Audio-visual Sector in Spain
Paul Julian Smith
11. Contemporary Scandinavian Cinema: between Art and Commerce
Olof Hedling
12. British Cinemas: Critical and Historical Debates
James Chapman
13. Developments in Eastern European Cinemas since 1989
Elżbieta Ostrowska and Joanna Rydzewska
14. Cinema at the Edges of the European Union: New Dynamics in the South and the East
Lydia Papadimitriou
15. The Non/Industries of Film and the Palestinian Emergent Film Economy
Viviane Saglier
16. Locations and Narrative Reorientations in Arab Cinemas/World Cinema
Anne Ciecko
17. The Forking Paths of Indian Cinema: Revisiting Hindi Films through Their Regional Networks
Madhuja Mukherjee
18. American Indie Film and International Art Cinema: Points of Distinction and Overlap
Geoff King
19. Canadian Cinema(s)
Christopher E. Gittings
20. Conventions, Preventions and Interventions: Australasian Cinema since the 1970s
Jonathan Rayner
Part II: Latitude
21. Cinemas of Citizens and Cinemas of Sentiment: World Cinema in Flux
Rob Stone
22. Transworld Cinemas: Film-Philosophies for World Cinemas’ Engagement with World History
David Martin-Jones
23. Transnational Cinema: Mapping a Field of Study
Deborah Shaw
24. "Soft Power" and Shifting Patterns of Influence in Global Film Culture
Paul Cooke
25. Realist Cinema as World Cinema
Lúcia Nagib
26. Regional Cinema: Micro-Mapping and Glocalisation
Alex Marlow-Mann
27. Global Women’s Cinema
Kate Ince
28. Provincialising Heterosexuality: Queer Style, World Cinema
Rosalind Galt and Karl Schoonover
29. Stars across Borders: The Vexed Question of Stars’ Exportability
Ginette Vincendeau
30. Film Fusions: the Cult Film in World Cinema
Mark Goodall
31. Perpetual Motion Pictures: Sisyphean Burden and the Global Screen Franchise
James Walters
32. Screening World Cinema at Film Festivals: Festivalisation and (Staged) Authenticity
Marijke de Valck
33. Cinephilia Goes Global: Loving Cinema in the Post-cinematic Age
Belén Vidal
34. Another (Hi)story?: Reinvestigating the Relationship between Cinema and History
Vito Zagarrio
35. Archival Cinema
Paolo Cherchi Usai
36. Digital Cinemas
Sean Cubitt
37. Access and Power: Film Distribution, Re-intermediation and Piracy
Virginia Crisp
38. The Emerging Global Screen Ecology of Social Media Entertainment
Stuart Cunningham and David Craig
39. Remapping World Cinema through Audience Research
Huw D. Jones
40. Eyes on the Future: World Cinema and Transnational Capacity Building
Mette Hjort
Index
Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann
Part I: Longitude
1. The Cinematic and the Real in Contemporary Chinese Cinema
Yingjin Zhang
2. Southeast Asian Independent Cinema: A World Cinema Movement
Jonathan Driskell
3. Global Intimacy and Cultural Intoxication: Japanese and Korean Film in the twenty-first century
Felicity Gee
4. Media Refashioning: From Nollywood to New Nollywood
Jeffrey Geiger
5. Framing Democracy: Film in Post-democracy South Africa
Ian-Malcolm Rijsdijk
6. Brazilian Cinema on the Global Screen
Stephanie Dennison
7. Transnational filmmaking in South America
Dolores Tierney
8. Connected in "Another Way": Repetition, Difference and Identity in Caribbean Cinema
Dunja Fehimović
9. Women’s (R)evolutions in Mexican Cinema
Niamh Thornton
10. Popular Cinema/Quality Television: The Audio-visual Sector in Spain
Paul Julian Smith
11. Contemporary Scandinavian Cinema: between Art and Commerce
Olof Hedling
12. British Cinemas: Critical and Historical Debates
James Chapman
13. Developments in Eastern European Cinemas since 1989
Elżbieta Ostrowska and Joanna Rydzewska
14. Cinema at the Edges of the European Union: New Dynamics in the South and the East
Lydia Papadimitriou
15. The Non/Industries of Film and the Palestinian Emergent Film Economy
Viviane Saglier
16. Locations and Narrative Reorientations in Arab Cinemas/World Cinema
Anne Ciecko
17. The Forking Paths of Indian Cinema: Revisiting Hindi Films through Their Regional Networks
Madhuja Mukherjee
18. American Indie Film and International Art Cinema: Points of Distinction and Overlap
Geoff King
19. Canadian Cinema(s)
Christopher E. Gittings
20. Conventions, Preventions and Interventions: Australasian Cinema since the 1970s
Jonathan Rayner
Part II: Latitude
21. Cinemas of Citizens and Cinemas of Sentiment: World Cinema in Flux
Rob Stone
22. Transworld Cinemas: Film-Philosophies for World Cinemas’ Engagement with World History
David Martin-Jones
23. Transnational Cinema: Mapping a Field of Study
Deborah Shaw
24. "Soft Power" and Shifting Patterns of Influence in Global Film Culture
Paul Cooke
25. Realist Cinema as World Cinema
Lúcia Nagib
26. Regional Cinema: Micro-Mapping and Glocalisation
Alex Marlow-Mann
27. Global Women’s Cinema
Kate Ince
28. Provincialising Heterosexuality: Queer Style, World Cinema
Rosalind Galt and Karl Schoonover
29. Stars across Borders: The Vexed Question of Stars’ Exportability
Ginette Vincendeau
30. Film Fusions: the Cult Film in World Cinema
Mark Goodall
31. Perpetual Motion Pictures: Sisyphean Burden and the Global Screen Franchise
James Walters
32. Screening World Cinema at Film Festivals: Festivalisation and (Staged) Authenticity
Marijke de Valck
33. Cinephilia Goes Global: Loving Cinema in the Post-cinematic Age
Belén Vidal
34. Another (Hi)story?: Reinvestigating the Relationship between Cinema and History
Vito Zagarrio
35. Archival Cinema
Paolo Cherchi Usai
36. Digital Cinemas
Sean Cubitt
37. Access and Power: Film Distribution, Re-intermediation and Piracy
Virginia Crisp
38. The Emerging Global Screen Ecology of Social Media Entertainment
Stuart Cunningham and David Craig
39. Remapping World Cinema through Audience Research
Huw D. Jones
40. Eyes on the Future: World Cinema and Transnational Capacity Building
Mette Hjort
Index
Notă biografică
Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of Birmingham, where he co-directs B-Film: The Birmingham Centre for Film Studies.
Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds and the Director of the Centre for World Cinemas and Digital Cultures.
Stephanie Dennison is Chair of Brazilian Studies and a founding member of the Centre for World Cinemas and Digital Cultures at the University of Leeds.
Alex Marlow-Mann is Lecturer in Italian at the University of Kent.
Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds and the Director of the Centre for World Cinemas and Digital Cultures.
Stephanie Dennison is Chair of Brazilian Studies and a founding member of the Centre for World Cinemas and Digital Cultures at the University of Leeds.
Alex Marlow-Mann is Lecturer in Italian at the University of Kent.
Descriere
The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world.