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The Routledge Companion to Cinema & Gender de Kristin Hole

The Routledge Companion to Cinema & Gender: Routledge Media and Cultural Studies Companions

Editat de Kristin Hole, Dijana Jelača, E. Kaplan, Patrice Petro
en Limba Engleză Hardback – 4 noi 2016
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.
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Specificații

ISBN-13: 9781138924956
ISBN-10: 1138924954
Pagini: 512
Ilustrații: 38
Dimensiuni: 174 x 246 mm
Greutate: 1.11 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

List of Figures
Acknowledgements
List of Contributors
Introduction
Kristin Lené Hole, Dijana Jelača, E. Ann Kaplan, Patrice Petro
Part I
WHAT IS [FEMINIST] CINEMA?
Introduction
Chapter 1
Classical Feminist Film Theory: Then and (Mostly) Now
Patrice Petro
Chapter 2
Postcolonial and Transnational Approaches to Film and Feminism
Sandra Ponzanesi
Chapter 3
Feminist Forms of Address: Mai Zetterling’s Loving Couples
Lucy Fischer
Chapter 4
Sound and Gender
Kathleen Vernon
Chapter 5
Gender in Transit: Framing the Cinema of Migration
Sumita Chakravarty
Chapter 6
"No place for sissies": Gender, Age and Disability in Hollywood
Sally Chivers
Chapter 7
Chinese Socialist Women’s Cinema: An Alternative Feminist Practice
Lingzhen Wang
Chapter 8
Gender, Socialism and European Film Cultures
Anikó Imre
Chapter 9
Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies
Amy Borden

Part II
GENRES, MODES, STARS
Introduction
Chapter 10
Contested Masculinities: The Action Film, the War Film, and the Western
Yvonne Tasker
Chapter 11
The Rise and Fall of the Girly Film: From the Woman’s Picture to the New Woman’s Film, the Chick Flick and the Smart-Chick Film
Hilary Radner
Chapter 12
Moving Past the Trauma: Feminist Criticism and Transformations of the Slasher Genre Anthony Hayt
Chapter 13
Slapstick Comediennes in Silent Cinema: Women’s Laughter and the Feminist Politics of Gender in Motion
Margaret Hennefeld
Chapter 14
Feminist Porn: The Politics of Producing Pleasure
Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and Tristan Taormino
Chapter 15
The Postmodern Story of the Femme Fatale
Julie Grossman
Chapter 16
The Documentary: Female Subjectivity and the Problem of Realism
Belinda Smaill
Chapter 17
Experimental Women Filmmakers
Maureen Turim
Chapter 18
Transnational Stardom
Russell Meeuf
Part III
MAKING MOVIES
Introduction
Chapter 19
Feminist and Non-Western Interrogations of Film Authorship
Priya Jaikumar
Chapter 20
Pink Material: White Womanhood and the Colonial Imaginary in World Cinema Authorship Patricia White
Chapter 21
Women, Islam and Cinema: Gender Politics and Representation in Middle Eastern Films and Beyond
Eylem Atakav
Chapter 22
African 'First Films':　Gendered Authorship, Identity, and Discursive Resistance
Anne Ciecko
Chapter 23
Black Women Filmmakers
Jacqueline Bobo
Chapter 24
Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences
Tejaswini Ganti
Chapter 25
What Was "Women’s Work" in the Silent Film Era?
Jane Gaines
Chapter 26
Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and the Constraints of the Archive
J.E. Smyth
Chapter 27
Film Activism and Transformative Praxis: Women Make Movies
Debra Zimmerman
Part IV
SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES
Introduction
Chapter 28
Psychoanalysis Outside and Beyond the Gaze
Claire Pajaczkowska
Chapter 29
Embodying Spectatorship: From Phenomenology to Sensation
Jenny Chamarette
Chapter 30
Deleuzian Spectatorship
Felicity Colman
Chapter 31
Film Reception Studies and Feminism
Janet Staiger
Chapter 32
Nollywood, Female Audience, and the Negotiating of Pleasure
Ikechukwu Obiaya
Chapter 33
Gender and Fandom: From Spectators to Social Audiences
Katherine E. Morrissey
Chapter 34
Classical Hollywood and Modernity: Gender, Style, Aesthetics
Veronica Pravadelli
Chapter 35
Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire
Rachel Lewis

Part V
THINKING CINEMA’S FUTURE
Introduction
Chapter 36
Revolting Aesthetics: Feminist Transnational Cinema in the US
Katarzyna Marciniak
Chapter 37
Towards Trans Cinema
Eliza Steinbock
Chapter 38
Visualizing Climate Trauma: The Cultural Work of Films Anticipating the
Future
E. Ann Kaplan
Chapter 39
Eco-Cinema and Gender
Alexa Weik von Mossner
Chapter 40
Cinema, Animal Studies and the Post/Non-Human
Jennifer Lynn Peterson
Chapter 41
Class/Ornament: Cinema, New Media, Labor-Power and Performativity
Erica Levin
Chapter 42
Film Feminism, Post-Cinema and the Affective Turn
Dijana Jelača
Chapter 43
Fantasy Echoes and the Future Anterior of Cinema and Gender
Kristin Lené Hole

Index


Descriere

This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address.
Bringing together leading figures in the field, the volume provides an overview of cinema and gender, while also reflecting a desire to rethink some of the ways in which feminist film theory and filmmaking are historicized, theorized, and taught. Essays are organised into five parts, each highlighting key areas and approaches. The Companion will be an important resource for researchers and students.

Notă biografică

Kristin Lené Hole is an Assistant Professor in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy (2016) and co-author (with Dijana Jelača) of Film Feminisms: A Global Introduction (2019).
Dijana Jelača teaches in the Film Department at Brooklyn College, USA. She is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016) and co-author (with Kristin Lené Hole) of Film Feminisms: A Global Introduction (2019).
E. Ann Kaplan is Distinguished Professor of English and Women’s, Gender and Sexuality Studies at Stony Brook University, USA, where she also founded and directed The Humanities Institute. She is Past President of the Society for Cinema and Media Studies. Kaplan’s pioneering research on women in film includes Women in Film: Both Sides of the Camera, Motherhood and Representation, Looking for the Other, and Feminism and Film. Her recent research focuses on trauma: see Trauma and Cinema (2004) with Ban Wang; Trauma Culture: The Politics of Terror and Loss in Media and Literature (2005); and Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction (2015).
Patrice Petro is Dick Wolf Director of the Carsey-Wolf Center, Professor of Film and Media Studies, and Presidential Chair in Media Studies at the University of California, Santa Barbara, USA. She is the author, editor, and co-editor of twelve books, most recently Idols of Modernity: Movie Stars of the 1920s (2010), Teaching Film (2012), and After Capitalism: Horizons of Finance, Culture, and Citizenship (2016).