The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror
Autor Min Tianen Limba Engleză Paperback – 23 dec 2019
This
book
is
a
historical
study
of
the
use
of
Asian
theatre
for
modern
Western
theatre
as
practiced
by
its
founding
fathers,
including
Aurélien
Lugné-Poe,
Adolphe
Appia,
Gordon
Craig,
W.
B.
Yeats,
Jacques
Copeau,
Charles
Dullin,
Antonin
Artaud,
V.
E.
Meyerhold,
Sergei
Eisenstein,
and
Bertolt
Brecht.
It
investigates
the
theories
and
practices
of
these
leading
figures
in
their
transnational
and
cross-cultural
relationship
with
Asian
theatrical
traditions
and
their
interpretations
and
appropriations
of
the
Asian
traditions
in
their
reactional
struggles
against
the
dominance
of
commercialism
and
naturalism.
From
the
historical
and
aesthetic
perspectives
of
traditional
Asian
theatres,
it
approaches
this
intercultural
phenomenon
as
a
(Euro)centred
process
of
displacement
of
the
aesthetically
and
culturally
differentiated
Asian
theatrical
traditions
and
of
their
historical
differences
and
identities.
Looking
into
the
displaced
and
distorted
mirror
of
Asian
theatre,
the
founding
fathers
of
modern
Western
theatre
saw,
in
their
imagination
of
the
'ghostly'
Other,
nothing
but
a
(self-)reflection
or,
more
precisely,
a
(self-)projection
and
emplacement,
of
their
competing
ideas
and
theories
preconceived
for
the
construction,
and
the
future
development,
of
modern
Western
theatre.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 553.62 lei 6-8 săpt. | |
| Springer – 23 dec 2019 | 553.62 lei 6-8 săpt. | |
| Hardback (1) | 509.62 lei 38-45 zile | |
| Springer International Publishing – 10 dec 2018 | 509.62 lei 38-45 zile |
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Specificații
ISBN-13: 9783030403676
ISBN-10: 303040367X
Dimensiuni: 155 x 235 mm
Greutate: 0.39 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 303040367X
Dimensiuni: 155 x 235 mm
Greutate: 0.39 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
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Cuprins
Chapter
1.
Lugné-Poe’s
Orientalism
as
Part
of
his
Mission
as
an
International
Dramatic
Prospector.-
Chapter
2.
Appia’s
and
Craig’s
Views
of
the
Japanese
Theatre.-
Chapter
3.
The
Use
of
the
Noh
by
Jacques
Copeau
and
Suzzane
Bing.-
Chapter
4.
Theatre
of
Transposition:
Charles
Dullin
and
the
East
Asian
Theatre.-
Chapter
5.
Authenticity
and
Usability,
or
“Welding
the
Unweldable”:
Meyerhold’s
Refraction
of
the
Japanese
Theatre.-
Chapter
6.
How
Does
the
Billy-Goat
Produce
Milk?
Sergei
Eisenstein’s
Disintegration
and
Reconstitution
of
Kabuki
Theatre.-
Chapter
7.
“The
‘Asiatic’
Model”:
The
Brechtian
Displacement
and
Refunctioning
of
the
Japanese
Theatre.-
Conclusion.
Recenzii
“Min
Tian
offers
a
valuable
contribution
to
theatre
history
with
a
book
that
addresses
the
influence
of
Asian
performance
on
western
theatrical
traditions.
…
For
researchers
and
practitioners
of
Asian
performing
arts
and
interculturalism
in
performance,
this
book
provides
eye-opening
insights
into
the
‘founding
fathers
of
modern
Western
theatre’
and
will
be
valuable
as
a
key
source
to
reposition
occidental
aesthetics
to
better
reflect
the
role
‘oriental’
performance
has
had
–
albeit
in
name
and
inspiration
only
–
on
their
evolution.”
(Jon
Reimer,
Modern
Drama,
Vol.
62
(4),
2019)
Notă biografică
Min
Tianholds
his
second
PhD
in
Theatre
History
from
the
University
of
Illinois
at
Urbana-Champaign,
USA,
having
secured
his
first
PhD
from
the
Central
Academy
of
Drama
in
Beijing,
China.
He
has
taught
as
Associate
Professor
at
the
Central
Academy
of
Drama
and
currently
works
at
the
University
of
Iowa,
USA.
He
is
the
author
ofMei
Lanfang
and
the
Twentieth-Century
International
Stage:
Chinese
Theatre
Placed
and
Displaced(2012),The
Poetics
of
Difference
and
Displacement:
Twentieth-Century
Chinese-Western
Intercultural
Theatre(2008),Shakespeare
and
Modern
Drama:
From
Henrik
Ibsen
to
Heiner
Müller(2006),
and
editor
ofChina’s
Greatest
Operatic
Male
Actor
of
Female
Roles:
Documenting
the
Life
and
Art
of
Mei
Lanfang,
1894-1961(2010).
Textul de pe ultima copertă
This
book
is
a
historical
study
of
the
use
of
Asian
theatre
for
modern
Western
theatre
as
practiced
by
its
founding
fathers,
including
Aurélien
Lugné-Poe,
Adolphe
Appia,
Gordon
Craig,
W.
B.
Yeats,
Jacques
Copeau,
Charles
Dullin,
Antonin
Artaud,
V.
E.
Meyerhold,
Sergei
Eisenstein,
and
Bertolt
Brecht.
It
investigates
the
theories
and
practices
of
these
leading
figures
in
their
transnational
and
cross-cultural
relationship
with
Asian
theatrical
traditions
and
their
interpretations
and
appropriations
of
the
Asian
traditions
in
their
reactional
struggles
against
the
dominance
of
commercialism
and
naturalism.
From
the
historical
and
aesthetic
perspectives
of
traditional
Asian
theatres,
it
approaches
this
intercultural
phenomenon
as
a
(Euro)centred
process
of
displacement
of
the
aesthetically
and
culturally
differentiated
Asian
theatrical
traditions
and
of
their
historical
differences
and
identities.
Looking
into
the
displaced
and
distorted
mirror
of
Asian
theatre,
the
founding
fathers
of
modern
Western
theatre
saw,
in
their
imagination
of
the
'ghostly'
Other,
nothing
but
a
(self-)reflection
or,
more
precisely,
a
(self-)projection
and
emplacement,
of
their
competing
ideas
and
theories
preconceived
for
the
construction,
and
the
future
development,
of
modern
Western
theatre.
Caracteristici
Examines
'intercultural
theatre'
from
the
perspectives
of
traditional
Asian
theatres,
not
from
the
dominant
perspectives
of
modern
Western
theatre
Uncovers
information
that
has
never
before
been
available
to
English-speaking
scholars
Engages
with
the
important
field
of
interculturalism
and
the
problems
of
globalization