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Victorian Fairy Tales: Oxford World's Classics Hardback Collection

Editat de Michael Newton
en Limba Engleză Hardback – 27 sep 2018
'The Queen and the bat had been talking a good deal that afternoon...'The Victorian fascination with fairyland vivified the literature of the period, and led to some of the most imaginative fairy tales ever written. They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as W. M. Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its abilities to reflect our deepest concerns.In tales of whimsy and romance, witty satire and uncanny mystery, love, suffering, family, and the travails of identity are imaginatively explored. Michael Newton's Introduction and notes provide illuminating contextual and biographical information about the authors and the development of the literary fairy tale. A selection of original illustrations is also included.
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Specificații

ISBN-13: 9780198825791
ISBN-10: 019882579X
Pagini: 496
Ilustrații: 24 black and white illustrations
Dimensiuni: 142 x 219 x 42 mm
Greutate: 0.62 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics Hardback Collection

Locul publicării:Oxford, United Kingdom

Recenzii

A handsome volume containing some spectacularly good fairy stories.
Whimsical or romantic, sharply satirical or fogged with mystery, these powerful tales by the likes of Thackeray, Wilde, and doyenne of the genre, Mary De Morgan, probe the deepest human concerns, while reflecting the more of the period.
this collection does show why the fairy tale can be so irresistable, for both nostalgic and romantic reasons.
With reproductions of some of the original black and white illustrations by (among others) Arthur Hughes and Walter Crane, a silken bookmark and a truly glorious cover, Victorian Fairy Tales is a perfect gift volume for both adults and older children. Rather like the stories themselves, the book works beautifully on two levels, both as a collection of fairy tales to be read and enjoyed for their own sake and with its appendix and copious explanatory notes as a detailed and fascinating window into the Victorian mind.
What a delightful place is fairyland and there is no more delightful guide to explore it with than Michael Newton. Truly a book to treasure.
What Michael Newton has done here is no easy feat: creating a collection of fairy tales that is both entertaining and educational... Newton's Victorian Fairy Tales is a beguiling and dynamic anthology.
"Tales of magic and wonder and good triumphant: Could there be better reading for the afterglow of Christmas? Many of the stories in Michael Newton's superb Victorian Fairy Tales are also deliciously witty, even winkingly postmodern, since their authors frequently parody, pastiche or otherwise write against the received tradition of the Brothers Grimm and Charles Perrault." -- The Washington Post
This is not your average fairy tale book by any means. Witty, tongue-in-cheek references that adults will howl over while entertaining every child. A true delight.

Notă biografică

Michael Newton has taught at University College London, Princeton University, and Central Saint Martin's College of Art and Design, and now works at Leiden University. He is the author of Savage Girls and Wild Boys: A History of Feral Children (Faber, 20002), Age of Assassins: A History of Conspiracy and Poltical Violence, 1865-1981 (Faber, 2012), and a book on Kind Hearts and Coronets for the BFI Film Classics series. He has edited Edmund Gosse's Father and Son for Oxford World's Classics, and The Penguin Book of Ghost Stories and Conrad's The Secret Agent for Penguin. He has written and reviewed for the Times Literary Supplement, London Review of Books, the New Statesman, and The Guardian.