Ancient Magic and the Supernatural in the Modern Visual and Performing Arts: Bloomsbury Studies in Classical Reception
Editat de Dr Filippo Carlà-Uhink, Irene Bertien Limba Engleză Paperback – 21 sep 2016
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Specificații
ISBN-13: 9781350007949
ISBN-10: 1350007943
Pagini: 352
Ilustrații: 25 bw illus
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.49 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Classical Reception
Locul publicării:London, United Kingdom
ISBN-10: 1350007943
Pagini: 352
Ilustrații: 25 bw illus
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.49 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Classical Reception
Locul publicării:London, United Kingdom
Caracteristici
Reception studies is currently the single biggest growth area in Classics
Notă biografică
Filippo Carlà is Lecturer in Classics and Ancient History at the University of Exeter, UK.Irene Berti is Research Fellow at the Ruprecht Karls Universität, Heidelberg, Germany, and a member of the Collaborative Research Centre 'Material Text Cultures, Materiality and Presence of Writing in Non-Typographic Societies'.
Cuprins
1. Magic and the Supernatural: an Introduction, I. Berti and F. Carlà (Ruprecht-Karls-Universität Heidelberg, Germany, University of Exeter, UK)2. Gods and Demons in Texts: Figures and Symbols of the Defixion Inscriptions of the Nymphaeum of Anna Perenna at Rome, J. Blänsdorf (Johannes Gutenberg-Universität Mainz, Germany)3. Imaging Magic, Imaging Thinking: The Transmission of Greek Drama from Sophocles to Crimp, L. Hardwick (The Open University, UK)4. Celtic Magic and Rituals in The War Lord (F. Schaffner, 1965), D. Campanile (Università degli Studi di Pisa, Italy)5. Witch, Sorceress, Enchantress: Magic and Women from the Ancient World to the Present Time, G. Rocca and M. Treu (IULM Milano, Italy)6. Circe diva. The Reception of Circe in the Baroque Opera (17th Century), M. J. Castillo Pascual (Universidad de La Rioja, Spain)7. Medea, a Greek Sorceress in Modern Opera and Ballet: from Barber to Reimann, M. Reig and J. Carruesco (Universitat de Barcelona, Spain, Universitat Rovira i Virgili, Spain)8. Colchian Pharmaka: The Colours of Medea in 19th Century Painting in France and England, A. Grand-Clément and C. Ribeyrol (Université de Toulouse II - Le Mirail, France, Université Paris IV - Sorbonne, France)9. Canidia and Erichtho, C. Walde (Johannes Gutenberg-Universität Mainz, Germany)10. Project(ion) Wonder Woman - Metamorphoses of a Superheroine, M. Gindhart and A. Gietzen (Johannes Gutenberg-Universität Mainz, Germany)11. Ancient Horrors - Cinematic Antiquity and the Undead, M. Lindner (Georg-August-Universität Göttingen, Germany)12. The Phoenix, the Werewolf and the Centaur. The Reception of Mythical Beasts in the Harry Potter Novels and Their Film Adaptions, D. Hofmann (Universität zu Köln, Germany)13. Theoi becoming Kami. Classical Mythology in the Anime World, M. G. Castello and C. Scilabra (Università degli Studi di Torino, Italy) 14. Every Pony Has a Story: Revisions of Greco-Roman Mythology in My Little Pony: Friendship is Magic, Priscilla Hobbs (Pacifica Graduate Institute, USA)15. The Depraved Devotion of Elagabalus. Images of the Priest-Emperor in the Visual and Performing Arts, M. Icks (Queen's University Belfast, UK)16. Women and Religion in the Epic Films: The Fifties' Advocate for Conversion and Today's Pillar of Paganism?, A. Wieber (Westfalen-Kolleg Dortmund, Germany)List of Contributors BibliographyIndex
Recenzii
For anyone interested in the reception history of the ancient supernatural, this is both a satisfying selection of papers and a springboard for deeper analysis.
This extraordinary collection marks a major development in the field of reception studies, as it uncovers the persistent ambiguity of classical antiquity in the modern imagination as not only the glittering paradigm of Western rational thought but also the dark wellspring of enigmatic and dangerous forces.
This rich and diverse collection is a powerful reminder that the legacy of antiquity resides not just in a set of comfortable ideals, but that it lurks in some of the darkest and most irrational parts of our imagination. When we dream of the fabulous, the wicked, the monstrous, and the heroic, we are inevitably drawn to figures and motifs drawn from the classical world. As this book shows, we cannot resist these ancient enchantments.
This extraordinary collection marks a major development in the field of reception studies, as it uncovers the persistent ambiguity of classical antiquity in the modern imagination as not only the glittering paradigm of Western rational thought but also the dark wellspring of enigmatic and dangerous forces.
This rich and diverse collection is a powerful reminder that the legacy of antiquity resides not just in a set of comfortable ideals, but that it lurks in some of the darkest and most irrational parts of our imagination. When we dream of the fabulous, the wicked, the monstrous, and the heroic, we are inevitably drawn to figures and motifs drawn from the classical world. As this book shows, we cannot resist these ancient enchantments.