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As You Like It de William Shakespeare

As You Like It: The New Cambridge Shakespeare

Autor William Shakespeare Editat de Michael Hattaway
en Limba Engleză Paperback – 31 mar 2021
Michael Hattaway's Introduction to this bestselling edition of As You Like It accounts for what makes this popular play both innocent and dangerous. This third edition includes a new section on recent critical interpretations, including sections on ecocriticism, peace studies, and myths of gender, on recent as well as past stage productions and films of the play, as well as fresh illustrations. An appendix on an early court performance in 1599, commentary on the play's language, the book trade, and the discursive cultures of its time, as well as an updated reading list are also included.
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Specificații

ISBN-13: 9781108969192
ISBN-10: 1108969194
Pagini: 262
Dimensiuni: 153 x 227 x 13 mm
Greutate: 0.41 kg
Ediția:3Revizuită
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria The New Cambridge Shakespeare

Locul publicării:Cambridge, United Kingdom

Cuprins

Introduction; Note on the text; List of characters; The play; Textual analysis; Appendixes; 1. An early court performance?; 2. Extracts from Shakespeare's principal source, Lodge's Rosalind; 3. The songs; Reading list.

Descriere

Includes a new section on recent critical interpretations, stage productions and films of the play, as well as fresh illustrations.

Notă biografică

Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication.The poem tells the story of Venus, the goddess of Love of her unrequited love and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting. The poem is pastoral, and at times erotic, comic, and tragic. It contains discourses on the nature of love, and observations of nature.It is written in stanzas of six lines of iambic pentameter rhyming ABABCC although this verse form was known before Shakespeare's use, it is now commonly known as the Venus and Adonis stanza, after this poem. This form was also used by Edmund Spenser and Thomas Lodge. The poem consists of 199 stanzas or 1,194 lines.It was published originally as a quarto pamphlet and published with great care. It was probably printed using Shakespeare's fair copy. The printer was Richard Field, who, like Shakespeare, was from Stratford. Venus and Adonis appeared in print before any of Shakespeare's plays were published, but not before some of his plays had been acted on stage. It has certain qualities in common with A Midsummer Night's Dream, Romeo and Juliet, and Love's Labour's Lost. It was written when the London theatres were closed for a time due to the plague.The poem begins with a brief dedication to Shakespeare's patron, Henry Wriothesley, 3rd Earl of Southampton, in which the poet describes the poem as "the first heir of my invention".The poem is inspired by and based on stories found in the Metamorphoses, a narrative poem by the Latin poet, Ovid (43 BC - AD 17/18). Ovid's much briefer version of the tale occurs in book ten of his Metamorphoses. It differs greatly from Shakespeare's version. Ovid's Venus goes hunting with Adonis to please him, but otherwise is uninterested in the out-of-doors. She wears "tucked up" robes, worries about her complexion, and particularly hates dangerous wild animals. Shakespeare's Venus is a bit like a wild animal herself: she apparently goes naked, and is not interested in hunting, but only in making love to Adonis, offering her body to him in graphically explicit terms. In the end, she insists that the boar's killing of Adonis happened accidentally as the animal, impressed by the young hunter's beauty, gored him while trying to kiss him.

Textul de pe ultima copertă

Both a witty satire of literary cliche and a tender meditation on the varieties of love, As You Like It continues to be one of Shakespeare's most beloved and widely performed comedies. In the introduction to this new edition, David Bevington traces the complex relationships between the characters in the play, and explores the history of its criticism from Samuel Johnson to the twenty-first century.

As part of the newly launched Broadview Press / Internet Shakespeare Editions series, this edition features a variety of interleaved materials--from facsimile pages, diagrams, and musical scores to illustrations and extended discussions of myth and folklore--that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare's key sources and influences, including Thomas Lodge's Rosalind and Ben Jonson's Every Man in His Humor.

A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

Samples of the interleaved materials found in As You Like It are provided below: Fortune The Quintain The Spheres It Was A Lover and His Lass

Caracteristici

Leading actor Simon Russell Beale is one of three distinguished Series Editors who have developed the series

Recenzii

'An Arden editor must present an overview of the play's criticism [and] must also take into account the play's ongoing dissemination through performance on stage and screen. Despite these arduous demands, Dusinberre's edition, with its editorial apparatus, its substantial introduction (142 pages), its notes, and its various appendices, fulfills the above requirements admirably...Dusinberre addresses a theatre history that bears witness to the impact that various social movements, especially feminism and gay/lesbian (and now queer) activism, have had on the performance of one of Shakespeare's most gender-bending plays...It inscribes the feminist, queer, and historicist criticism of the past thirty years into the historical memory of Shakespeare studies.'
'If As you Like It is rich in human feeing, a highly conceptualised Tempest seems to exist in the threshold between walking and dreaming.'
'This is one of Shakespeare's most sophisticated comedies, an ironic fairy tale of love and sex, sincerity and pretension, betrayal and loyalty.'