Cantitate/Preț
Produs

Dracula: Arcturus Classics

Autor Bram Stoker
Notă:  5.00 · 2 note 
en Limba Engleză Paperback – 15 iul 2016
Unabridged & Original version with all 708 pages Includes: 15 Illustrations and Biography Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread the undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations. The story is told in epistolary format, as a series of letters, diary entries, and ships' log entries, whose narrators are the novel's protagonists, and occasionally supplemented with newspaper clippings relating events not directly witnessed. The events portrayed in the novel take place largely in England and Transylvania during the 1890s. The tale begins with Jonathan Harker, a newly qualified English solicitor, visiting Count Dracula in the Carpathian Mountains on the border of Transylvania, Bukovina, and Moldavia, to provide legal support for a real estate transaction overseen by Harker's employer. At first enticed by Dracula's gracious manners, Harker soon realizes that he is Dracula's prisoner. Wandering the Count's castle against Dracula's admonition, Harker encounters three female vampires, called "the sisters," from whom he is rescued by Dracula. After the preparations are made, Dracula leaves Transylvania and abandons Harker to the sisters. Harker barely escapes from the castle with his life. Not long afterward, a Russian ship, the Demeter, having weighed anchor at Varna, runs aground on the shores of Whitby. The captain's log narrates the gradual disappearance of the entire crew, until the captain alone remained, himself bound to the helm to maintain course. An animal resembling "a large dog" is seen leaping ashore. The ship's cargo is described as silver sand and boxes of "mould," or earth, from Transylvania. Soon Dracula is tracking Harker's fiancee, Wilhelmina "Mina" Murray, and her friend, Lucy Westenra. Lucy receives three marriage proposals from Dr. John Seward, Quincey Morris, and the Hon. Arthur Holmwood (later Lord Godalming). Lucy accepts Holmwood's proposal while turning down Seward and Morris, but all remain friends. Dracula communicates with Seward's patient Renfield, an insane man who wishes to consume insects, spiders, birds, and rats to absorb their "life force," and therefore assimilate to Dracula himself. Renfield is able to detect Dracula's presence and supplies clues accordingly."
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (182) 3687 lei  3-5 săpt.
  Penguin Random House Group – 31 dec 2000 3687 lei  3-5 săpt.
  Bantam Books – 31 oct 1983 3713 lei  3-5 săpt.
  Vintage Publishing – 3 oct 2007 3998 lei  23-34 zile +1820 lei  6-10 zile
  Oxford University Press – 24 feb 2011 4050 lei  10-16 zile +1890 lei  6-10 zile
  Pan Macmillan – 5 sep 2024 4456 lei  3-5 săpt. +3088 lei  6-10 zile
  4517 lei  3-5 săpt.
  Penguin Books – 25 apr 2012 4548 lei  23-34 zile +2022 lei  6-10 zile
  Alma Books COMMIS – 14 sep 2015 4681 lei  3-5 săpt. +1495 lei  6-10 zile
  Vintage Publishing – 2 oct 2013 4795 lei  23-34 zile +3067 lei  6-10 zile
  Stone Arch Books – 30 iun 2014 4887 lei  3-5 săpt.
  Black Gas Publishing – 30 apr 2005 4965 lei  23-34 zile
  Real Reads – 26 ian 2009 5043 lei  3-5 săpt. +598 lei  6-10 zile
  Arcturus Publishing – 15 iul 2016 5178 lei  3-5 săpt. +1087 lei  6-10 zile
  Aladdin – 26 sep 2024 5246 lei  23-35 zile +3078 lei  6-10 zile
  Penguin Books – 26 mar 2003 5273 lei  3-5 săpt. +1439 lei  6-10 zile
  Simon&Schuster – 30 sep 2003 5306 lei  3-5 săpt.
  Flame Tree Publishing – 30 mai 2018 5349 lei  3-5 săpt.
  UNION SQUARE & CO – 18 iul 2023 5367 lei  3-5 săpt. +2346 lei  6-10 zile
  5500 lei  3-5 săpt.
  Capstone Global Library Ltd – iul 2009 5685 lei  3-5 săpt. +708 lei  6-10 zile
  e-artnow – 13 dec 2018 5692 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 5745 lei  3-5 săpt.
  HarperCollins Publishers – 22 iul 2021 5837 lei  3-5 săpt. +1260 lei  6-10 zile
  LEGEND PRESS – 31 mai 2019 5914 lei  3-5 săpt. +4900 lei  6-10 zile
  Penguin Random House Children's UK – 4 mar 2009 5952 lei  3-5 săpt. +1680 lei  6-10 zile
  6410 lei  3-5 săpt.
  Simon&Schuster – 3 dec 2014 6492 lei  3-5 săpt. +1409 lei  6-10 zile
  VINTAGE BOOKS – 31 mai 2011 6807 lei  3-5 săpt.
  Klett Sprachen GmbH – 21 ian 2022 6933 lei  17-23 zile +644 lei  6-10 zile
  7005 lei  3-5 săpt.
  CREATESPACE – 7111 lei  3-5 săpt.
  7283 lei  3-5 săpt.
  7311 lei  3-5 săpt.
  7311 lei  3-5 săpt.
  7454 lei  3-5 săpt.
  Ignatius Press – 30 apr 2012 7512 lei  3-5 săpt.
  KUPERARD (BRAVO LTD) – 18 apr 2001 7560 lei  3-5 săpt. +1253 lei  6-10 zile
  West Margin Press – 22 apr 2020 7596 lei  3-5 săpt. +1399 lei  6-10 zile
  CREATESPACE – 7766 lei  3-5 săpt.
  CREATESPACE – 7840 lei  3-5 săpt.
  Theatre Communications Group – feb 2010 8061 lei  3-5 săpt. +466 lei  6-10 zile
  CREATESPACE – 8065 lei  3-5 săpt.
  8178 lei  3-5 săpt.
  CREATESPACE – 8182 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 8193 lei  3-5 săpt.
  8862 lei  3-5 săpt.
  8890 lei  3-5 săpt.
  9042 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 9042 lei  3-5 săpt.
  Klett Sprachen GmbH – 8 dec 2022 9072 lei  17-23 zile +843 lei  6-10 zile
  CANTERBURY CLASSICS – 10 aug 2012 9086 lei  3-5 săpt.
  9152 lei  3-5 săpt.
  Macmillan Learning – 6 apr 2016 9281 lei  3-5 săpt. +4730 lei  6-10 zile
  CREATESPACE – 30 iun 2010 9420 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 9 dec 2015 9622 lei  3-5 săpt.
  9800 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 10047 lei  3-5 săpt.
  10102 lei  3-5 săpt.
  CREATESPACE – 10285 lei  3-5 săpt.
  10290 lei  3-5 săpt.
  CREATESPACE – 10419 lei  3-5 săpt.
  CREATESPACE – 10486 lei  3-5 săpt.
  Top Five Books, LLC – 31 iul 2020 10523 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 10583 lei  3-5 săpt.
  Broadview Press – 30 noi 1997 10599 lei  3-5 săpt. +2755 lei  6-10 zile
  CreateSpace Independent Publishing Platform – 10681 lei  3-5 săpt.
  CREATESPACE – 10866 lei  3-5 săpt.
  CREATESPACE – 10969 lei  3-5 săpt.
  11049 lei  3-5 săpt.
  11090 lei  3-5 săpt.
  Restless Books – 2 noi 2022 11183 lei  3-5 săpt. +2519 lei  6-10 zile
  www.bnpublishing.com – 6 mai 2012 11290 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 11312 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 11422 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 11456 lei  3-5 săpt.
  11503 lei  3-5 săpt.
  11561 lei  3-5 săpt.
  11694 lei  3-5 săpt.
  11764 lei  3-5 săpt.
  CREATESPACE – 11860 lei  3-5 săpt.
  11934 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 12068 lei  3-5 săpt.
  UNION SQUARE & CO – 27 mar 2015 12077 lei  3-5 săpt. +3647 lei  6-10 zile
  CREATESPACE – 12189 lei  3-5 săpt.
  12372 lei  3-5 săpt.
  12560 lei  3-5 săpt.
  CREATESPACE – 12729 lei  3-5 săpt.
  12769 lei  3-5 săpt.
  12834 lei  3-5 săpt.
  CREATESPACE – 13082 lei  3-5 săpt.
  13227 lei  3-5 săpt.
  13309 lei  3-5 săpt.
  13386 lei  3-5 săpt.
  13531 lei  3-5 săpt.
  13658 lei  3-5 săpt.
  CREATESPACE – 13667 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 13733 lei  3-5 săpt.
  13915 lei  3-5 săpt.
  G&D MEDIA – 19 mar 2024 13937 lei  3-5 săpt.
  13937 lei  3-5 săpt.
  Shakespeare and Company Paris – 25 apr 2016 14087 lei  3-5 săpt.
  14113 lei  3-5 săpt.
  14115 lei  3-5 săpt.
  Kallpa Publishing Inc. – 25 mar 2022 14238 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 14439 lei  3-5 săpt.
  14489 lei  3-5 săpt.
  14495 lei  3-5 săpt.
  University of British Columbia Press – 29 feb 2016 14684 lei  3-5 săpt.
  Les prairies numériques – 6 iul 2020 14729 lei  3-5 săpt.
  CREATESPACE – 14800 lei  3-5 săpt.
  CREATESPACE – 14885 lei  3-5 săpt.
  CREATESPACE – 14933 lei  3-5 săpt.
  CREATESPACE – 15267 lei  3-5 săpt.
  16233 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 16455 lei  3-5 săpt.
  16724 lei  3-5 săpt.
  16794 lei  3-5 săpt.
  Penguin Books – 30 sep 2010 17715 lei  3-5 săpt.
  CREATESPACE – 30 apr 2009 17726 lei  3-5 săpt.
  18753 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 19064 lei  3-5 săpt.
  CREATESPACE – 19136 lei  3-5 săpt.
  CREATESPACE – 21580 lei  3-5 săpt.
  24910 lei  3-5 săpt.
  Hansebooks – sep 2023 28169 lei  3-5 săpt.
  39957 lei  3-5 săpt.
  Brolga Publishing – 2010 6976 lei  17-23 zile
  Broadway Play Publishing Inc – 3 mai 2022 8037 lei  6-8 săpt.
  8482 lei  6-8 săpt.
  8482 lei  6-8 săpt.
  CREATESPACE – 9382 lei  6-8 săpt.
  Digireads.com – 10 noi 2015 9711 lei  6-8 săpt.
  COSIMO CLASSICS – 30 sep 2009 9861 lei  6-8 săpt.
  LIGHTNING SOURCE INC – 20 sep 2018 10008 lei  17-23 zile
  OMNI Publishing – 21 dec 2019 10228 lei  6-8 săpt.
  Public Publishing – 9 mai 2020 10372 lei  6-8 săpt.
  Public Public Books – 9 mai 2020 10372 lei  6-8 săpt.
  Toronto Public Domain Publishing – 10 mai 2020 10529 lei  6-8 săpt.
  Mary Publishing Company – 10 mai 2020 10529 lei  6-8 săpt.
  Camel Publishing House – 10 mai 2020 10529 lei  6-8 săpt.
  Barclays Public Books – 10 mai 2020 10529 lei  6-8 săpt.
  USA Public Domain Books – 10 mai 2020 10529 lei  6-8 săpt.
  Yorkshire Public Books – 10 mai 2020 10529 lei  6-8 săpt.
  Texas Public Domain – 10 mai 2020 10529 lei  6-8 săpt.
  Susan Publishing Ltd – 10 mai 2020 10529 lei  6-8 săpt.
  Suzeteo Enterprises – 21 oct 2012 10711 lei  6-8 săpt.
  10893 lei  6-8 săpt.
  Serenity Publishers, LLC – 30 sep 2008 11007 lei  38-44 zile
  CREATESPACE – 31 ian 2010 11212 lei  6-8 săpt.
  CreateSpace Independent Publishing Platform – 11471 lei  6-8 săpt.
  11677 lei  6-8 săpt.
  11775 lei  6-8 săpt.
  Benediction Classics – 31 dec 2011 11888 lei  6-8 săpt.
  LIGHTNING SOURCE INC – 22 sep 2018 12004 lei  17-23 zile
  Laurelhurst – 25 aug 2013 12290 lei  6-8 săpt.
  LIGHTNING SOURCE INC – 8 oct 2018 12367 lei  17-23 zile
  LIGHTNING SOURCE INC – 11 oct 2018 12367 lei  17-23 zile
  LIGHTNING SOURCE INC – 19 sep 2018 12367 lei  17-23 zile
  Editorium – 30 sep 2009 12684 lei  6-8 săpt.
  12919 lei  6-8 săpt.
  Hawk Press – 4 iun 1996 13234 lei  6-8 săpt.
  OMNI Publishing – 11 iul 2019 13616 lei  6-8 săpt.
  Indoeuropeanpublishing.com – 5 ian 2024 13701 lei  6-8 săpt.
  Stonewell Press – 18 oct 2013 14138 lei  6-8 săpt.
  Alan Rodgers' Books – 31 mar 2005 14181 lei  6-8 săpt.
  Tui – 30 apr 2010 14364 lei  38-44 zile
  Bibliotech Press – 4 feb 2012 14729 lei  6-8 săpt.
  MiraVista Interactive – 25 mai 2019 15195 lei  38-44 zile
  Antiquarius – 18 oct 2020 15287 lei  38-44 zile
  NMD Books – 31 dec 2010 16129 lei  6-8 săpt.
  ImTheStory – 19 oct 2015 16303 lei  38-44 zile
  CREATESPACE – 16749 lei  6-8 săpt.
  Delhi Open Books – 11 iun 2020 17310 lei  6-8 săpt.
  Throne Classics – 24 mai 2019 17485 lei  38-44 zile
  RUPA – 15 ian 2021 17916 lei  38-44 zile
  Simon & Brown – 31 mar 2011 19085 lei  38-44 zile
  Lulu.Com – 26 feb 2018 19507 lei  6-8 săpt.
  LIGHTNING SOURCE INC – 3 iul 2018 23046 lei  17-23 zile
  Echo Library – 30 iul 2003 23169 lei  38-44 zile
  24452 lei  6-8 săpt.
  Echo Library – 30 apr 2006 27172 lei  38-44 zile
  Cambridge University Press – 2 ian 2013 36300 lei  6-8 săpt.
Hardback (27) 3854 lei  3-5 săpt. +1475 lei  6-10 zile
  Sterling Publishing (NY) – aug 2007 3854 lei  3-5 săpt. +1475 lei  6-10 zile
  Pan Macmillan – 18 iul 2016 4857 lei  3-5 săpt. +3340 lei  6-10 zile
  WORDSWORTH EDITIONS LTD – oct 2022 4994 lei  3-5 săpt. +1663 lei  6-10 zile
  Arcturus Publishing – iul 2024 5843 lei  3-5 săpt. +1285 lei  6-10 zile
  Arcturus Publishing – 2 iul 2024 7350 lei  3-5 săpt.
  Wiley – 20 noi 2024 8314 lei  3-5 săpt. +2726 lei  6-10 zile
  CHARTWELL BOOKS – 12 noi 2024 8405 lei  3-5 săpt. +3583 lei  6-10 zile
  EVERYMAN – 24 iun 2010 8941 lei  23-34 zile +3815 lei  6-10 zile
  Penguin Random House Children's UK – 4 sep 2019 9539 lei  23-34 zile +4117 lei  6-10 zile
  Penguin Books – iun 2011 9591 lei  23-34 zile +4165 lei  6-10 zile
  UNION SQUARE & CO – 5 noi 2024 9622 lei  3-5 săpt. +1959 lei  6-10 zile
  UNION SQUARE & CO – 19 oct 2023 10095 lei  3-5 săpt. +2779 lei  6-10 zile
  Penguin Young Readers Group – 25 aug 2020 10701 lei  3-5 săpt.
  UNION SQUARE & CO – 12 dec 2024 11316 lei  3-5 săpt. +2059 lei  6-10 zile
  Dover Publications Inc. – 25 oct 2024 11861 lei  3-5 săpt. +3932 lei  6-10 zile
  ALADDIN PAPERBACKS – 10 sep 2024 11893 lei  3-5 săpt.
  chiltern publishing – 8 sep 2020 13003 lei  3-5 săpt. +2878 lei  6-10 zile
  Inherence LLC – 18 dec 2023 14218 lei  3-5 săpt.
  Udon Entertainment Corp – 20 sep 2018 14240 lei  3-5 săpt. +2896 lei  6-10 zile
  FOUR CORNERS BOOKS – 31 iul 2007 17087 lei  3-5 săpt. +3906 lei  6-10 zile
  15397 lei  6-8 săpt.
  COSIMO CLASSICS – 30 sep 2009 21975 lei  6-8 săpt.
  Indoeuropeanpublishing.com – 5 ian 2024 22791 lei  6-8 săpt.
  24442 lei  38-44 zile
  Antiquarius – 18 oct 2020 25619 lei  38-44 zile
  Creative Media Partners, LLC – 26 oct 2022 32388 lei  17-23 zile
  Cambridge University Press – 8 mai 2013 61616 lei  6-8 săpt.
CD-Audio (2) 5888 lei  23-34 zile +1712 lei  6-10 zile
  BBC Audio A Division Of Random House – 19 oct 2016 5888 lei  23-34 zile +1712 lei  6-10 zile
  Penguin Books – 14 oct 2020 10911 lei  23-34 zile +3731 lei  6-10 zile

Din seria Arcturus Classics

Preț: 5178 lei

Nou

Puncte Express: 78

Preț estimativ în valută:
991 1030$ 821£

Carte disponibilă

Livrare economică 15-29 ianuarie 25
Livrare express 31 decembrie 24 - 04 ianuarie 25 pentru 2086 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781785996269
ISBN-10: 1785996266
Pagini: 352
Dimensiuni: 198 x 131 x 23 mm
Greutate: 0.26 kg
Editura: Arcturus Publishing
Seria Arcturus Classics


Recenzii

"Those who cannot find their own reflection in Bram Stoker's still-living creation are surely the undead ."
— New York Times Review of Books

"An exercise in masculine anxiety and nationalist paranoia, Stoker's novel is filled with scenes that are staggeringly lurid and perverse.... The one in Highgate cemetery, where Arthur and Van Helsing drive a stake through the writhing body of the vampirised Lucy Westenra, is my favourite."
Sarah Waters, author of The Little Stranger

"It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror."
Bram Stoker's Mother
"The ultimate monster" Mirror " Dracula is about how suffocating Victorian times were. The bonus is, you get vampires!" -- Ryan Adams

Notă biografică

Abraham "Bram" Stoker (8 November 1847- 20 April 1912) was an Irish writer. He supplemented his income by writing a large number of sensational novels, his most famous being the vampire tale Dracula which he published in 1897. Before writing Dracula, Stoker spent eight years researching European folklore and stories of vampires. Dracula is an epistolary novel, written as collection of diary entries, telegrams, and letters from the characters, as well as fictional clippings from the Whitby and London newspapers. Stoker's inspiration for the story was a visit to Slains Castle near Aberdeen. The bleak spot provided an excellent backdrop for his creation. Dracula has been the basis for countless movies and plays. The first was Nosferatu directed by Friedrich Wilhelm Murnau and starring Max Schreck as Count Orlock. Nosferatu was produced while Florence Stoker, Bram Stoker's widow and literary executrix, was still alive. Represented by the attorneys of the British Incorporated Society of Authors, she eventually sued the filmmakers. Her chief legal complaint was that she had been neither asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs Stoker demanding the destruction of the negative and all prints of the movie. The suit was finally resolved in the widow's favour in July 1925. Some copies of the movie survived, however, and Nosferatu is now widely regarded as an innovative classic. The most famous movie version of Dracula is the 1931 production starring Bela Lugosi and which spawned several sequels that had little to do with Stoker's novel.

Extras

Chapter I
Jonathan Harker’s Journal
(Kept in shorthand)

3 May. Bistritz. — Left Munich at 8:35 p.m., on 1st May, arriving at Vienna early next morning; should have arrived at 6.46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.

We left in pretty good time, and came after nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem., get recipe for Mina.) I asked the waiter, and he said it was called “paprika hendl,” and that, as it was a national dish, I should be able to get it anywhere along the Carpathians. I found my smattering of German very useful here; indeed, I don’t know how I should be able to get on without it.

Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania: it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.

In the population of Transylvania there are four distinct nationalities: Saxons in the South, and mixed with them the Wallachs, who are the descendants of the Dacians; Magyars in the West, and Szekelys in the East and North. I am going among the latter, who claim to be descended from Attila and the Huns. This may be so, for when the Magyars conquered the country in the eleventh century they found the Huns settled in it. I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)

I did not sleep well, though my bed was comfortable enough, for I had all sorts of queer dreams. There was a dog howling all night under my window, which may have had something to do with it; or it may have been the paprika, for I had to drink up all the water in my carafe, and was still thirsty. Towards morning I slept and was wakened by the continuous knocking at my door, so I guess I must have been sleeping soundly then. I had for breakfast more paprika, and a sort of porridge of maize flour which they said was “mamaliga,” and egg-plant stuffed with forcemeat, a very excellent dish, which they call “impletata.” (Mem., get recipe for this also.) I had to hurry breakfast, for the train started a little before eight, or rather it ought to have done so, for after rushing to the station at 7:30 I had to sit in the carriage for more than an hour before we began to move. It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?

All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and the most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them. The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.

It was on the dark side of twilight when we got to Bistritz, which is a very interesting old place. Being practically on the frontier—for the Borgo Pass leads from it into Bukovina—it has had a very stormy existence, and it certainly shows marks of it. Fifty years ago a series of great fires took place, which made terrible havoc on five separate occasions. At the very beginning of the seventeenth century it underwent a siege of three weeks and lost 13,000 people, the casualties of war proper being assisted by famine and disease.

Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country. I was evidently expected, for when I got near the door I faced a cheery-looking elderly woman in the usual peasant dress—white undergarment with long double apron, front, and back, of coloured stuff fitting almost too tight for modesty. When I came close she bowed and said, “The Herr Englishman?” “Yes,” I said, “Jonathan Harker.” She smiled, and gave some message to an elderly man in white shirtsleeves, who had followed her to the door. He went, but immediately returned with a letter:—

“My Friend, —Welcome to the Carpathians. I am anxiously expecting you. Sleep well to-night. At three tomorrow the diligence9 will start for Bukovina; a place on it is kept for you. At the Borgo Pass my carriage will await you and will bring you to me. I trust that your journey from London has been a happy one, and that you will enjoy your stay in my beautiful land. — Your friend,
'Dracula.'


4 May. — I found that my landlord had got a letter from the Count, directing him to secure the best place on the coach for me; but on making inquiries as to details he seemed somewhat reticent, and pretended that he could not understand my German. This could not be true, because upto then he had understood it perfectly; at least, he answered my questions exactly as if he did. He and his wife, the old lady who had received me, looked at each other in a frightened sort of way. He mumbled out that the money had been sent in a letter, and that was all he knew. When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask anyone else, for it was all very mysterious and not by any means comforting.

Just before I was leaving, the old lady came up to my room and said in a very hysterical way:—

‘Must you go? Oh! young Herr, must you go?’ She was in such an excited state that she seemed to have lost her grip of what German she knew, and mixed it all up with some other language which I did not know at all. I was just able to follow her by asking many questions. When I told her that I must go at once, and that I was engaged on important business, she asked again:—

‘Do you know what day it is?’ I answered that it was the fourth of May. She shook her head as she said again:—

‘Oh, yes! I know that, I know that! but do you know what day it is?’ On my saying that I did not understand, she went on:—

‘It is the eve of St George’s Day. Do you not know that to-night,when the clock strikes midnight, all the evil things in the world will have full sway? Do you know where you are going, and what you are going to?’ She was in such evident distress that I tried to comfort her, but without effect. Finally she went down on her knees and implored me not to go; at least to wait a day or two before starting. It was all very ridiculous, but I did not feel comfortable. However, there was business to be done, and I could allow nothing to interfere with it. I therefore tried to raise her up, and said, as gravely as I could, that I thanked her, but my duty was imperative, and that I must go. She then rose and dried her eyes, and taking a crucifix from her neck offered it to me. I did not know what to do, for, as an English Churchman, I have been taught to regard such things as in some measure idolatrous, and yet it seemed so ungracious to refuse an old lady meaning so well and in such a state of mind. She saw, I suppose, the doubt in my face, for she put the rosary round my neck, and said, ‘For your mother’s sake,’ and went out of the room. I am writing up this part of the diary whilst I am waiting for the coach, which is, of course, late; and the crucifix is still round my neck. Whether it is the old lady’s fear, I do not know, but I am not feeling nearly as easy in my mind as usual. If this book should ever reach Mina before I do, let it bring my good-bye. Here comes the coach!

Descriere

Descriere de la o altă ediție sau format:

Part of the Legend Classics series The English solicitor, Jonathan Harker, travels to a castle in the Carpathian Mountains to see the Transylvanian noble, Count Dracula. At first, Harker is intrigued by the eccentric count, but as more mysterious and terrifying events occur, he realizes he's now a prisoner in the castle. When Dracula leaves Harker behind and travels to England, Harker's beloved fianc Meena and her friend Lucy Westenra are put in grave danger, and a group of adversaries, led by the vampire hunter Abraham van Helsing, must do whatever it takes to stop Dracula.
Featuring one of the most famous vampires in literature, Dracula is considered a masterpiece of the horror genre.
The Legend Classics series:
Around the World in Eighty Days
The Adventures of Huckleberry Finn
The Importance of Being Earnest
Alice's Adventures in Wonderland
The Metamorphosis
The Railway Children
The Hound of the Baskervilles
Frankenstein
Wuthering Heights
Three Men in a Boat
The Time Machine
Little Women
Anne of Green Gables
The Jungle Book
The Yellow Wallpaper and Other Stories
Dracula
A Study in Scarlet
Leaves of Grass
The Secret Garden
The War of the Worlds
A Christmas Carol
Strange Case of Dr Jekyll and Mr Hyde
Heart of Darkness
The Scarlet Letter
This Side of Paradise
Oliver Twist
The Picture of Dorian Gray
Treasure Island
The Turn of the Screw
The Adventures of Tom Sawyer
Emma
The Trial
A Selection of Short Stories by Edgar Allen Poe
Grimm Fairy Tales


Cuprins

CONTENTS

INTRODUCTION

I. Jonathan Harker's Journal

II. Jonathan Harker's Journal

III. Jonathan Harker's Journal

IV. Jonathan Harker's Journal

V. Letter from Miss Mina Murray to Miss Lucy Westenra

VI. Mina Murray's Journal

VII. Cutting from The Dailygraph, 8 August

VIII. Mina Murray's Journal

IX. Letter, Mina Harker to Lucy Westenra

X. Letter, Dr Seward to Hon. Arthur Holmwood

XI. Lucy Westenra's Diary

XII. Dr Seward's Diary

XIII. Dr Seward's Diary

XIV. Mina Harker's Journal

XV. Dr Seward's Diary

XVI. Dr Seward's Diary

XVII. Dr Seward's Diary

XVIII. Dr Seward's Diary

XIX. Jonathan Harker's Journal

XX. Jonathan Harker's Journal

XXI. Dr Seward's Diary

XXII. Jonathan Harker's Journal

XXIII. Dr Seward's Diary

XXIV. Dr Seward's Phonograph Diary, spoken by Van Helsing

XXV. Dr Seward's Diary

XXVI. Dr Seward's Diary

XXVII. Mina Harker's Journal

LITERARY ALLUSIONS AND NOTES

CRITICAL EXCERPTS

SUGGESTIONS FOR FURTHER READING

Textul de pe ultima copertă

This revision of the popular critical edition of Bram Stoker's late Victorian gothic novel presents the 1897 first edition text along with critical essays that introduce students to Dracula from contemporary cultural, psychoanalytic, gender, queer, and postcolonial perspectives. An additional essay demonstrates how various critical perspectives can be combined. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.

New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.


Caracteristici

This revision of the popular critical edition of Bram Stoker's late Victorian gothic novel presents the 1897 first edition text along with critical essays that introduce students to Dracula from contemporary cultural, psychoanalytic, gender, queer, and postcolonial perspectives. An additional essay demonstrates how various critical perspectives can be combined. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.

New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.