Dracula: The Defintive Author's Cut

Notă: 5.00 · 2 note

en Limba Engleză Paperback – 30 apr 2005

Bram Stoker's classic bestseller Dracula was first published in 1897. But in 1901 Stoker revised and edited the book for a new English edition. Stoker's aim was to tighten the novel, cutting out a lot of the slower-paced and dialogue-heavy scenes. Overall he reduced the work by 15% - a significant change. Since this is the last work he did on the book it stands as the final and definitive author's cut. For the first time in over 100 years this is that original author's cut. All other print editions of the story use the out-of-date text of the 1897 edition.

Citește tot Restrânge

Toate formatele și edițiile

	Preț	Express
Paperback (182)	36^.74 lei 22-36 zile
Penguin Random House Group – 31 dec 2000	36^.74 lei 22-36 zile
Bantam Books – 31 oct 1983	37^.13 lei 22-36 zile
Vintage Publishing – 3 oct 2007	39^.98 lei 25-31 zile	+18^.20 lei 5-11 zile
Oxford University Press – 24 feb 2011	40^.50 lei 10-16 zile	+18^.90 lei 5-11 zile
Pan Macmillan – 5 sep 2024	44^.56 lei 22-36 zile	+30^.88 lei 5-11 zile
–	45^.00 lei 22-36 zile
Penguin Books – 25 apr 2012	45^.40 lei 25-31 zile	+20^.30 lei 5-11 zile
Alma Books COMMIS – 14 sep 2015	46^.81 lei 22-36 zile	+14^.95 lei 5-11 zile
Vintage Publishing – 2 oct 2013	47^.95 lei 25-31 zile	+30^.67 lei 5-11 zile
Stone Arch Books – 30 iun 2014	48^.87 lei 22-36 zile
Black Gas Publishing – 30 apr 2005	49^.65 lei 25-31 zile
Real Reads – 26 ian 2009	50^.43 lei 22-36 zile	+5^.98 lei 5-11 zile
Arcturus Publishing – 15 iul 2016	51^.78 lei 22-36 zile	+10^.87 lei 5-11 zile
Aladdin – 26 sep 2024	52^.46 lei 26-38 zile	+30^.78 lei 5-11 zile
Penguin Books – 26 mar 2003	52^.73 lei 22-36 zile	+14^.39 lei 5-11 zile
Simon&Schuster – 30 sep 2003	52^.87 lei 22-36 zile
Flame Tree Publishing – 30 mai 2018	53^.49 lei 22-36 zile
UNION SQUARE & CO – 18 iul 2023	53^.58 lei 22-36 zile	+23^.55 lei 5-11 zile
–	55^.00 lei 22-36 zile
Capstone Global Library Ltd – iul 2009	56^.85 lei 22-36 zile	+7^.08 lei 5-11 zile
e-artnow – 13 dec 2018	56^.92 lei 22-36 zile
CreateSpace Independent Publishing Platform –	57^.45 lei 22-36 zile
HarperCollins Publishers – 22 iul 2021	58^.37 lei 22-36 zile	+12^.60 lei 5-11 zile
LEGEND PRESS – 31 mai 2019	59^.14 lei 22-36 zile	+49^.00 lei 5-11 zile
Penguin Random House Children's UK – 4 mar 2009	59^.52 lei 22-36 zile	+16^.80 lei 5-11 zile
–	64^.10 lei 22-36 zile
Simon&Schuster – 3 dec 2014	64^.92 lei 22-36 zile	+14^.09 lei 5-11 zile
VINTAGE BOOKS – 31 mai 2011	68^.07 lei 22-36 zile
Klett Sprachen GmbH – 21 ian 2022	69^.33 lei 17-23 zile	+6^.44 lei 5-11 zile
–	70^.05 lei 22-36 zile
CREATESPACE –	71^.11 lei 22-36 zile
–	72^.83 lei 22-36 zile
–	73^.11 lei 22-36 zile
–	73^.11 lei 22-36 zile
–	74^.54 lei 22-36 zile
Ignatius Press – 30 apr 2012	75^.12 lei 22-36 zile
KUPERARD (BRAVO LTD) – 18 apr 2001	75^.60 lei 22-36 zile	+12^.53 lei 5-11 zile
West Margin Press – 22 apr 2020	75^.96 lei 22-36 zile	+13^.99 lei 5-11 zile
CREATESPACE –	77^.66 lei 22-36 zile
CREATESPACE –	78^.40 lei 22-36 zile
Theatre Communications Group – feb 2010	80^.61 lei 22-36 zile	+4^.66 lei 5-11 zile
CREATESPACE –	80^.65 lei 22-36 zile
–	81^.78 lei 22-36 zile
CREATESPACE –	81^.82 lei 22-36 zile
CreateSpace Independent Publishing Platform –	81^.93 lei 22-36 zile
–	88^.62 lei 22-36 zile
–	88^.90 lei 22-36 zile
–	90^.42 lei 22-36 zile
CreateSpace Independent Publishing Platform –	90^.42 lei 22-36 zile
Klett Sprachen GmbH – 8 dec 2022	90^.72 lei 17-23 zile	+8^.43 lei 5-11 zile
CANTERBURY CLASSICS – 10 aug 2012	90^.86 lei 22-36 zile
–	91^.52 lei 22-36 zile
Macmillan Learning – 6 apr 2016	92^.81 lei 22-36 zile	+47^.30 lei 5-11 zile
CREATESPACE – 30 iun 2010	94^.20 lei 22-36 zile
CreateSpace Independent Publishing Platform – 9 dec 2015	96^.22 lei 22-36 zile
–	98^.00 lei 22-36 zile
CreateSpace Independent Publishing Platform –	100^.47 lei 22-36 zile
–	101^.02 lei 22-36 zile
CREATESPACE –	102^.85 lei 22-36 zile
–	102^.90 lei 22-36 zile
CREATESPACE –	104^.19 lei 22-36 zile
CREATESPACE –	104^.86 lei 22-36 zile
Top Five Books, LLC – 31 iul 2020	105^.23 lei 22-36 zile
CreateSpace Independent Publishing Platform –	105^.83 lei 22-36 zile
Broadview Press – 30 noi 1997	105^.99 lei 22-36 zile	+27^.55 lei 5-11 zile
CreateSpace Independent Publishing Platform –	106^.81 lei 22-36 zile
CREATESPACE –	108^.66 lei 22-36 zile
CREATESPACE –	109^.69 lei 22-36 zile
–	110^.49 lei 22-36 zile
–	110^.90 lei 22-36 zile
Restless Books – 2 noi 2022	111^.83 lei 22-36 zile	+25^.19 lei 5-11 zile
www.bnpublishing.com – 6 mai 2012	112^.90 lei 22-36 zile
CreateSpace Independent Publishing Platform –	113^.12 lei 22-36 zile
CreateSpace Independent Publishing Platform –	114^.22 lei 22-36 zile
CreateSpace Independent Publishing Platform –	114^.56 lei 22-36 zile
–	115^.03 lei 22-36 zile
–	115^.61 lei 22-36 zile
–	116^.94 lei 22-36 zile
–	117^.64 lei 22-36 zile
CREATESPACE –	118^.60 lei 22-36 zile
–	119^.34 lei 22-36 zile
CreateSpace Independent Publishing Platform –	120^.68 lei 22-36 zile
UNION SQUARE & CO – 27 mar 2015	120^.77 lei 22-36 zile	+36^.47 lei 5-11 zile
CREATESPACE –	121^.89 lei 22-36 zile
–	123^.72 lei 22-36 zile
–	125^.60 lei 22-36 zile
CREATESPACE –	127^.29 lei 22-36 zile
–	127^.69 lei 22-36 zile
–	128^.34 lei 22-36 zile
CREATESPACE –	130^.82 lei 22-36 zile
–	132^.27 lei 22-36 zile
–	133^.09 lei 22-36 zile
–	133^.86 lei 22-36 zile
–	135^.31 lei 22-36 zile
–	136^.58 lei 22-36 zile
CREATESPACE –	136^.67 lei 22-36 zile
CreateSpace Independent Publishing Platform –	137^.33 lei 22-36 zile
–	139^.15 lei 22-36 zile
G&D MEDIA – 19 mar 2024	139^.37 lei 22-36 zile
–	139^.37 lei 22-36 zile
Shakespeare and Company Paris – 25 apr 2016	140^.87 lei 22-36 zile
–	141^.13 lei 22-36 zile
–	141^.15 lei 22-36 zile
Kallpa Publishing Inc. – 25 mar 2022	142^.38 lei 22-36 zile
CreateSpace Independent Publishing Platform –	144^.39 lei 22-36 zile
–	144^.89 lei 22-36 zile
–	144^.95 lei 22-36 zile
University of British Columbia Press – 29 feb 2016	146^.84 lei 22-36 zile
Les prairies numériques – 6 iul 2020	147^.29 lei 22-36 zile
CREATESPACE –	148^.00 lei 22-36 zile
CREATESPACE –	148^.85 lei 22-36 zile
CREATESPACE –	149^.33 lei 22-36 zile
CREATESPACE –	152^.67 lei 22-36 zile
–	162^.33 lei 22-36 zile
CreateSpace Independent Publishing Platform –	164^.55 lei 22-36 zile
–	167^.24 lei 22-36 zile
–	167^.94 lei 22-36 zile
Penguin Books – 30 sep 2010	177^.15 lei 22-36 zile
CREATESPACE – 30 apr 2009	177^.26 lei 22-36 zile
–	187^.53 lei 22-36 zile
CreateSpace Independent Publishing Platform –	190^.64 lei 22-36 zile
CREATESPACE –	191^.36 lei 22-36 zile
CREATESPACE –	215^.80 lei 22-36 zile
–	249^.10 lei 22-36 zile
Hansebooks – sep 2023	281^.69 lei 22-36 zile
–	399^.57 lei 22-36 zile
Brolga Publishing – 2010	69^.76 lei 17-23 zile
Broadway Play Publishing Inc – 3 mai 2022	80^.37 lei 43-57 zile
–	84^.82 lei 43-57 zile
–	84^.82 lei 43-57 zile
CREATESPACE –	93^.82 lei 43-57 zile
Digireads.com – 10 noi 2015	97^.11 lei 43-57 zile
COSIMO CLASSICS – 30 sep 2009	98^.61 lei 43-57 zile
LIGHTNING SOURCE INC – 20 sep 2018	100^.08 lei 17-23 zile
OMNI Publishing – 21 dec 2019	102^.28 lei 43-57 zile
Public Publishing – 9 mai 2020	103^.72 lei 43-57 zile
Public Public Books – 9 mai 2020	103^.72 lei 43-57 zile
Toronto Public Domain Publishing – 10 mai 2020	105^.29 lei 43-57 zile
Mary Publishing Company – 10 mai 2020	105^.29 lei 43-57 zile
Camel Publishing House – 10 mai 2020	105^.29 lei 43-57 zile
Barclays Public Books – 10 mai 2020	105^.29 lei 43-57 zile
USA Public Domain Books – 10 mai 2020	105^.29 lei 43-57 zile
Yorkshire Public Books – 10 mai 2020	105^.29 lei 43-57 zile
Texas Public Domain – 10 mai 2020	105^.29 lei 43-57 zile
Susan Publishing Ltd – 10 mai 2020	105^.29 lei 43-57 zile
Suzeteo Enterprises – 21 oct 2012	107^.11 lei 43-57 zile
–	108^.93 lei 43-57 zile
Serenity Publishers, LLC – 30 sep 2008	110^.07 lei 38-44 zile
CREATESPACE – 31 ian 2010	112^.12 lei 43-57 zile
CreateSpace Independent Publishing Platform –	114^.71 lei 43-57 zile
–	116^.77 lei 43-57 zile
–	117^.75 lei 43-57 zile
Benediction Classics – 31 dec 2011	118^.88 lei 43-57 zile
LIGHTNING SOURCE INC – 22 sep 2018	120^.04 lei 17-23 zile
Laurelhurst – 25 aug 2013	122^.90 lei 43-57 zile
LIGHTNING SOURCE INC – 8 oct 2018	123^.67 lei 17-23 zile
LIGHTNING SOURCE INC – 11 oct 2018	123^.67 lei 17-23 zile
LIGHTNING SOURCE INC – 19 sep 2018	123^.67 lei 17-23 zile
Editorium – 30 sep 2009	126^.84 lei 43-57 zile
–	129^.19 lei 43-57 zile
Hawk Press – 4 iun 1996	132^.34 lei 43-57 zile
OMNI Publishing – 11 iul 2019	136^.16 lei 43-57 zile
Indoeuropeanpublishing.com – 5 ian 2024	137^.01 lei 43-57 zile
Stonewell Press – 18 oct 2013	141^.38 lei 43-57 zile
Alan Rodgers' Books – 31 mar 2005	141^.81 lei 43-57 zile
Tui – 30 apr 2010	143^.64 lei 38-44 zile
Bibliotech Press – 4 feb 2012	147^.29 lei 43-57 zile
MiraVista Interactive – 25 mai 2019	151^.95 lei 38-44 zile
Antiquarius – 18 oct 2020	152^.87 lei 38-44 zile
NMD Books – 31 dec 2010	161^.29 lei 43-57 zile
ImTheStory – 19 oct 2015	163^.03 lei 38-44 zile
CREATESPACE –	167^.49 lei 43-57 zile
Delhi Open Books – 11 iun 2020	173^.10 lei 43-57 zile
Throne Classics – 24 mai 2019	174^.85 lei 38-44 zile
RUPA – 15 ian 2021	179^.16 lei 38-44 zile
Simon & Brown – 31 mar 2011	190^.85 lei 38-44 zile
Lulu.Com – 26 feb 2018	195^.07 lei 43-57 zile
LIGHTNING SOURCE INC – 3 iul 2018	230^.46 lei 17-23 zile
Echo Library – 30 iul 2003	231^.69 lei 38-44 zile
–	244^.52 lei 43-57 zile
Echo Library – 30 apr 2006	271^.72 lei 38-44 zile
Cambridge University Press – 2 ian 2013	363^.00 lei 43-57 zile
Hardback (27)	38^.47 lei 22-36 zile	+14^.82 lei 5-11 zile
Sterling Publishing (NY) – aug 2007	38^.47 lei 22-36 zile	+14^.82 lei 5-11 zile
Pan Macmillan – 18 iul 2016	48^.57 lei 22-36 zile	+33^.40 lei 5-11 zile
WORDSWORTH EDITIONS LTD – oct 2022	49^.94 lei 22-36 zile	+16^.63 lei 5-11 zile
Arcturus Publishing – iul 2024	58^.43 lei 22-36 zile	+12^.85 lei 5-11 zile
Arcturus Publishing – 2 iul 2024	73^.50 lei 22-36 zile
Wiley – 20 noi 2024	83^.14 lei 22-36 zile	+27^.26 lei 5-11 zile
CHARTWELL BOOKS – 12 noi 2024	83^.66 lei 22-36 zile	+35^.49 lei 5-11 zile
EVERYMAN – 24 iun 2010	89^.41 lei 25-31 zile	+38^.15 lei 5-11 zile
Penguin Random House Children's UK – 4 sep 2019	95^.39 lei 25-31 zile	+41^.17 lei 5-11 zile
Penguin Books – iun 2011	95^.91 lei 25-31 zile	+41^.65 lei 5-11 zile
UNION SQUARE & CO – 5 noi 2024	96^.22 lei 22-36 zile	+19^.59 lei 5-11 zile
UNION SQUARE & CO – 19 oct 2023	100^.79 lei 22-36 zile	+27^.95 lei 5-11 zile
Penguin Young Readers Group – 25 aug 2020	106^.64 lei 22-36 zile
UNION SQUARE & CO – 12 dec 2024	113^.16 lei 22-36 zile	+20^.59 lei 5-11 zile
ALADDIN PAPERBACKS – 10 sep 2024	118^.53 lei 22-36 zile
Dover Publications Inc. – 25 oct 2024	118^.61 lei 22-36 zile	+39^.32 lei 5-11 zile
chiltern publishing – 8 sep 2020	130^.03 lei 22-36 zile	+28^.78 lei 5-11 zile
Inherence LLC – 18 dec 2023	142^.18 lei 22-36 zile
Udon Entertainment Corp – 20 sep 2018	142^.40 lei 22-36 zile	+28^.96 lei 5-11 zile
FOUR CORNERS BOOKS – 31 iul 2007	170^.87 lei 22-36 zile	+39^.06 lei 5-11 zile
–	153^.97 lei 43-57 zile
COSIMO CLASSICS – 30 sep 2009	219^.75 lei 43-57 zile
Indoeuropeanpublishing.com – 5 ian 2024	227^.91 lei 43-57 zile
–	244^.42 lei 38-44 zile
Antiquarius – 18 oct 2020	256^.19 lei 38-44 zile
Creative Media Partners, LLC – 26 oct 2022	323^.88 lei 17-23 zile
Cambridge University Press – 8 mai 2013	616^.16 lei 43-57 zile
CD-Audio (2)	58^.88 lei 25-31 zile	+17^.12 lei 5-11 zile
BBC Audio A Division Of Random House – 19 oct 2016	58^.88 lei 25-31 zile	+17^.12 lei 5-11 zile
Penguin Books – 14 oct 2020	109^.11 lei 25-31 zile	+37^.31 lei 5-11 zile

Preț: 49^.65 lei

Nou

Puncte Express: 74

:
9^.50€ • 9^.87$ • 7^.89£

Carte disponibilă

Livrare economică 16-22 ianuarie 25

Adaugă în coș

Wish list
Gift list
Am citit!

Adaugă în listă

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781840681284
ISBN-10: 1840681284
Pagini: 1
Dimensiuni: 135 x 215 x 19 mm
Greutate: 0.3 kg
Editura: Black Gas Publishing
Colecția Black Gas Publishing
Locul publicării:Bangkok, Thailand

Recenzii

"Those who cannot find their own reflection in Bram Stoker's still-living creation are surely the undead ."
— New York Times Review of Books

"An exercise in masculine anxiety and nationalist paranoia, Stoker's novel is filled with scenes that are staggeringly lurid and perverse.... The one in Highgate cemetery, where Arthur and Van Helsing drive a stake through the writhing body of the vampirised Lucy Westenra, is my favourite."
— Sarah Waters, author of The Little Stranger

"It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror."
— Bram Stoker's Mother
"The ultimate monster" Mirror " Dracula is about how suffocating Victorian times were. The bonus is, you get vampires!" -- Ryan Adams

Notă biografică

Abraham "Bram" Stoker (8 November 1847- 20 April 1912) was an Irish writer. He supplemented his income by writing a large number of sensational novels, his most famous being the vampire tale Dracula which he published in 1897. Before writing Dracula, Stoker spent eight years researching European folklore and stories of vampires. Dracula is an epistolary novel, written as collection of diary entries, telegrams, and letters from the characters, as well as fictional clippings from the Whitby and London newspapers. Stoker's inspiration for the story was a visit to Slains Castle near Aberdeen. The bleak spot provided an excellent backdrop for his creation. Dracula has been the basis for countless movies and plays. The first was Nosferatu directed by Friedrich Wilhelm Murnau and starring Max Schreck as Count Orlock. Nosferatu was produced while Florence Stoker, Bram Stoker's widow and literary executrix, was still alive. Represented by the attorneys of the British Incorporated Society of Authors, she eventually sued the filmmakers. Her chief legal complaint was that she had been neither asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs Stoker demanding the destruction of the negative and all prints of the movie. The suit was finally resolved in the widow's favour in July 1925. Some copies of the movie survived, however, and Nosferatu is now widely regarded as an innovative classic. The most famous movie version of Dracula is the 1931 production starring Bela Lugosi and which spawned several sequels that had little to do with Stoker's novel.

Extras

Chapter I
Jonathan Harker’s Journal
(Kept in shorthand)

3 May. Bistritz. — Left Munich at 8:35 p.m., on 1st May, arriving at Vienna early next morning; should have arrived at 6.46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.

We left in pretty good time, and came after nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem., get recipe for Mina.) I asked the waiter, and he said it was called “paprika hendl,” and that, as it was a national dish, I should be able to get it anywhere along the Carpathians. I found my smattering of German very useful here; indeed, I don’t know how I should be able to get on without it.

Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania: it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.

In the population of Transylvania there are four distinct nationalities: Saxons in the South, and mixed with them the Wallachs, who are the descendants of the Dacians; Magyars in the West, and Szekelys in the East and North. I am going among the latter, who claim to be descended from Attila and the Huns. This may be so, for when the Magyars conquered the country in the eleventh century they found the Huns settled in it. I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)

I did not sleep well, though my bed was comfortable enough, for I had all sorts of queer dreams. There was a dog howling all night under my window, which may have had something to do with it; or it may have been the paprika, for I had to drink up all the water in my carafe, and was still thirsty. Towards morning I slept and was wakened by the continuous knocking at my door, so I guess I must have been sleeping soundly then. I had for breakfast more paprika, and a sort of porridge of maize flour which they said was “mamaliga,” and egg-plant stuffed with forcemeat, a very excellent dish, which they call “impletata.” (Mem., get recipe for this also.) I had to hurry breakfast, for the train started a little before eight, or rather it ought to have done so, for after rushing to the station at 7:30 I had to sit in the carriage for more than an hour before we began to move. It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?

All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and the most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them. The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.

It was on the dark side of twilight when we got to Bistritz, which is a very interesting old place. Being practically on the frontier—for the Borgo Pass leads from it into Bukovina—it has had a very stormy existence, and it certainly shows marks of it. Fifty years ago a series of great fires took place, which made terrible havoc on five separate occasions. At the very beginning of the seventeenth century it underwent a siege of three weeks and lost 13,000 people, the casualties of war proper being assisted by famine and disease.

Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country. I was evidently expected, for when I got near the door I faced a cheery-looking elderly woman in the usual peasant dress—white undergarment with long double apron, front, and back, of coloured stuff fitting almost too tight for modesty. When I came close she bowed and said, “The Herr Englishman?” “Yes,” I said, “Jonathan Harker.” She smiled, and gave some message to an elderly man in white shirtsleeves, who had followed her to the door. He went, but immediately returned with a letter:—

“My Friend, —Welcome to the Carpathians. I am anxiously expecting you. Sleep well to-night. At three tomorrow the diligence9 will start for Bukovina; a place on it is kept for you. At the Borgo Pass my carriage will await you and will bring you to me. I trust that your journey from London has been a happy one, and that you will enjoy your stay in my beautiful land. — Your friend,
'Dracula.'

4 May. — I found that my landlord had got a letter from the Count, directing him to secure the best place on the coach for me; but on making inquiries as to details he seemed somewhat reticent, and pretended that he could not understand my German. This could not be true, because upto then he had understood it perfectly; at least, he answered my questions exactly as if he did. He and his wife, the old lady who had received me, looked at each other in a frightened sort of way. He mumbled out that the money had been sent in a letter, and that was all he knew. When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask anyone else, for it was all very mysterious and not by any means comforting.

Just before I was leaving, the old lady came up to my room and said in a very hysterical way:—

‘Must you go? Oh! young Herr, must you go?’ She was in such an excited state that she seemed to have lost her grip of what German she knew, and mixed it all up with some other language which I did not know at all. I was just able to follow her by asking many questions. When I told her that I must go at once, and that I was engaged on important business, she asked again:—

‘Do you know what day it is?’ I answered that it was the fourth of May. She shook her head as she said again:—

‘Oh, yes! I know that, I know that! but do you know what day it is?’ On my saying that I did not understand, she went on:—

‘It is the eve of St George’s Day. Do you not know that to-night,when the clock strikes midnight, all the evil things in the world will have full sway? Do you know where you are going, and what you are going to?’ She was in such evident distress that I tried to comfort her, but without effect. Finally she went down on her knees and implored me not to go; at least to wait a day or two before starting. It was all very ridiculous, but I did not feel comfortable. However, there was business to be done, and I could allow nothing to interfere with it. I therefore tried to raise her up, and said, as gravely as I could, that I thanked her, but my duty was imperative, and that I must go. She then rose and dried her eyes, and taking a cruciﬁx from her neck offered it to me. I did not know what to do, for, as an English Churchman, I have been taught to regard such things as in some measure idolatrous, and yet it seemed so ungracious to refuse an old lady meaning so well and in such a state of mind. She saw, I suppose, the doubt in my face, for she put the rosary round my neck, and said, ‘For your mother’s sake,’ and went out of the room. I am writing up this part of the diary whilst I am waiting for the coach, which is, of course, late; and the cruciﬁx is still round my neck. Whether it is the old lady’s fear, I do not know, but I am not feeling nearly as easy in my mind as usual. If this book should ever reach Mina before I do, let it bring my good-bye. Here comes the coach!

Descriere

Descriere de la o altă ediție sau format:

Part of the Legend Classics series The English solicitor, Jonathan Harker, travels to a castle in the Carpathian Mountains to see the Transylvanian noble, Count Dracula. At first, Harker is intrigued by the eccentric count, but as more mysterious and terrifying events occur, he realizes he's now a prisoner in the castle. When Dracula leaves Harker behind and travels to England, Harker's beloved fianc Meena and her friend Lucy Westenra are put in grave danger, and a group of adversaries, led by the vampire hunter Abraham van Helsing, must do whatever it takes to stop Dracula.
Featuring one of the most famous vampires in literature, Dracula is considered a masterpiece of the horror genre.
The Legend Classics series:
Around the World in Eighty Days
The Adventures of Huckleberry Finn
The Importance of Being Earnest
Alice's Adventures in Wonderland
The Metamorphosis
The Railway Children
The Hound of the Baskervilles
Frankenstein
Wuthering Heights
Three Men in a Boat
The Time Machine
Little Women
Anne of Green Gables
The Jungle Book
The Yellow Wallpaper and Other Stories
Dracula
A Study in Scarlet
Leaves of Grass
The Secret Garden
The War of the Worlds
A Christmas Carol
Strange Case of Dr Jekyll and Mr Hyde
Heart of Darkness
The Scarlet Letter
This Side of Paradise
Oliver Twist
The Picture of Dorian Gray
Treasure Island
The Turn of the Screw
The Adventures of Tom Sawyer
Emma
The Trial
A Selection of Short Stories by Edgar Allen Poe
Grimm Fairy Tales

Cuprins

CONTENTS

INTRODUCTION

I. Jonathan Harker's Journal

II. Jonathan Harker's Journal

III. Jonathan Harker's Journal

IV. Jonathan Harker's Journal

V. Letter from Miss Mina Murray to Miss Lucy Westenra

VI. Mina Murray's Journal

VII. Cutting from The Dailygraph, 8 August

VIII. Mina Murray's Journal

IX. Letter, Mina Harker to Lucy Westenra

X. Letter, Dr Seward to Hon. Arthur Holmwood

XI. Lucy Westenra's Diary

XII. Dr Seward's Diary

XIII. Dr Seward's Diary

XIV. Mina Harker's Journal

XV. Dr Seward's Diary

XVI. Dr Seward's Diary

XVII. Dr Seward's Diary

XVIII. Dr Seward's Diary

XIX. Jonathan Harker's Journal

XX. Jonathan Harker's Journal

XXI. Dr Seward's Diary

XXII. Jonathan Harker's Journal

XXIII. Dr Seward's Diary

XXIV. Dr Seward's Phonograph Diary, spoken by Van Helsing

XXV. Dr Seward's Diary

XXVI. Dr Seward's Diary

XXVII. Mina Harker's Journal

LITERARY ALLUSIONS AND NOTES

CRITICAL EXCERPTS

SUGGESTIONS FOR FURTHER READING

Textul de pe ultima copertă

This revision of the popular critical edition of Bram Stoker's late Victorian gothic novel presents the 1897 first edition text along with critical essays that introduce students to Dracula from contemporary cultural, psychoanalytic, gender, queer, and postcolonial perspectives. An additional essay demonstrates how various critical perspectives can be combined. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.

New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.

Papetărie, jocuri, reviste