Rotterdam: Modern Plays
Autor Jon Brittainen Limba Engleză Paperback – 25 iul 2016
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Paperback (2) | 78.34 lei 3-5 săpt. | +24.22 lei 7-13 zile |
Bloomsbury Publishing – 25 iul 2016 | 78.34 lei 3-5 săpt. | +24.22 lei 7-13 zile |
Bloomsbury Publishing – 24 feb 2021 | 84.68 lei 3-5 săpt. | +14.17 lei 7-13 zile |
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Specificații
ISBN-13: 9781350018334
ISBN-10: 1350018333
Pagini: 120
Dimensiuni: 129 x 198 x 13 mm
Greutate: 0.12 kg
Ediția:2 Rev ed.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350018333
Pagini: 120
Dimensiuni: 129 x 198 x 13 mm
Greutate: 0.12 kg
Ediția:2 Rev ed.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
The author, Jon Brittain is a playwright, comedy writer and director. He co-created Margaret Thatcher Queen of Soho, was one of the Theatre503 Five, has written on shows for Cartoon Network and directed both of John Kearns' Fosters Award winning comedy shows.
Notă biografică
Jon Brittain is a playwright, comedy writer and director. His plays include The Wake, Phillipa and Will are Now in a Relationship, The Sexual Awakening of Peter Mayo and My Imaginary Friend Patrick Stewart. He co-created Margaret Thatcher Queen of Soho, was one of the Theatre503 Five, has written on shows for Cartoon Network and directed both of John Kearns' Fosters Award winning comedy shows.
Recenzii
Jon Brittain's warm-hearted new play manages to speak eloquently about a complex issue while at the same time being properly laugh-out-loud funny. It's an arresting combination and likely to prove another winner . . . this is a very human play, one that never feels overtly issue-driven or forced. . . . Sweet, heartfelt and funny new play about gender, identity and love
a timely and heartwarming comedy. . . . The play is a fascinating - and very funny - examination of the labels society puts on people . . . But more importantly, it's about the labels we put on ourselves. . . . Brittain's script successfully combines laugh-out-loud humour and heartfelt emotion to tackle a serious, complex and extremely current subject. . . . funny, warm and honest
smartly observed and very funny play . . . The reference to Europe's largest cargo port is a drama keenly concerned with transitions and upheaval - the displacement of individuals' baggage, and of society's. . . . a warm and emotionally intelligent piece, which proves questions about sexuality and the ways in which we articulate identity and desire.
Rotterdam takes the format of a rom-com to raise thorny issues of gender, sexuality and identity with a light touch that is sensitive rather than superficial . . . Brittain's play is a shart and sassy contemporary take on the fluidity of sexuality with loads of laugh-out-loud moments that don't belittle its essentially serious themes. Beautifully constructed with surprising but credible plot twists, Rotterdam is a warmly engaging account of the complexities of relationships that balances humour with pathos so that you care for the characters.
very funny, engaging and sharply observant about human nature
It humanises and empathises - and forces its audience to do the same. [...] While the play sensitively probes the difficulties of being gay and of being transgender, Brittain never lets the seriousness drown out the humour. . . . Brittain's play is another reminder - warm, witty and wise - of the stupidity of thinking that there are only two genders. He has an eye for tenderness . . . and an ear for the undulations of couples' conversations.
a timely and heartwarming comedy. . . . The play is a fascinating - and very funny - examination of the labels society puts on people . . . But more importantly, it's about the labels we put on ourselves. . . . Brittain's script successfully combines laugh-out-loud humour and heartfelt emotion to tackle a serious, complex and extremely current subject. . . . funny, warm and honest
smartly observed and very funny play . . . The reference to Europe's largest cargo port is a drama keenly concerned with transitions and upheaval - the displacement of individuals' baggage, and of society's. . . . a warm and emotionally intelligent piece, which proves questions about sexuality and the ways in which we articulate identity and desire.
Rotterdam takes the format of a rom-com to raise thorny issues of gender, sexuality and identity with a light touch that is sensitive rather than superficial . . . Brittain's play is a shart and sassy contemporary take on the fluidity of sexuality with loads of laugh-out-loud moments that don't belittle its essentially serious themes. Beautifully constructed with surprising but credible plot twists, Rotterdam is a warmly engaging account of the complexities of relationships that balances humour with pathos so that you care for the characters.
very funny, engaging and sharply observant about human nature
It humanises and empathises - and forces its audience to do the same. [...] While the play sensitively probes the difficulties of being gay and of being transgender, Brittain never lets the seriousness drown out the humour. . . . Brittain's play is another reminder - warm, witty and wise - of the stupidity of thinking that there are only two genders. He has an eye for tenderness . . . and an ear for the undulations of couples' conversations.
Cuprins
The introduction and commentary to the play will cover:Introduction to Author's Life and WorkContexts: historical, political and social (focusing on sexuality and gender, and including terminology)Themes: identity, intergenerational relationships, secrets and truth-telling, friendshipDramaturgy and Genre Production History and ReceptionScene-by-Scene SummaryPlay-textFurther Reading