Cantitate/Preț
Produs
Total produse
Vezi coșul
The Bloomsbury Handbook of Music and Art de Sarah Mahler Kraaz

The Bloomsbury Handbook of Music and Art: Bloomsbury Handbooks

Editat de Sarah Mahler Kraaz, Charlotte de Mille
en Limba Engleză Hardback – 4 oct 2023
This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.
Citește tot Restrânge

Din seria Bloomsbury Handbooks

Preț: 71946 lei

Preț vechi: 128177 lei
-44% Nou

Puncte Express: 1079
Preț estimativ în valută:
13769€ • 14302$ • 11437£

Carte disponibilă

Livrare economică 13-27 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781501377716
ISBN-10: 150137771X
Pagini: 400
Dimensiuni: 178 x 254 x 29 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Handbooks

Locul publicării:New York, United States

Caracteristici

Brings together the latest methods and ideas in the interdisciplinary field of combined art history and musicology, including state-of-the-field and cutting-edge research

Notă biografică

Sarah Kraaz is Emerita Professor of Music, Ripon College, USA. She is editor of Music and War in the United States (2017). Charlotte de Mille is Associate Lecturer at The Courtauld Institute, UK, and curates The Courtauld Gallery's music programme. She is author of Bergson in Britain: Philosophy and Modernist Art (2023), co-editor of Bergson and the Art of Immanence (2013) and editor of Music and Modernism, c. 1849-1950 (2011).

Cuprins

List of IllustrationsContributorsIntroductionCharlotte de Mille, The Courtauld Institute, UK, and Sarah Mahler Kraaz, Ripon College, USASection One: Ways of PerceivingSection IntroductionCharlotte de Mille, The Courtauld Institute, UK1. Art, music and theology in the Lutheran church Margit Thøfner, Open University, UK2. 'When silence speaks': Sibelius, Music, LandscapeDaniel Grimley, University of Oxford, UK3. Patience between the Arts(From a Mountain of Monumental Waste)Lydia Goehr, Columbia University, USA, and Daniel Herwitz, University of Michigan, USASection Two: ActivismSection Introduction Sarah Mahler Kraaz, Ripon College, USA4. Madame Campan's Portraits or, Self-portrait of a feminist musicologist Rebecca Dowd Geoffroy-Schwinden, University of North Texas, USA5. Racist and Ethnic Stereotypes in the ArtsTravis Nygard, Ripon College, USA6. Feminism Ann-Marie Hanlon, University of Galway, Ireland7. Queerness in American Music Education: A Panoptic ViewJosh Palkki, Arizona State University, USASection Three: Access: Socio-Economic / Environment and SustainabilitySection IntroductionCharlotte de Mille, The Courtauld Institute, UK8. Whose museum? Applications in interdisciplinary thinkingMark O'Neill, Glasgow University, UK9. Access and Engagement: Classical music in the pandemic and beyondSarah Mahler Kraaz, Ripon College, USA10. Toward Social Sustainability: Ethics and Community Engagement in Heritage ManagementAnnalisa Bolin, Linnaeus University, Sweden, and David Nkusi, Rwanda Cultural Heritage Academy11. Safeguarding the intangible: communities, cultures and ecomuseum practicesPeter Davis, Newcastle University, UK12. Ecotones and Climate Change in Contemporary Eco Art Mark Cheetham, University of Toronto, Canada13. Western Art Music and the Aestheticization of Climate Change: The Case of John Luther Adams's Become OceanTyler Kinnear, Independent Scholar, USASection Four: Intersecting CulturesSection Introduction: Juliana M. Pistorius, University College London, UK14. Globalisation: Voluspa Jarpa's Altered Views and The Hegemonic MuseumMark Rectanus, Iowa State University, USA15. Cultural Sound Mapping in Bern: Sound-Based Ethnomusicological Research in the 21st CenturyBritta Sweers, University of Bern, Switzerland16. Unconventionally confrontational: Radicalized Asian affects, diasporic aesthetics, and the revival of Cambodian (American) rock music Runchao Liu, University of Denver, USA17. Anti-Colonial Activism and the Canadian Opera Company, 2017-2022Rena Roussin, University of Toronto, Canada18. Musical Instruments and "Migration": A Reinvestigation of the Lutes in the Shosoin CollectionIngrid M. Furniss, Lafayette College, USASection Five: Intersecting PracticeSection IntroductionSarah Mahler Kraaz, Ripon College, USA19. Landscape/MusicJames Weeks, University of Durham, UK20. Colour, Music and SynaesthesiaDeborah Pritchard, composer and University of Oxford, UK21. William Kentridge, Provisionality in processInterview by Sarah Mahler Kraaz, Ripon College, USA22. Peter Sellars, St. Matthew Passion, opera Interview by Sarah Mahler Kraaz, Ripon College, USA23. Hooligan Art Community in Conversation with Dr Charlotte De Mille, The Courtauld Institute of Art, November 2022 Charlotte de Mille, The Courtauld Institute of Art, UK24. Curating Glyndebourne Nerissa Taysom, Glyndebourne Festival Opera, East Sussex, UK25. Curating Music at the CourtauldCharlotte de Mille, The Courtauld Institute of Art, UKAppendix 1: Digital ResourcesMichelle Urberg, musicologist and librarian Index

Recenzii

This wonderfully diverse and stimulating collection of interdisciplinary essays demonstrates beautifully how contemporary humanities needs more complex polyphony. Launched predominantly from consideration of music and art interrelations, a new turn in humanities scholarship is being undertaken here by both established and emerging researchers. Drawing on geography, ecology, museology, ethics and anti-colonial approaches (among many others), the relevance of this collection to all of us working in the humanities can hardly be overstated.
The editors of this exciting volume have worked a miraculous transformation on the nascent historiography of the autonomous and conjoined arts of music and visual cultures. Drawing together contributions from the notable, the new and a diversity of intersectional scholarly views, musical and visual landscapes emerge as unbounded spaces of performance and provocation. Liveness inhabits every carefully curated section, revealing a poetic of aesthetics and activism, always future-facing and deserving of immediate attention.
This latest addition to the cross-disciplinary field of art and music studies breaks new ground in its multi-faceted range of approaches and methodologies, diversity of voices and relevance. Essays by scholars and practitioners, case studies and interviews engage with current issues including climate change, queer studies, race relations and museum practice that invite new disciplines into the discourse.
The broad topics of this interdisciplinary volume aim to break down disciplinary and conceptual silos. By reconciling perspectives of the ear and the eye with other senses, scholars and practitioners put human creative endeavors in environmental, philosophical, sensorial and social contexts. These varied forms of scholarly and social activism, artivism and increasing access for diverse publics all lead to an agenda for change: both for individuals, artistically and conceptually, and for the myriad collective ways that humans dwell on the planet.