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The Changeling: A Critical Reader: Arden Early Modern Drama Guides

Editat de Mark Hutchings
en Limba Engleză Hardback – 29 mai 2019
This volume offers an accessible and thought-provoking guide to this major Renaissance tragedy, surveying its key themes and evolving critical responses over the course of nearly four centuries. Providing a uniquely detailed and up-to-date account of the play's rich stage history, it demonstrates how useful Performance Studies is to our understanding of early modern drama, and looks closely at major recent productions on both sides of the Atlantic, notably the 2014 production of the 'Jacobean' indoor space, the Sam Wanamaker Playhouse in London. In a series of critical essays, the guide offers fresh perspectives on the characters' mechanical psychology, the influence of Spanish Golden Age literature on Middelton and Rowley, and how the play has been treated on the modern stage and screen. Featuring a guide to digital resources and an annotated bibliography, this collection is a definitive guide toTheChangeling.
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Specificații

ISBN-13: 9781350011403
ISBN-10: 1350011401
Pagini: 304
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Early Modern Drama Guides

Locul publicării:London, United Kingdom

Caracteristici

Provides a detailed and up-to-date history of the play's rich stage and screen performance, looking closely at major contemporary performances

Notă biografică

Mark Hutchingsis Lecturer and Programme Director for the Department of English Literature,University of Reading, UK.

Cuprins

Series Introduction Notes on ContributorsTimelineIntroduction(Mark Hutchings, University of Reading, UK)1 The Critical Backstory(Sara D. Luttfring, Penn State Erie, The Behrend College, USA)2 A Performance History(Jennifer Panek, University of Ottowa, Canada)3 State of the Art(Patricia Cahill, Emory University, USA)4 New Directions: 'Embodied Theatre inThe Changeling' (Peter Womack, University of East Anglia, UK)5 New Directions: 'Doubles and Falsehoods:The Changeling'sSpanish Undertexts'(Berta Cano-Echevarría, University of Valladolid, Spain)6 New Directions: 'PerformingThe Changeling, 2006-15'(Sarah Dustagheer, University of Kent, UK)7 New Directions: 'Loving and Loathing: Horror inThe Changelingfrom Text to Screen'(Nathalie Vienne-Guerrin, Université Paul-Valéry Montpellier 3, France)8 Resources(Nora Williams, Independent scholar)Notes Select BibliographyIndex