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The Merry Wives of Windsor: The Oxford Shakespeare: Oxford World's Classics

Autor William Shakespeare Editat de T. W. Craik
en Limba Engleză Paperback – 9 iul 2008
The Merry Wives of Windsor was almost certainly required at short notice for a court occasion in 1597: Shakespeare threw into it all the creative energy that went into his Henry IV plays. Falstaff is here, with Pistol, Mistress Quickly, and Justice Shallow, in a spirited and warm-hearted 'citizen comedy'. Boisterous action is combined with situational irony and rich characterization. In his introduction T. W. Craik discusses the play's probable occasion (the Garter Feast of 1597 at court), its relationship to Shakespeare's English history plays and to other sources, its textual history (with particular reference to the widely diverging 1623 Folio and 1602 Quarto), and its original quality as drama. He assesses various interpretations of the play, topical, critical, and theatrical. In the commentary he pays particular attention to expounding the literal sense (he proposes some new readings) and evoking the stage business. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Specificații

ISBN-13: 9780199536825
ISBN-10: 0199536821
Pagini: 256
Ilustrații: 4 halftones, 2 line drawings
Dimensiuni: 128 x 195 x 9 mm
Greutate: 0.27 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics

Locul publicării:Oxford, United Kingdom

Cuprins

List of illustrations; Introduction: Shakespeare's Garter Play: The occasion and the date of The Merry Wives of Windsor; Shakespeare's English Comedy: The substance and the dramatic structure of the play; Interpretations, critical and theatrical, of the play; The quarto and folio texts; Editorial procedures; Abbreviations and references; THE MERRY WIVES OF WINDSOR; Appendix A: The Textual Crux at 1.1.20-1; Appendix B: Evan's Song in Act 3, Scene 1; Appendix C: Falstaff's Disguise as Herne the Hunter; Appendix D: Alterations to Lineation of the Folio

Recenzii

`T.W. Craik's edition of The Merry Wives is excellent ... can be recommended as one of the most scholarly, helpful, and authoritative texts so far to appear in the Oxford series.'The Review of English Studies
`One of the strengths of Craik's edition is his careful and subtle analysis of the construction of the play ... Professor Craik's close attention to structure and staging is particularly valuable in dealing with the conundrums of the last act in Windsor Forest ... The commentary to this edition is as careful and thoughtful as the introduction, and, in its scrupulous distinction between material accepted from earlier editors and new material, it shows a scholarly responsibility that is now positively old-fashioned. The commentary is particularly helpful on the double meanings which so many characters accidentally stumble into.'Durham University Journal
'Craik is as good an advocate as one could wish for The Merry Wives, ... his disapproval of 'irony-obsessed' critics who are determined to deny it a happy ending is admirable'English Studies, Volume 72, Number 6, December 1991
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times

Notă biografică

Callan Daviesis aLecturer in Seventeenth-Century Drama at the University of Southampton, working across early modern literary, cultural, and theatre history. He has been part of three UKRI-funded projects- Before Shakespeare,Middling Culture, andBox Office Bears -and has taught at several UK universities and as a Globe Education Lecturer at Shakespeare's Globe. He has published a study of the early modern entertainment industry,What is a Playhouse? England at Play, 1520-1620(2022), and also widely on sixteenth- and seventeenth-century culture. His work also includes an award-winning essay on bowling alleys in sixteenth-century London, an article exploring female playhouse ownership and cultural activity in Bristol, a study of Shakespearean bears and bear-keepers, and a book on Jacobean "strangeness" and drama.Sarah Neville is an Associate Professor of English at the Ohio State University with a courtesy appointment in Theatre, Film, and Media Arts. She specializes in early modern English literature, bibliography, theories of textuality, and performance, chiefly examining the ways that authority is negotiated in print, digital, and live media. She is an assistant editor of the New Oxford Shakespeare (2016-17), for which she edited five plays in both old and modern-spelling editions, as well as an associate coordinating editor of the Digital Renaissance Editions.