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The Routledge Companion to Latin American Cinema: Routledge Media and Cultural Studies Companions

Editat de Marvin D'Lugo, Ana López, Laura Podalsky
en Limba Engleză Paperback – 30 iun 2020
The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume. While highlighting state-of-the-field research, essays also offer readers a cohesive overview of multiple facets of filmmaking in the region, from the production system and aesthetic tendencies, to the nature of circulation and reception. The volume recognizes the recent "new cinemas" in Argentina, Brazil, Chile, and Mexico, and, at the same time, provides a much deeper understanding of the contemporary moment by commenting on the aesthetic trends and industrial structures in earlier periods. The collection features essays by established scholars as well as up-and-coming investigators in ways that depart from existing scholarship and suggest new directions for the field.
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Specificații

ISBN-13: 9780367581114
ISBN-10: 0367581116
Pagini: 418
Dimensiuni: 174 x 246 x 23 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction: Troubling Histories


Marvin D’Lugo, Ana M. López and Laura Podalsky




I. Historiographies




Chapter 1: National cinema


Juan Poblete




Chapter 2: Silent and early sound cinema in Latin America: local, national, and transnational perspectives


Rielle Navitski




Chapter 3: National cinemas (re)ignited: film and the state


Lisa Shaw, Luis Duno-Gottberg, Joanna Page, and Ignacio M. Sánchez Prado




Chapter 4: Unpacking periodization


Laura Podalsky




Chapter 5: Off-screen culture


Maite Conde, Laura Isabel Serna, and María Fernanda Arias Osorio




Chapter 6: Space, politics and the crisis of hegemony in Latin American film


Geoffrey Kantaris




Chapter 7: Encounters with the centaur: forms of the film-essay in Latin America


María Luisa Ortega




Chapter 8: Realism, documentary, and the process genre in early New Latin American Cinema


Salomé Aguilera Skvirsky




II. Interrogating critical paradigms




Chapter 9: Cosmopolitan nationalisms: transnational aesthetic negotiations in early Latin American sound cinema


Adrián Pérez Melgosa




Chapter 10: Genre films then and now


Gerard Dapena




Chapter 11: New Latin American stardom


Dolores Tierney, Victoria Ruétalo, and Roberto Carlos Ortiz




Chapter 12: Radical ruptures in the cinema of Latin America around "1968"


Mariano Mestman




Chapter 13: Transnational genealogies of institutional film culture of Cuba, 1960s–70s


Masha Salazkina




Chapter 14: New frameworks: collaborative and indigenous media activism


Freya Schiwy, Amalia Córdova David Wood, and Horacio Legrás




Chapter 15: Productions of space/places of construction: landscape and architecture in contemporary Latin American film


Jens Andermann




Chapter 16: Enduring art cinema


Nilo Couret




III. Business practices




Chapter 17: Transnational networks of financing and distribution: international co-productions


Luisela Alvaray




Chapter 18: The interlocking dynamics of domestic and international film festivals: the case of Latin American and Caribbean cinema


Tamara L. Falicov




IV. Intermedialities




Chapter 19: Film and photography: an archeology


Andrea Cuarterolo




Chapter 20: Problematizing film and photography


Alejandro Kelly-Hopfenblatt and Silvana Flores




Chapter 21: Film and radio intermedialities in early Latin American sound cinema


Ana M. López




Chapter 22: Music in Latin American cinema: aural communities on- and off-screen


Marvin D’Lugo




Chapter 23: Film and television


Josetxo Cerdán and Miguel Fernández Labayen




Chapter 24: Latin American film in the digital age


Gonzalo Aguilar, Mariana Lacunza, and Niamh Thornton

Notă biografică

Marvin D’Lugo is Research Professor at Clark University, USA. He has written extensively on Hispanic transnational cinema, focusing on "audio politics" in Latin American film. He is currently completing a book on the digital cinema revolution in Mexico.




Ana M. López is Director of the Cuban and Caribbean Studies Institute at Tulane University, USA. Her research is focused on Latin American and Latino film and cultural studies. She is currently the editor of Studies in Spanish and Latin American Cinemas.




Laura Podalsky has authored The Politics of Affect and Emotion in the Contemporary Latin American Cinema (2011) and Specular City: Transforming Culture, Consumption, and Space in Buenos Aires, 1955–1973 (2004). She teaches Latin American film and cultural studies at the Ohio State University, USA.

Descriere

The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume.