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The Tempest de William Shakespeare

The Tempest: Macmillan Collector's Library

Autor William Shakespeare Ilustrat de John Gilbert
en Limba Engleză Hardback – 13 iun 2019
The Tempest is a masterpiece of magical effects, redemptive romance, poetry and politics.

Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features illustrations by renowned artist Sir John Gilbert and a new introduction by actor, writer and director Simon Callow.

Prospero has long been exiled from Italy and banished to a remote island with his daughter Miranda. He uses his magical powers to conjure up a fearsome storm, and his enemies, including his treacherous broth Antonio, are shipwrecked. There follows a play filled with murderous plots, drunken confusion, love and redemption. And along the way, the reader discovers an unmistakable message that this is Shakespeare's own farewell to the stage.
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Specificații

ISBN-13: 9781509889761
ISBN-10: 1509889760
Pagini: 160
Dimensiuni: 101 x 157 x 15 mm
Greutate: 0.13 kg
Editura: Pan Macmillan
Colecția Macmillan Collector's Library
Seria Macmillan Collector's Library

Notă biografică

William Shakespeare was born in Stratford-upon-Avon, Warwickshire, in 1564. The date of his birth is unknown but is celebrated on 23 April, which happens to be St George's Day, and the day in 1616 on which Shakespeare died.

Aged eighteen, he married Anne Hathaway. They had three children. Around 1585 William joined an acting troupe on tour in Stratford from London, and thereafter spent much of his life in the capital. By 1595 he had written five of his history plays, six comedies and his first tragedy, Romeo and Juliet. In all, he wrote thirty-seven plays and much poetry, and earned enormous fame in his own lifetime in prelude to his immortality.

Descriere

A complete and illustrated edition of Shakespeare's late comedy with an introduction by actor, writer and director Simon Callow.

Caracteristici

This is the first edition of The Tempest to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC

Cuprins

Preface

PART ONE: SHAKESPEARE AND THE TEMPEST

The Life and Work of William Shakespeare

The Text of The Tempest

PART TWO: A CASE STUDY IN CRITICAL CONTROVERSY

Why Study Critical Controversies about The Tempest?

Literary Study, Politics, and Shakespeare: A Debate

George Will, "Literary Politics"

Stephen Greenblatt, "The Best Way to Kill Our Literary Inheritance Is to Turn It into a Decorous Celebration of the New World Order"

Sources and Contexts

Michel De Montaigne, from "Of the Cannibals"

William Strachey, from "True Repertory of the Wrack"

Sylvester Jourdain, from "A Discovery of the Barmudas"

Richard Hakluyt," Reasons for Colonization"

Bartolomé De Las Casas, from "Letter to Phillip, Great Prince of Spain"

New Daniel Wilson, "The Monster Caliban"

New A Portfolio of Images of Caliban

New E. M.W. Tilyard, From The Great Chain of Being

Ronald Takaki, The "Tempest" in the Wilderness

Shakespeare and the Power of Order

Frank Kermode, from Shakespeare: The Final Plays

Reuben A. Brower," The Mirror of Analogy: The Tempest"

New Leah Marcus, "The Blue-Eyed Witch"

The Postcolonial Challenge

Paul Brown, " ‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism"

Francis Barker and Peter Hulme, "Nymphs and Reapers Heavily Vanish: The Discursive Contexts of The Tempest"

New Aimé Césaire, Scenes from A Tempest

Responding to the Challenge

Deborah Willis, "Shakespeare’s Tempest and the Discourse of Colonialism"

David Scott Kastian, " ‘The Duke of Milan /And His Brave Son’: Old Histories and New in The Tempest"

Meredith Anne Skura, from "Discourse and the Individual: The Case of Colonialism in The Tempest"

The Feminist Challenge

Ania Loomba, from Gender, Race, Renaissance Drama

Ann Thompson, " ‘Miranda, Where’s Your Sister?’: Reading Shakespeare’s

The Tempest"

New Writing about Critical Controversy in The Tempest

Recenzii

Review of the first edition: 'If you are looking for a model edition - by which I mean one that is concerned to honour the text and to explain the processes involved in editing - this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley's edition of The Tempest open beside me.' Peter Thompson
Review of the first edition: 'David Lindley's [The] Tempest is the best edition on the market and the paperback is a snip.' Studies in Theatre and Performance
Review of the first edition: 'Lindley aims both to represent and to explain the range of readings given the play in its theatrical and critical afterlives. His edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction that focuses on the elusiveness of The Tempest, a feature that has made it central to late-twentieth-century criticism.' Barbara Hodgdon, Studies in English Literature
Review of the first edition: 'David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.' Andrew Gurr, editor, New Variorum 'Tempest'