The Tempest: The New Oxford Shakespeare: Oxford World's Classics
Autor William Shakespeare Editat de Lauren Working, Rory Loughnane Emma Smithen Limba Engleză Paperback – 11 apr 2024
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Specificații
ISBN-13: 9780192865878
ISBN-10: 0192865870
Pagini: 176
Dimensiuni: 130 x 197 x 12 mm
Greutate: 0.14 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics
Locul publicării:Oxford, United Kingdom
ISBN-10: 0192865870
Pagini: 176
Dimensiuni: 130 x 197 x 12 mm
Greutate: 0.14 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics
Locul publicării:Oxford, United Kingdom
Notă biografică
Lauren Working is a lecturer in Renaissance Studies at the University of York. Her research explores how English colonialism influenced taste and politics in seventeenth-century London. Her first book, The Making of an Imperial Polity: Civility and America in the Jacobean Metropolis (2020), jointly won the Royal Historical Society's Whitfield Prize in 2021. She has also published on topics including travel and transculturality, female interests in empire, and the colonial gaze in cavalier verse. Her work with museums has led to collaborative projects on shipwrecked porcelain and contemporary poetry, still life painting, and global networks at Oxford and the Inns of Court. She is a consultant for the London National Portrait Gallery and a BBC Radio 3 New Generation Thinker.Rory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of ten books and has published widely on Shakespeare. For the New Oxford Shakespeare, he has edited more than ten of Shakespeare's plays. He is a Series Editor of Studies in Early Modern Authorship (Routledge) and Shakespeare and Text (Cambridge UP), and a General Editor of The Revels Plays series (Manchester UP) and the forthcoming Oxford Marlowe edition.
Recenzii
Review of the first edition: 'If you are looking for a model edition - by which I mean one that is concerned to honour the text and to explain the processes involved in editing - this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley's edition of The Tempest open beside me.' Peter Thompson
Review of the first edition: 'David Lindley's [The] Tempest is the best edition on the market and the paperback is a snip.' Studies in Theatre and Performance
Review of the first edition: 'Lindley aims both to represent and to explain the range of readings given the play in its theatrical and critical afterlives. His edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction that focuses on the elusiveness of The Tempest, a feature that has made it central to late-twentieth-century criticism.' Barbara Hodgdon, Studies in English Literature
Review of the first edition: 'David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.' Andrew Gurr, editor, New Variorum 'Tempest'
Review of the first edition: 'David Lindley's [The] Tempest is the best edition on the market and the paperback is a snip.' Studies in Theatre and Performance
Review of the first edition: 'Lindley aims both to represent and to explain the range of readings given the play in its theatrical and critical afterlives. His edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction that focuses on the elusiveness of The Tempest, a feature that has made it central to late-twentieth-century criticism.' Barbara Hodgdon, Studies in English Literature
Review of the first edition: 'David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.' Andrew Gurr, editor, New Variorum 'Tempest'
Caracteristici
This is the first edition of The Tempest to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC
Cuprins
Preface PART ONE: SHAKESPEARE AND THE TEMPEST The Life and Work of William Shakespeare The Text of The Tempest PART TWO: A CASE STUDY IN CRITICAL CONTROVERSY Why Study Critical Controversies about The Tempest? Literary Study, Politics, and Shakespeare: A Debate George Will, "Literary Politics" Stephen Greenblatt, "The Best Way to Kill Our Literary Inheritance Is to Turn It into a Decorous Celebration of the New World Order" Sources and Contexts Michel De Montaigne, from "Of the Cannibals" William Strachey, from "True Repertory of the Wrack" Sylvester Jourdain, from "A Discovery of the Barmudas" Richard Hakluyt," Reasons for Colonization" Bartolomé De Las Casas, from "Letter to Phillip, Great Prince of Spain" New Daniel Wilson, "The Monster Caliban" New A Portfolio of Images of Caliban New E. M.W. Tilyard, From The Great Chain of Being Ronald Takaki, The "Tempest" in the Wilderness Shakespeare and the Power of Order Frank Kermode, from Shakespeare: The Final Plays Reuben A. Brower," The Mirror of Analogy: The Tempest" New Leah Marcus, "The Blue-Eyed Witch" The Postcolonial Challenge Paul Brown, " ‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism" Francis Barker and Peter Hulme, "Nymphs and Reapers Heavily Vanish: The Discursive Contexts of The Tempest" New Aimé Césaire, Scenes from A Tempest Responding to the Challenge Deborah Willis, "Shakespeare’s Tempest and the Discourse of Colonialism" David Scott Kastian, " ‘The Duke of Milan /And His Brave Son’: Old Histories and New in The Tempest" Meredith Anne Skura, from "Discourse and the Individual: The Case of Colonialism in The Tempest" The Feminist Challenge Ania Loomba, from Gender, Race, Renaissance Drama Ann Thompson, " ‘Miranda, Where’s Your Sister?’: Reading Shakespeare’s The Tempest" New Writing about Critical Controversy in The Tempest