The Tempest: Third Series: The Arden Shakespeare Third Series
Editat de Professor Alden T. Vaughan Autor William Shakespeare Editat de Professor Virginia Mason Vaughanen Limba Engleză Paperback – 14 aug 2011
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Specificații
ISBN-13: 9781408133477
ISBN-10: 1408133474
Pagini: 416
Ilustrații: 20 in text black & white
Dimensiuni: 129 x 198 x 22 mm
Greutate: 0.43 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria The Arden Shakespeare Third Series
Locul publicării:London, United Kingdom
ISBN-10: 1408133474
Pagini: 416
Ilustrații: 20 in text black & white
Dimensiuni: 129 x 198 x 22 mm
Greutate: 0.43 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria The Arden Shakespeare Third Series
Locul publicării:London, United Kingdom
Caracteristici
The edition's focus on recent stage history and on current thinking about the play's treatment of colonial themes is directly relevant for students
Recenzii
'The Tempest is a play that insists on both a dreaminess and its metaphysical significance.'
'It's often said The Tempest is better read than performed.'
'Because the Vaughans are steeped in The Tempest, having both produced separate volumes about the play, their attempts to cram in as much detail as possible into the introduction makes for a very dense read. But refreshingly their work lacks an agenda; probably because they've worked through their own opinions elsewhere they're more relaxed about simply presenting the arguments of others and letting the reader decide as to their merits, pleasingly giving due prominence to contemporary thinkers like Bate, Wells and Kermode.'
The Vaughans devote twenty-two new pages to an account of the latest scholarship, including new new suggestions for sources and comparisons for the play... The new pages are a sound and worthwhile addition to an edition that was good already.
'It's often said The Tempest is better read than performed.'
'Because the Vaughans are steeped in The Tempest, having both produced separate volumes about the play, their attempts to cram in as much detail as possible into the introduction makes for a very dense read. But refreshingly their work lacks an agenda; probably because they've worked through their own opinions elsewhere they're more relaxed about simply presenting the arguments of others and letting the reader decide as to their merits, pleasingly giving due prominence to contemporary thinkers like Bate, Wells and Kermode.'
The Vaughans devote twenty-two new pages to an account of the latest scholarship, including new new suggestions for sources and comparisons for the play... The new pages are a sound and worthwhile addition to an edition that was good already.
Notă biografică
Descriere
The Tempest isone of Shakespeare's enduringly popular and much-studied later plays. The introduction has been extended to focus on new scholarship about the play's first production and to take account of major theatre and film versions since first publication in 1999, including Julie Taymor's 2010 film starring Helen Mirren.
Cuprins
Preface PART ONE: SHAKESPEARE AND THE TEMPEST The Life and Work of William Shakespeare The Text of The Tempest PART TWO: A CASE STUDY IN CRITICAL CONTROVERSY Why Study Critical Controversies about The Tempest? Literary Study, Politics, and Shakespeare: A Debate George Will, "Literary Politics" Stephen Greenblatt, "The Best Way to Kill Our Literary Inheritance Is to Turn It into a Decorous Celebration of the New World Order" Sources and Contexts Michel De Montaigne, from "Of the Cannibals" William Strachey, from "True Repertory of the Wrack" Sylvester Jourdain, from "A Discovery of the Barmudas" Richard Hakluyt," Reasons for Colonization" Bartolomé De Las Casas, from "Letter to Phillip, Great Prince of Spain" New Daniel Wilson, "The Monster Caliban" New A Portfolio of Images of Caliban New E. M.W. Tilyard, From The Great Chain of Being Ronald Takaki, The "Tempest" in the Wilderness Shakespeare and the Power of Order Frank Kermode, from Shakespeare: The Final Plays Reuben A. Brower," The Mirror of Analogy: The Tempest" New Leah Marcus, "The Blue-Eyed Witch" The Postcolonial Challenge Paul Brown, " ‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism" Francis Barker and Peter Hulme, "Nymphs and Reapers Heavily Vanish: The Discursive Contexts of The Tempest" New Aimé Césaire, Scenes from A Tempest Responding to the Challenge Deborah Willis, "Shakespeare’s Tempest and the Discourse of Colonialism" David Scott Kastian, " ‘The Duke of Milan /And His Brave Son’: Old Histories and New in The Tempest" Meredith Anne Skura, from "Discourse and the Individual: The Case of Colonialism in The Tempest" The Feminist Challenge Ania Loomba, from Gender, Race, Renaissance Drama Ann Thompson, " ‘Miranda, Where’s Your Sister?’: Reading Shakespeare’s The Tempest" New Writing about Critical Controversy in The Tempest