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The Tempest de William Shakespeare

The Tempest: 30-Minute Shakespeare

Autor William Shakespeare Editat de Nick Newlin
en Limba Engleză Paperback – 31 mai 2012
The Tempest: The 30-Minute Shakespeare offers eight scenes from this rich comedy. Beginning with the magical storm and shipwreck, this adaptation includes the uproarious discovery of the monster Caliban and his plot to kill Prospero. Included are the heartfelt marriage vows between Ferdinand and Miranda, the disguised antics of fairy Ariel, and Prospero's poetic abjuration of his rough magic.
The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors as well as an appendix with suggestions for the specific play and recommendations for further resources.
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Specificații

ISBN-13: 9781935550280
ISBN-10: 1935550284
Pagini: 74
Dimensiuni: 140 x 211 x 8 mm
Greutate: 0.14 kg
Editura: Nicolo Whimsey Press
Seria 30-Minute Shakespeare

Notă biografică

William Shakespeare 26 April 1564 ¿ 23 April 1616was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist.He is often called England's national poet and the "Bard of Avon".His extant works, including collaborations, consist of approximately 39 plays,154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.[ Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. . Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Throughout the 20th and 21st centuries, Shakespeare's works have been continually adapted and rediscovered by new movements in scholarship and performance. His plays remain popular and are studied, performed, and reinterpreted through various cultural and political contexts around the world.

Descriere

"A truly fun, emotional, and sometimes magical first experience . . . guided by a sagacious, knowledgeable, and intuitive educator."—Library

Recenzii

Review of the first edition: 'If you are looking for a model edition - by which I mean one that is concerned to honour the text and to explain the processes involved in editing - this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley's edition of The Tempest open beside me.' Peter Thompson
Review of the first edition: 'David Lindley's [The] Tempest is the best edition on the market and the paperback is a snip.' Studies in Theatre and Performance
Review of the first edition: 'Lindley aims both to represent and to explain the range of readings given the play in its theatrical and critical afterlives. His edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction that focuses on the elusiveness of The Tempest, a feature that has made it central to late-twentieth-century criticism.' Barbara Hodgdon, Studies in English Literature
Review of the first edition: 'David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.' Andrew Gurr, editor, New Variorum 'Tempest'

Caracteristici

This is the first edition of The Tempest to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC

Cuprins

Preface

PART ONE: SHAKESPEARE AND THE TEMPEST

The Life and Work of William Shakespeare

The Text of The Tempest

PART TWO: A CASE STUDY IN CRITICAL CONTROVERSY

Why Study Critical Controversies about The Tempest?

Literary Study, Politics, and Shakespeare: A Debate

George Will, "Literary Politics"

Stephen Greenblatt, "The Best Way to Kill Our Literary Inheritance Is to Turn It into a Decorous Celebration of the New World Order"

Sources and Contexts

Michel De Montaigne, from "Of the Cannibals"

William Strachey, from "True Repertory of the Wrack"

Sylvester Jourdain, from "A Discovery of the Barmudas"

Richard Hakluyt," Reasons for Colonization"

Bartolomé De Las Casas, from "Letter to Phillip, Great Prince of Spain"

New Daniel Wilson, "The Monster Caliban"

New A Portfolio of Images of Caliban

New E. M.W. Tilyard, From The Great Chain of Being

Ronald Takaki, The "Tempest" in the Wilderness

Shakespeare and the Power of Order

Frank Kermode, from Shakespeare: The Final Plays

Reuben A. Brower," The Mirror of Analogy: The Tempest"

New Leah Marcus, "The Blue-Eyed Witch"

The Postcolonial Challenge

Paul Brown, " ‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism"

Francis Barker and Peter Hulme, "Nymphs and Reapers Heavily Vanish: The Discursive Contexts of The Tempest"

New Aimé Césaire, Scenes from A Tempest

Responding to the Challenge

Deborah Willis, "Shakespeare’s Tempest and the Discourse of Colonialism"

David Scott Kastian, " ‘The Duke of Milan /And His Brave Son’: Old Histories and New in The Tempest"

Meredith Anne Skura, from "Discourse and the Individual: The Case of Colonialism in The Tempest"

The Feminist Challenge

Ania Loomba, from Gender, Race, Renaissance Drama

Ann Thompson, " ‘Miranda, Where’s Your Sister?’: Reading Shakespeare’s

The Tempest"

New Writing about Critical Controversy in The Tempest