The Tempest: Teen ELI Readers
Autor William Shakespeareen Limba Engleză Paperback – 31 iul 2015
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Specificații
ISBN-13: 9783125147317
ISBN-10: 312514731X
Pagini: 63
Dimensiuni: 151 x 209 x 8 mm
Greutate: 0.14 kg
Editura: Klett Sprachen GmbH
Seria Teen ELI Readers
ISBN-10: 312514731X
Pagini: 63
Dimensiuni: 151 x 209 x 8 mm
Greutate: 0.14 kg
Editura: Klett Sprachen GmbH
Seria Teen ELI Readers
Notă biografică
William
Shakespeare
wurde
im
Jahr
1564
in
Stratford-upon-Avon
geboren
und
starb
dort
1616.
Er
war
ein
englischer
Dramatiker,
Lyriker
und
Schauspieler.Shakespeare
wuchs
in
einer
wohlhabenden
Bürgerfamilie
auf
und
besuchte
vermutlich
die
Stratforder
Lateinschule.
Im
Alter
von
18
Jahren
heiratete
er
eine
Bauerntochter,
mit
der
er
drei
Kinder
bekam.
Man
vermutet,
dass
er
von
1582
bis
1590
als
Lehrer
arbeitete.
Es
gibt
keine
Anhaltspunkte
dafür,
dass
Shakespeare
eine
Universität
besucht
hat.Ab
1592
ist
bekannt,
dass
Shakespeare
Mitglied
der
führenden
Theatergruppe
Londons
war,
für
die
er
auch
eigene
Stücke
schrieb.
Es
entstanden
u.a.
die
Königsdramen
und
die
Komödien
"Der
Widerspenstigen
Zähmung",
"Ein
Sommernachtstraum"
und
"Viel
Lärm
um
nichts".
"Romeo
und
Julia',
eine
der
berühmtesten
Liebestragödien
der
Weltliteratur,
entstammt
wohl
dem
Jahr
1598.
Nach
der
Jahrhundertwende
schuf
Shakespeare
u.a.
die
Tragödien
"Hamlet",
"Othello"
und
"Macbeth"Als
Teilhaber
des
Londoner
Globe
Theatre
erwarb
sich
Shakespeare
Vermögen
und
Einfluss.
Seine
Truppe
"Lord
Chamberlain's
Men"
trat
öfter
auch
am
Hof
der
Königin
Elisabeth
auf.Mit
46
Jahren
kehrte
Shakespeare
wohlhabend
nach
Stratford
zurück
und
verbrachte
dort
seine
letzten
Lebensjahre,
in
denen
er
noch
öfters
nach
London
reiste
und
auch
weitere
Theaterstücke
produzierte.William
Shakespeare
starb
1616
im
Alter
von
52
Jahren
in
Stratford-upon-Avon.
Descriere
Descriere de la o altă ediție sau format:
'How beauteous mankind is! O brave new worldThat has such people in't!'Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'How beauteous mankind is! O brave new worldThat has such people in't!'Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Recenzii
Review of the first edition: 'If you are looking for a model edition - by which I mean one that is concerned to honour the text and to explain the processes involved in editing - this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley's edition of The Tempest open beside me.' Peter Thompson
Review of the first edition: 'David Lindley's [The] Tempest is the best edition on the market and the paperback is a snip.' Studies in Theatre and Performance
Review of the first edition: 'Lindley aims both to represent and to explain the range of readings given the play in its theatrical and critical afterlives. His edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction that focuses on the elusiveness of The Tempest, a feature that has made it central to late-twentieth-century criticism.' Barbara Hodgdon, Studies in English Literature
Review of the first edition: 'David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.' Andrew Gurr, editor, New Variorum 'Tempest'
Review of the first edition: 'David Lindley's [The] Tempest is the best edition on the market and the paperback is a snip.' Studies in Theatre and Performance
Review of the first edition: 'Lindley aims both to represent and to explain the range of readings given the play in its theatrical and critical afterlives. His edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction that focuses on the elusiveness of The Tempest, a feature that has made it central to late-twentieth-century criticism.' Barbara Hodgdon, Studies in English Literature
Review of the first edition: 'David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.' Andrew Gurr, editor, New Variorum 'Tempest'
Caracteristici
This is the first edition of The Tempest to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC
Cuprins
Preface PART ONE: SHAKESPEARE AND THE TEMPEST The Life and Work of William Shakespeare The Text of The Tempest PART TWO: A CASE STUDY IN CRITICAL CONTROVERSY Why Study Critical Controversies about The Tempest? Literary Study, Politics, and Shakespeare: A Debate George Will, "Literary Politics" Stephen Greenblatt, "The Best Way to Kill Our Literary Inheritance Is to Turn It into a Decorous Celebration of the New World Order" Sources and Contexts Michel De Montaigne, from "Of the Cannibals" William Strachey, from "True Repertory of the Wrack" Sylvester Jourdain, from "A Discovery of the Barmudas" Richard Hakluyt," Reasons for Colonization" Bartolomé De Las Casas, from "Letter to Phillip, Great Prince of Spain" New Daniel Wilson, "The Monster Caliban" New A Portfolio of Images of Caliban New E. M.W. Tilyard, From The Great Chain of Being Ronald Takaki, The "Tempest" in the Wilderness Shakespeare and the Power of Order Frank Kermode, from Shakespeare: The Final Plays Reuben A. Brower," The Mirror of Analogy: The Tempest" New Leah Marcus, "The Blue-Eyed Witch" The Postcolonial Challenge Paul Brown, " ‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism" Francis Barker and Peter Hulme, "Nymphs and Reapers Heavily Vanish: The Discursive Contexts of The Tempest" New Aimé Césaire, Scenes from A Tempest Responding to the Challenge Deborah Willis, "Shakespeare’s Tempest and the Discourse of Colonialism" David Scott Kastian, " ‘The Duke of Milan /And His Brave Son’: Old Histories and New in The Tempest" Meredith Anne Skura, from "Discourse and the Individual: The Case of Colonialism in The Tempest" The Feminist Challenge Ania Loomba, from Gender, Race, Renaissance Drama Ann Thompson, " ‘Miranda, Where’s Your Sister?’: Reading Shakespeare’s The Tempest" New Writing about Critical Controversy in The Tempest