Three Sisters: French's Acting Editions
Autor Anton Chekhov Adaptat de Christopher Hamptonen Limba Engleză Paperback
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (13) | 32.15 lei 22-36 zile | |
Mint Editions – dec 2020 | 32.15 lei 22-36 zile | |
Theatre Communications Group – 11 noi 2020 | 68.40 lei 22-36 zile | +4.66 lei 6-12 zile |
Hackett Publishing Company,Inc – 15 mar 2014 | 73.31 lei 22-36 zile | |
Theatre Communications Group – 23 ian 2017 | 77.32 lei 22-36 zile | |
Bloomsbury Publishing – 7 apr 2021 | 77.91 lei 22-36 zile | +10.87 lei 6-12 zile |
Bloomsbury Publishing – 24 mar 2021 | 78.18 lei 22-36 zile | |
Bloomsbury Publishing – 21 mai 2018 | 65.44 lei 43-57 zile | |
Bloomsbury Publishing – 5 mar 2003 | 67.41 lei 43-57 zile | +21.94 lei 6-12 zile |
Bloomsbury Publishing – 3 apr 2014 | 72.68 lei 43-57 zile | |
FABER & FABER – 20 oct 2016 | 76.84 lei 43-57 zile | |
Bloomsbury Publishing – 22 feb 2006 | 77.74 lei 43-57 zile | |
Samuel French Ltd – | 107.17 lei 43-57 zile | |
Samuel French Ltd – 2 mar 2018 | 108.06 lei 43-57 zile | |
Hardback (1) | 223.43 lei 22-36 zile | |
Hackett Publishing Company,Inc – 15 mar 2014 | 223.43 lei 22-36 zile |
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Specificații
ISBN-13: 9780573019982
ISBN-10: 0573019983
Pagini: 76
Dimensiuni: 140 x 216 x 4 mm
Greutate: 0.1 kg
Ediția:Revised
Editura: Samuel French Ltd
Seria French's Acting Editions
ISBN-10: 0573019983
Pagini: 76
Dimensiuni: 140 x 216 x 4 mm
Greutate: 0.1 kg
Ediția:Revised
Editura: Samuel French Ltd
Seria French's Acting Editions
Notă biografică
Descriere
Descriere de la o altă ediție sau format:
n a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up. Anton Chekhov's great play in a new adaptation by Cordelia Lynn for the Almeida Theatre.
n a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up. Anton Chekhov's great play in a new adaptation by Cordelia Lynn for the Almeida Theatre.
Recenzii
A punky, funny, furious takedown of the cult of the classic... the piece never denies that Chekhov still speaks to us, it also questions its existence... loud, rude, provocative and, yes, messy - that's all part of its glorious defiance. Don't go expecting the pretty, predictable or polite. But do go. ????
A gloriously playful evening, stuffed with musical richness. If you know the original you will note how the company both honour its structure and smash it... it understands that each generation must take what they need from a play and that it must speak not to the past but to the millions of Olgas, Irinas and Mashas of today. Otherwise, why bother? ????
Less a take on the play than a music and movement-fuelled examination of why plays like this continue to be staged... some of the basic features of Chekhov's play remain, but RashDash push at its edges and mess with its mechanics... RashDash incisively skewers the privileged ennui of Chekhov's characters and the limited horizons the playwright imagined for his female protagonists. If the classics aren't for everyone, RashDash ask, then what are they for? ????
'Funny, furious - loud, rude, provocative and messy.'
A gloriously playful evening, stuffed with musical richness. If you know the original you will note how the company both honour its structure and smash it... it understands that each generation must take what they need from a play and that it must speak not to the past but to the millions of Olgas, Irinas and Mashas of today. Otherwise, why bother? ????
Less a take on the play than a music and movement-fuelled examination of why plays like this continue to be staged... some of the basic features of Chekhov's play remain, but RashDash push at its edges and mess with its mechanics... RashDash incisively skewers the privileged ennui of Chekhov's characters and the limited horizons the playwright imagined for his female protagonists. If the classics aren't for everyone, RashDash ask, then what are they for? ????
'Funny, furious - loud, rude, provocative and messy.'
Caracteristici
Translated to acclaim by Michael Frayn, one of the most eminent British playwrights and translators of Russian drama working today.