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Three Sisters: Oberon Modern Plays

Autor Anton Chekhov Adaptat de Benedict Andrews
en Limba Engleză Paperback – 24 mar 2021
In a remote Russian town, Olga, Masha and Irina long for life in Moscow - but their plans go nowhere. Disaster, deception, meaningless self-sacrifice - in Chekhov's heartbreaking masterpiece, each new twist of fate sees the sisters' control over their destiny slip away.This version of The Three Sisters has been radically re-worked. It is set in modern day Russia, with modern language and it re-imagines the sisters' dreams and the world around them. This compelling version of the Russian classic by renowned Australian director Benedict Andrews premiered at the Young Vic on 8 September 2012. Benedict Andrew's version of Three Sisters was third in theGuardian's top ten best theatre picks of 2012.
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Specificații

ISBN-13: 9781350262706
ISBN-10: 1350262706
Pagini: 96
Ilustrații: 24.99
Dimensiuni: 130 x 210 x 9 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Oberon Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

Won rave reviews for its production at the Young Vic, London,

Notă biografică

Benedict Andrews is one of the most sought after Australian theatre directors of his generation. He is known for his startling adaptations from the classical repertoire alongside plays by contemporary dramatists. His adaptations include a marathon production of Shakespeare's history plays, The Wars of the Roses (with Cate Blanchett), and a version of Chekhov's The Seagull. His play Every Breath premiered at Sydney's Belvoir Street in 2012.

Descriere

Descriere de la o altă ediție sau format:
n a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up. Anton Chekhov's great play in a new adaptation by Cordelia Lynn for the Almeida Theatre.

Recenzii

A punky, funny, furious takedown of the cult of the classic... the piece never denies that Chekhov still speaks to us, it also questions its existence... loud, rude, provocative and, yes, messy - that's all part of its glorious defiance. Don't go expecting the pretty, predictable or polite. But do go. ????
A gloriously playful evening, stuffed with musical richness. If you know the original you will note how the company both honour its structure and smash it... it understands that each generation must take what they need from a play and that it must speak not to the past but to the millions of Olgas, Irinas and Mashas of today. Otherwise, why bother? ????
Less a take on the play than a music and movement-fuelled examination of why plays like this continue to be staged... some of the basic features of Chekhov's play remain, but RashDash push at its edges and mess with its mechanics... RashDash incisively skewers the privileged ennui of Chekhov's characters and the limited horizons the playwright imagined for his female protagonists. If the classics aren't for everyone, RashDash ask, then what are they for? ????
'Funny, furious - loud, rude, provocative and messy.'