Three Sisters: Oberon Modern Plays
Autor Anton Chekhov Adaptat de Benedict Andrewsen Limba Engleză Paperback – 24 mar 2021
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Specificații
ISBN-13: 9781350262706
ISBN-10: 1350262706
Pagini: 96
Ilustrații: 24.99
Dimensiuni: 130 x 210 x 9 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350262706
Pagini: 96
Ilustrații: 24.99
Dimensiuni: 130 x 210 x 9 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Won
rave
reviews
for
its
production
at
the
Young
Vic,
London,
Notă biografică
Benedict
Andrews
is
one
of
the
most
sought
after
Australian
theatre
directors
of
his
generation.
He
is
known
for
his
startling
adaptations
from
the
classical
repertoire
alongside
plays
by
contemporary
dramatists.
His
adaptations
include
a
marathon
production
of
Shakespeare's
history
plays,
The
Wars
of
the
Roses
(with
Cate
Blanchett),
and
a
version
of
Chekhov's
The
Seagull.
His
play
Every
Breath
premiered
at
Sydney's
Belvoir
Street
in
2012.
Descriere
Descriere de la o altă ediție sau format:
n a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up. Anton Chekhov's great play in a new adaptation by Cordelia Lynn for the Almeida Theatre.
n a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up. Anton Chekhov's great play in a new adaptation by Cordelia Lynn for the Almeida Theatre.
Recenzii
A punky, funny, furious takedown of the cult of the classic... the piece never denies that Chekhov still speaks to us, it also questions its existence... loud, rude, provocative and, yes, messy - that's all part of its glorious defiance. Don't go expecting the pretty, predictable or polite. But do go. ????
A gloriously playful evening, stuffed with musical richness. If you know the original you will note how the company both honour its structure and smash it... it understands that each generation must take what they need from a play and that it must speak not to the past but to the millions of Olgas, Irinas and Mashas of today. Otherwise, why bother? ????
Less a take on the play than a music and movement-fuelled examination of why plays like this continue to be staged... some of the basic features of Chekhov's play remain, but RashDash push at its edges and mess with its mechanics... RashDash incisively skewers the privileged ennui of Chekhov's characters and the limited horizons the playwright imagined for his female protagonists. If the classics aren't for everyone, RashDash ask, then what are they for? ????
'Funny, furious - loud, rude, provocative and messy.'
A gloriously playful evening, stuffed with musical richness. If you know the original you will note how the company both honour its structure and smash it... it understands that each generation must take what they need from a play and that it must speak not to the past but to the millions of Olgas, Irinas and Mashas of today. Otherwise, why bother? ????
Less a take on the play than a music and movement-fuelled examination of why plays like this continue to be staged... some of the basic features of Chekhov's play remain, but RashDash push at its edges and mess with its mechanics... RashDash incisively skewers the privileged ennui of Chekhov's characters and the limited horizons the playwright imagined for his female protagonists. If the classics aren't for everyone, RashDash ask, then what are they for? ????
'Funny, furious - loud, rude, provocative and messy.'