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Titus Andronicus de William Shakespeare

Titus Andronicus

Autor William Shakespeare Editat de Barbara A Mowat, Paul Werstine
en Limba Engleză Paperback – 9 iun 2020
Shakespeare’s tragic story of revenge is reimagined for the twenty-first century.  

One of Shakespeare’s goriest plays, Titus Andronicus traces the fall of the Andronicus family in ancient Rome. Clinging to the ways of the past, Titus desperately seeks to remain loyal to the throne as his world crumbles around him. Amy Freed’s translation of Titus Andronicus is careful and meticulous, making small but mighty changes in moments that enhance the drama of each scene. Freed’s version gives this extraordinary play an even faster track on which to run.

This translation of Titus Andronicus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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Specificații

ISBN-13: 9781982156893
ISBN-10: 1982156899
Pagini: 320
Dimensiuni: 139 x 213 x 22 mm
Greutate: 0.36 kg
Ediția:Adnotată
Editura: Simon&Schuster

Descriere

Descriere de la o altă ediție sau format:
'Vengeance is in my heart, death in my hand,Blood and revenge are hammering in my head.'In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Notă biografică

Harry R. McCarthy is Lecturer in Early Modern Literature at the University of Exeter (UK). He previously held a Research Fellowship at Jesus College (University of Cambridge, UK), and is the author of author of Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (2022) and Performing Early Modern Drama Beyond Shakespeare: Edward's Boys (2020). His articles on boyhood, theatre history, contemporary performance of early modern plays, and racial justice in early modern studies, have appeared in journals including Early Theatre, English Literary History, Shakespeare, and Shakespeare Survey, on whose Editorial Board he currently sits.Gary Taylor is Robert O. Lawton Distinguished Professor at Florida State University. He is a General Editor of The New Oxford Shakespeare and has written, edited, and co-edited numerous other volumes including The Oxford Handbook of Thomas Middleton (2012), Moment by Moment by Shakespeare (1985), and Reinventing Shakespeare (1989). He general-edited the Signs of Race and History of Text Technologies series, founded the interdisciplinary History of Text Technologies program at FSU, and has written about the practice and theory of editing in various periods and genres. Taylor has also worked to communicate contemporary literary theory and criticism to a mass audience in newspapers, radio, TV, museums and theatres in North America and the UK.Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of The New Oxford Shakespeare and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.Rory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of ten books and has published widely on Shakespeare. For the New Oxford Shakespeare, he has edited more than ten of Shakespeares plays. He is a Series Editor of Studies in Early Modern Authorship and Shakespeare and Text, and a General Editor of The Revels Plays series and the forthcoming Oxford Marlowe edition.Anna Pruitt is the Managing Editor of Giving USA at the Lilly Family School of Philanthropy at Indiana University. She is an Associate Editor of The New Oxford Shakespeare.Francis X. Connor is Associate Professor of English at Wichita State University, where he teaches courses in Shakespeare, Early Modern Literature, and the history of the book. An associate editor for The New Oxford Shakespeare, he is the author of Literary Folios and Ideas of the Book in Early Modern England (2014), and his work has appeared in Shakespeare Survey, PBSA, Sidney Journal, and elsewhere.

Recenzii

`sound and often admirable piece of scholarship. It deals judiciously with the problems of text, authorship and sources, and with the business of clearly and concisely annotating the text'Emrys Jones, Literary Review
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times

Cuprins

List of illustrations; Preface; List of abbreviations and conventions; Introduction: Date; Sources; Authorship; Early stage history; The Longleat manuscript; From the Restoration to the nineteenth century; Twentieth-century performance and criticism; Recent stage, film and critical interpretations by Sue Hall-Smith; Note on the text; List of characters; The Play; Textual analysis; Appendix 1. Titus Andronicus at the Rose; Appendix 2. Performance by a small company; Reading list.

Caracteristici

New 10,000 word essay updates the performance history and offers new thinking about the play's collaborative authorship