Titus Andronicus
Autor William Shakespeareen Limba Engleză Paperback – 11 feb 2010
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Specificații
ISBN-13: 9781605126197
ISBN-10: 1605126195
Pagini: 124
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.17 kg
Editura: Akasha Classics
ISBN-10: 1605126195
Pagini: 124
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.17 kg
Editura: Akasha Classics
Notă biografică
William Shakespeare (1564 to 1616) was an English playwright, poet, and actor. He is widely considered the greatest writer in the English language and the world's greatest dramatist.
Descriere
Descriere de la o altă ediție sau format:
Titus Andronicus was the young Shakespeare's audacious, sporadically brilliant experiment in sensational tragedy. Its horrors are notorious, but its powerful poetry of grief is the work of a true tragic poet. Introducing this edition, E.M. Waith provides a fresh view of the play in its historical context as well as an original discussion of the famous `Peacham' drawing - the only surviving contemporary Shakespeare illustration. An illustrated account of performances, notably Peter Brook's production with Oliver as Titus, leads to an assessment of the play's qualities in the light of its critical reception. The eighteenth-century version of the play's probable source is given in one of the appendices. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Titus Andronicus was the young Shakespeare's audacious, sporadically brilliant experiment in sensational tragedy. Its horrors are notorious, but its powerful poetry of grief is the work of a true tragic poet. Introducing this edition, E.M. Waith provides a fresh view of the play in its historical context as well as an original discussion of the famous `Peacham' drawing - the only surviving contemporary Shakespeare illustration. An illustrated account of performances, notably Peter Brook's production with Oliver as Titus, leads to an assessment of the play's qualities in the light of its critical reception. The eighteenth-century version of the play's probable source is given in one of the appendices. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Recenzii
`sound and often admirable piece of scholarship. It deals judiciously with the problems of text, authorship and sources, and with the business of clearly and concisely annotating the text'Emrys Jones, Literary Review
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times
Cuprins
List of illustrations; Preface; List of abbreviations and conventions; Introduction: Date; Sources; Authorship; Early stage history; The Longleat manuscript; From the Restoration to the nineteenth century; Twentieth-century performance and criticism; Recent stage, film and critical interpretations by Sue Hall-Smith; Note on the text; List of characters; The Play; Textual analysis; Appendix 1. Titus Andronicus at the Rose; Appendix 2. Performance by a small company; Reading list.
Caracteristici
New 10,000 word essay updates the performance history and offers new thinking about the play's collaborative authorship