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Titus Andronicus de William Shakespeare

Titus Andronicus

Autor William Shakespeare
en Limba Engleză Paperback – 8 iul 2019

Titus Andronicus may be Shakespeare's earliest tragedy; it is believed to have been written sometime between 1584 and the early 1590s. It depicts a Roman general who is engaged in a cycle of revenge with his enemy Tamora, the Queen of the Goths. The play is by far Shakespeare's bloodiest work. It lost popularity during the Victorian era because of its gore, and has only recently begun to revive its fortunes.

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Specificații

ISBN-13: 9789389369601
ISBN-10: 9389369606
Pagini: 174
Dimensiuni: 140 x 216 x 9 mm
Greutate: 0.23 kg
Editura: Throne Classics

Notă biografică

Carl D. Atkins has studied Shakespeare for decades. In addition to his variorum edition of The Sonnets (only the fourth variorum edition since The Sonnets were printed in 1609) he has published two articles on The Sonnets and one on Measure for Measure, all in the respected journal, Studies in Philology. Dr. Atkins has made a complete metrical analysis of all 154 poems, which serves as an excellent companion to Shakespeare's Sonnets Among His Private Friends. It is available gratis at: www.amonghisprivatefriends.com. Dr. Atkins is a physician. He graduated Phi Beta Kappa from the Massachusetts Institute of Technology. He lives with his wife in New York. Review of Shakespeare's Sonnets: With Three Hundred Years of Commentary: "...Atkins also offers an insightful running commentary on the metrical features of the individual poems, making this edition stand out even further from all other recent editions. Including a fine bibliography, a general index, and three appendixes, this lucid, well-researched edition is the product of many years of labor and love; it will be an indispensable work for those interested in Shakespeare's sonnets." Choice, May 2008

Descriere

Descriere de la o altă ediție sau format:
Titus Andronicus was the young Shakespeare's audacious, sporadically brilliant experiment in sensational tragedy. Its horrors are notorious, but its powerful poetry of grief is the work of a true tragic poet. Introducing this edition, E.M. Waith provides a fresh view of the play in its historical context as well as an original discussion of the famous `Peacham' drawing - the only surviving contemporary Shakespeare illustration. An illustrated account of performances, notably Peter Brook's production with Oliver as Titus, leads to an assessment of the play's qualities in the light of its critical reception. The eighteenth-century version of the play's probable source is given in one of the appendices. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

`sound and often admirable piece of scholarship. It deals judiciously with the problems of text, authorship and sources, and with the business of clearly and concisely annotating the text'Emrys Jones, Literary Review
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times

Cuprins

List of illustrations; Preface; List of abbreviations and conventions; Introduction: Date; Sources; Authorship; Early stage history; The Longleat manuscript; From the Restoration to the nineteenth century; Twentieth-century performance and criticism; Recent stage, film and critical interpretations by Sue Hall-Smith; Note on the text; List of characters; The Play; Textual analysis; Appendix 1. Titus Andronicus at the Rose; Appendix 2. Performance by a small company; Reading list.

Caracteristici

New 10,000 word essay updates the performance history and offers new thinking about the play's collaborative authorship